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Ann Cleeves: White Nights

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Ann Cleeves White Nights

White Nights: краткое содержание, описание и аннотация

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Its mid-summer in Shetland, the time of the white nights, when birds sing at midnight and the sun never sets. Artist Bella Sinclair throws a party to launch an exhibition of her work and to introduce the paintings of Fran Hunter. The Herring House, the gallery where the exhibition is held, is on the beach at Biddista, in the remote north west of the island. When a mysterious Englishman bursts into tears and claims not to know who he is or where hes come from, the evening ends in farce. The following day the Englishman is found hanging from a rafter in a boathouse on the jetty, a clowns mask on his face. Detective Jimmy Perez is convinced that this is a local murder. He is reinforced in this belief when Roddy, Bellas musician nephew is murdered too. But the detectives relationship with Fran Hunter clouds his judgement. And this is a crazy time of the year when night blurs into day and nothing is quite as it seems.

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Kenny liked the half-hour they had together over breakfast before she left. By the time he was washed and dressed, she had the tea made and there was the smell of toasted bread. Edith was in the shower; he could hear the water tank refilling.

She was the manager of a care centre for old and disabled people. He still found that hard to believe – his Edith, in charge of staff and a budget, going to meetings in Lerwick, smartly dressed with her hair tied up. She trained all the care staff in Shetland in manual handling, showing them how to move the people in their care safely. He marvelled at her strength and determination. Taxis and a bus brought old folks from all over this part of Shetland to the centre. Sometimes she talked about her clients by name and it shocked him to realize the men and women he’d known in childhood as strong, rather frightening characters were now frail, confused, incontinent. He thought, Will I come to that? Will I end my days playing bingo in the day centre? Once he had mentioned something of the sort to Edith and she’d answered tartly, ‘You will if you’re lucky! With the oil revenue fallen to nothing and the cutbacks, the centre might not be there when we need it.’ He never mentioned his fears again. His only comfort was that he expected to die before her. Women always lived longer than men. He couldn’t imagine what it must be like to live alone.

He poured tea and put butter on the toast and she came in, dressed, her hair still wet but tied into a knot.

‘What are your plans for today?’ she asked.

‘Singling neeps,’ he said.

She pulled a face in sympathy, understanding what boring, back-breaking work that was, hoeing out the unwanted seedlings to leave space for the turnips to grow.

‘Oh well,’ she said. ‘It’s a nice day for it.’

But since yesterday evening he’d been thinking that he might get out in the boat today after all. He didn’t say anything to Edith. She worked so hard and he felt like a boy considering playing truant from school.

She finished the toast on her plate, then she was away into the little bedroom, which had once been Ingirid’s room and which Edith now used as an office, to gather up her papers into her bag. He walked outside with her and kissed her before watching her drive off.

He’d intended to do a couple of hours with the neeps before getting out the boat, but found himself making the short walk down to the beach, to the hut where he kept the outboard and his lines and pots. There was a little breeze. Easterly. He wondered for a moment if he wanted company after all, and started thinking who might be free to go out with him. Martin Williamson was a pleasant young man, but most days he put in an hour in the shop before he started working in the café at the Herring House. He stopped for a moment and in the silence heard the puffins on the headland beyond the pier. There were fewer than there’d been when he was a boy, but still enough for him to hear them chattering as he approached.

He walked across the shingle that separated the sand from the road. It was a bit of a short-cut, but he made sure he watched his feet as he went. Once he’d ricked his ankle here and it had been painful for days. He stopped when the Herring House threw its shadow on to his path, just to see if anyone was about, but it looked empty. The gallery café opened for coffee, but not until later, and there were no cars parked outside.

The hut stood by the side of the road, just where it joined the jetty, a couple of hundred yards further on. He and Lawrence had put it up and it was solid enough, though some of the corrugated-iron panels on the roof would need replacing in the next year or so. They never bothered locking it – it was used by all the Biddista men who kept a boat – and nobody much else strayed to the jetty. Once everything people needed was delivered here by ship – coal and corn and animal feed. Now a few holidaymakers in yachts put up for the night, but he hadn’t even seen many of them yet this year. There was a heavy bolt on the door, so they could fasten it from the outside to stop it blowing in the wind. Today the bolt was unfastened and the door was a little ajar. Kenny tried to think who might have been in the hut last, who might have been so careless. It would only take a sharp squall to have the door off its hinges. Roddy Sinclair, he thought. It would be just like him. That boy had no consideration. Once he’d held a sort of party in here and Kenny had come in the next day to a pile of red tins, an empty whisky bottle and a strange lad in a sleeping bag. Kenny pulled the door open and took in the familiar smell of engine oil and fish.

Because he’d been thinking about Roddy Sinclair, he assumed at first that the figure swinging from the ceiling was one of the boy’s pranks. Roddy had got drunk at Bella’s party and thought he’d cause mischief. Kenny knew when he got closer it would turn out to be a fertilizer sack filled with straw, dressed up in a black jacket and trousers. The head was smooth, gleamed a little. Realistic, Kenny thought. He pushed the figure. It was surprisingly heavy, not made of straw at all. Its shadow swung backwards and forwards on the back wall of the hut and it twisted on its rope so for the first time Kenny saw the face. It was made up by a clown’s mask, shiny white plastic reflecting the morning sunshine coming through the gap in the door, with a grinning red mouth and blank staring eyes. Then he saw that the figure had real hands. Skin. Bony knuckles. Fingernails, smooth and round like a woman’s. But this wasn’t a woman. It was a man, with a bald head. A dead man hanging from one of the roof joists, his toes only inches from the ground. Beside him, on its side, was a big plastic bucket. Kenny thought he must have turned it upside-down to use it as a step, then kicked it away. He felt the hysteria rise in his stomach. He wanted to lift away the mask; it looked indecent on a dead person. But he couldn’t bring himself to do it. Instead, he put his hands on the man’s arms to hold him steady. He couldn’t bear the thought of him swinging there, a scarecrow on a gibbet.

His first thought was to call Edith on his mobile phone. But what could she do? So, feeling a little foolish and faint, he went back outside, sat on the shingle and dialled 999.

Chapter Five

Perez heard the news on his mobile as he was on his way in to work from Fran’s house. Before that, lightheaded through lack of sleep, he was so absorbed in recalling the events of the night before that he was driving automatically, unaware of his surroundings. In his head was the music Fran had put on her CD player when they first got in – a woman singing, something lilting and Celtic he hadn’t recognized. He wondered if he was reading too much into what had happened with Fran. That was his way. He brooded. His first wife, Sarah, had said he expected too much from her, that he made emotional demands. I should be tougher, more resilient, he thought. More of a man. I care too much what women think of me.

Then he got the phone call and he forced himself to concentrate. Work was a constant, something he did well. And Sandy, who had never been the most articulate person, always got incoherent at times of stress or excitement. It took Perez’s full attention to deal with him.

‘We’ve got a suicide,’ Sandy said. ‘Kenny Thomson found him hanging in that hut where the Biddista lads keep the stuff for the fishing.’

‘Who is it?’ Perez asked.

The voice on the end of the phone interrupted. ‘Kenny Thomson. You’ll know him. He’s lived out at Biddista all his life. They croft that land that runs away up the hill from the voe…’

‘No, Sandy. I didn’t mean who found him. Who’s the suicide?’

‘I don’t know. Kenny didn’t recognize him. At least he said he couldn’t tell. I’m just on my way.’

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