Elly Griffiths - The Janus Stone

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Ruth Galloway is called in to investigate when builders, demolishing a large old house in Norwich to make way for a housing development, uncover the bones of a child beneath a doorway – minus the skull. Is it some ritual sacrifice or just plain straightforward murder? DCI Harry Nelson would like to find out – and fast. It turns out the house was once a children's home. Nelson traces the Catholic priest who used to run the home. Father Hennessey tells him that two children did go missing from the home forty years before – a boy and a girl. They were never found. When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the scent by frightening her half to death…

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‘Fine,’ says Cathbad bracingly. ‘They’ll do a scan but there’s no sign that anything’s wrong.’

‘The baby in the trench?’

‘It was a model,’ says Nelson, ‘some nutter must have put it there for a joke.’

He holds out the plastic baby. Ruth turns her head away and tears slide down her cheeks.

‘Your baby’s OK,’ says Nelson in a softer voice. Ruth looks up at him and somehow it seems as if they can’t look away. The seconds turn into minutes. Max fiddles with a hand sanitiser on the wall. Cathbad, of course, is incapable of embarrassment.

‘I think,’ he says brightly, ‘that we should all give thanks to the goddess Brigid for Ruth’s safe recovery.’

Luckily, at that minute a nurse pushes aside the curtains and says that they are transferring Ruth to another ward. They will keep her in for the night, she says, just for observation. ‘And in the morning,’ she says cheerfully, ‘one of your friends can drive you home.’ She looks at the three men, from Cathbad’s purple cloak to Max’s mud-stained jeans and Nelson’s police jacket, and her smile fades slightly.

In the morning, Ruth is only too keen to leave hospital. At first it had been wonderful to lie between the cool, starched sheets and have kind nurses bring her tea and toast. They had wheeled her down for the scan and there was Toby, floating happily in his clouds. To Ruth’s embarrassment she had cried slightly, sniffling into the pink tissues handed to her by a nurse. Jesus, they’re so nice in here. It’s a wonder they don’t go mad.

But as the night drew on she had started to worry about Flint (Cathbad had offered to feed him but who knows whether he’d remember), about her baby (how on earth is she going to cope on her own?) and, finally, about herself. It seems that someone is trying to scare her to death. Her name written in blood (Max has confirmed this) and now the final gruesome discovery of the plastic baby. Did whoever put it there know she is pregnant or was it just another grisly classical allusion? And who could it be? It must be someone close enough to put the objects in place the split second these sites are deserted. And why? This is the question that chased itself around in her head all through the long night, full of nurses padding to and fro and white figures hobbling to the loo and back. The woman next to her snored continually, but unevenly, so Ruth was unable even to fit the noise into a soothing background rhythm. She had nothing to read and eventually this need became so pressing that she asked the nurse for something, anything, with words on. The nurse came back with Hello! magazine so Ruth spent the rest of the night reading about footballers’ weddings and obscure Spanish royalty to the accompaniment of jagged grunts from the bed next door.

Morning starts early with a tepid cup of tea at seven and Ruth is already asking when she can go. She must let the doctor see her first, say the nurses soothingly. By eight she is sitting, fully dressed, on the bed. She had not thought to ask any of her visitors yesterday to bring her a change of clothes and, in any case, she would have been too embarrassed. But there is something sordid about putting the same clothes back on. She hasn’t even got a toothbrush but a nurse brings her toothpaste and she rubs it vigorously round her mouth. The woman next door (very pleasant when she isn’t snoring) offers her deodorant and some rather violent-smelling body spray. Ruth sits on the bed, smelling of roses, rereading an account of how some actress she has never heard of overcame tragedy to marry some sportsman she has never heard of. It’s all very inspiring.

Eventually a teenage boy masquerading as a doctor appears, examines her head and tells her she can go home. ‘Come back at once if you have any dizziness or blackouts,’ he says sternly. He’s wearing baseball boots. Baseball boots! How can Ruth possibly take anything he says seriously?

She has nothing to pack so she asks the nurse if she can call a taxi. ‘No need,’ says the nurse, smiling sweetly (though, to Ruth’s knowledge, she has been on duty for the last twelve hours). ‘A friend of yours rang and said he’d come to collect you. Wasn’t that nice of him?’

The nurse doesn’t say which friend but as she emerges from the main doors Ruth is not really surprised to see Nelson’s Mercedes parked in the space reserved for minicabs. She gets into the front seat and for a few minutes they sit in silence.

‘Why didn’t you tell me?’ asks Nelson at last.

‘I was going to.’

‘Oh, that’s all right then.’

‘It was difficult,’ retorts Ruth, ‘you’re married. I didn’t want to rock the boat.’

‘Didn’t you think I had a right to know? If it is mine, that is.’

‘Of course it’s yours,’ flares Ruth, ‘whose did you think it was?’

‘I thought maybe your ex-boyfriend… Peter.’

‘I haven’t slept with him for ten years.’

‘It’s not his then,’ says Nelson with a slight smile.

‘No, it’s definitely yours.’ There is another silence broken only by the minicabs behind starting a strident chorus of hooting. Nelson swears and puts the car in gear. They drive in silence through the Norwich backstreets. It’s Sunday morning and everything is quiet, people are emerging from newsagents with giant Sunday papers under their arms and café owners are putting tables out on the pavements. As they pass through the centre of the city, they can hear church bells ringing.

‘What are you going to do?’ asks Nelson, breaking sharply at a zebra crossing.

‘Have the baby,’ says Ruth determinedly, ‘bring it up on my own.’

‘I want to help.’

‘Help? What do you mean “help”?’

‘You know… financially. And other things. I want to be involved.’

‘How involved? Are you going to tell Michelle?’

Nelson says nothing but Ruth sees his eyes narrow. Eventually, he says, ‘Look, Ruth. This isn’t easy. I’m married. I don’t want to break up my family. The girls-’

‘Don’t think for one second that I want to marry you. That’s the last thing I want.’

She thinks Nelson relaxes slightly and when he speaks again his tone is gentler. ‘What do you want from me then?’

‘I don’t know.’ She doesn’t. Of course, on one level she does want a totally committed partner who will come with her to the birth and bring up the baby with her. But that isn’t on offer. ‘I just want someone to talk to, I suppose,’ she says.

‘Well, you can talk to me. Have you had a scan yet?’

‘Yes, he’s got long legs apparently.’

‘He?’

‘I think it’s a boy. I’m calling him Toby.’

‘Toby!’ The car swerves. ‘Toby! You can’t call him Toby.’

‘Why not?’

Nelson hesitates. Ruth waits for him to say ‘because it’s a poof’s name’ but supposes that, even for Nelson, this is a step too far.

‘I suppose you think I should call him Harry,’ says Ruth.

‘Harry? No. Ever since Harry bloody Potter that’s been a nightmare. But couldn’t you name him after… What’s your dad’s name?’

‘Ernest.’

‘Well, maybe not.’

‘I could ask Cathbad.’

‘Jesus. He’ll want to call him Jupiter Moon Grumbleweed or something. Why not just give the poor kid a normal name. Like Tom.’

‘Or Dick. Or Harry.’

She and Nelson are never together very long without arguing, reflects Ruth. But all the same she is happy, almost exhilarated. Talking about the baby, discussing names, has made her pregnancy seem more real than at any time since the first scan. No, it’s not the pregnancy that seems real, it’s the baby. Or rather, it’s the idea that the baby will grow up to be a child, a person , someone who will eat Marmite sandwiches, make finger paintings, play football, jump in puddles. She realises that she is grinning.

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