Donna Leon - Drawing Conclusions

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When a young woman returns from holiday to find her elderly neighbour dead, she immediately alerts the police. Commissario Brunetti is called to the scene but, though there are signs of a struggle, it seems the woman has simply suffered a fatal heart attack. Vice-Questore Patta is eager to dismiss the case as a death from natural causes, but Brunetti believes there is more to it than that. His suspicions are further aroused when the medical examiner finds faint bruising around the victim’s neck and shoulders, indicating that someone might have grabbed and shaken her. Could this have caused her heart attack? Was someone threatening her?
Conversations with the woman’s son, her upstairs neighbour, and the nun in charge of the old-age home where she volunteered, do little to satisfy Brunetti’s nagging curiosity. With the help of Inspector Vianello and the ever-resourceful Signorina Elettra, Brunetti is determined to get to the truth and find some measure of justice.
Insightful and emotionally powerful, Drawing Conclusions reaffirms Donna Leon’s status as one of the masters of literary crime fiction.
***
In the opening pages of a debut novel nearly two decades ago, a nasty conductor was poisoned during intermission at the famous La Fenice opera house in Venice. The Questura sent a man to investigate, and readers first met Commissario Guido Brunetti.
Since 1992's Death at La Fenice, Donna Leon and her shrewd, sophisticated, and compassionate investigator have been delighting readers around the world. For her millions of fans, Leon's novels have opened a window into the private Venice of her citizens, a world of incomparable beauty, family intimacy, shocking crime, and insidious corruption. This internationally acclaimed, best-selling series is widely considered one of the best ever written. Atlantic Monthly Press is thrilled to be publishing Drawing Conclusions, the 20th installment, in Spring 2011.
Late one night, Brunetti is suffering through a dinner with Vice Questore Patta and his nasty Lieutenant Scarpa when his telefonino rings. A old woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Her neighbor discovered it when she went to pick up her mail, after having been away in Palermo. Brunetti sees some signs of force on the old woman-the obvious wound on her head, what could be a bruise near her collarbone-but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing for Brunetti to investigate. But he can't shake the feeling that something may have created conditions that led to her heart attack, that perhaps the woman was threatened.
Brunetti meets with the woman's son, called into the city from the mainland to identify the body, her upstairs neighbor, and the nun in charge of the old age home where she volunteered. None of these quiet his suspicions. If anything, the son's distraught, perhaps cagey behavior, a scene witnessed by the neighbor, and the nun's reluctance to tell anything, as well as her comments about the deceased's "terrible honesty,' only heighten Brunetti's notion.
With the help of Inspector Lorenzo Vianello and the ever-resourceful Signorina Elettra Zorzi, perhaps Brunetti can get to the truth, and find some measure of justice.
Like the best of her beloved novels, Drawing Conclusions is insightful and emotionally powerful, and it reaffirms her status as one of the masters of literary crime fiction.

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The arrival of the vaporetto cut off his reflections but did not remove Morandi from his mind. ‘People don’t change.’ How many times had he heard his mother say that? She had never studied psychology, his mother. In fact, she had never studied much at all, but that did not prevent her from having a logical mind, even a subtle one. Presented with an example of uncharacteristic behaviour, she would often point out that it was merely a manifestation of the person’s real character, and when she reminded people of events from the past, she was often proven right.

Usually people surprised us, he reflected, with the bad they did, when some dark impulse slipped the leash and brought them, and others, to ruin. And then how easy it became to find in the past the undetected symptoms of their malice. How, then, find the undetected symptoms of goodness?

When he got to his office, he tried the phone book again and found that Morandi was listed, but the phone rang unanswered until the eighth ring, when a man’s voice said he was not at home but could be reached on his telefonino . Brunetti copied the number and dialled it immediately.

,’ a man’s voice answered.

‘Signor Morandi?’

. Chi è?

‘Good day, Signor Morandi. This is Guido Brunetti. We spoke two days ago in the room of Signora Sartori.’

‘You’re the pension man?’ Morandi asked, and Brunetti thought he heard rekindled hope, knew he heard civility, in his voice.

Without answering the question, Brunetti said, ‘I’d like to speak to you again, Signor Morandi.’

‘About Maria’s pension?’

‘Among other things,’ Brunetti answered blandly. He waited for the question, the suspicion about what those other things could be. But they did not come.

Instead, Morandi asked, ‘When can we talk? Do you want me to come to your office?’

‘No, Signor Morandi; I don’t want you to trouble yourself. Perhaps we could meet somewhere nearer to you.’

‘I live behind San Marco,’ he said, unaware that Brunetti knew much more about his house than its location. ‘But I have to be at the casa di cura at five-thirty; perhaps we could meet near there?’

‘In the campo ?’ Brunetti suggested.

‘Good. Thank you, Signore,’ the old man said. ‘Fifteen minutes?’

‘Good,’ Brunetti said and hung up. There was enough time, so he first went down to the evidence room and then started towards the campo . The late autumn sun smacked him in the back of the head but cheered him by doing so.

The old man sat on one of the benches in front of the the casa di cura , bent forward from the waist, tossing something to a mini-flock of sparrows dancing around his feet. Oh God, was Brunetti to find himself seduced by a few breadcrumbs tossed to hungry birds? He steeled himself and approached the older man.

Morandi heard him coming, tossed the rest of whatever he had in his hands to the birds, and pushed himself to his feet. He smiled, all memory of their first meeting erased or ignored, and put out his hand; Brunetti took it and was surprised at how weak the other man’s grasp was. This close, he was much taller than the old man. Looking down, Brunetti could see the pink skin of his head shining through the strands of dark hair pasted across it. ‘Shall we sit down?’ Brunetti asked.

The old man bent, bracing himself with one hand, and lowered himself slowly on to the bench. Brunetti left a space between them and sat, and the birds scuttled up to Morandi’s feet. Automatically, he reached into the pocket of his jacket and pulled out some pieces of grain, which he tossed far out into the campo . Startled by the motion of his arm, some of the birds took flight, only to land amidst the grains just as the ones that had decided to run arrived. They did not squabble or dispute but all set to picking up as much as they could.

Morandi glanced at Brunetti and said, ‘I come here most days, so they know me by now.’ As he spoke, the birds began to approach, but he sat back and folded his arms across his chest. ‘No more. I have to talk to this gentleman now.’ The birds peeped their protest, waited a moment, then abandoned him in a group on the arrival of a white-haired woman on the other side of the campo .

‘I think I should tell you, Signor Morandi,’ Brunetti began, believing it best to clear his conscience, ‘I wasn’t there about the pension.’

‘You mean she’s not going to get an increase?’ he asked, leaning forward and turning to Brunetti.

‘There was no mistake: she’s already getting her pension for those years,’ Brunetti said.

‘So there won’t be an increase?’ Morandi asked again, unwilling to believe what he heard.

Brunetti shook his head. ‘I’m afraid not, Signore.’

Morandi’s shoulders sank, then he pushed himself upright against the back of the bench. He looked across the campo , dappled in the afternoon sun, but to Brunetti it seemed as though the old man was looking across a wasteland, a desert.

‘I’m sorry to have got your hopes up,’ Brunetti said.

The old man leaned aside and placed a hand on Brunetti’s arm. He gave it a weak squeeze and said, ‘That’s all right, son. It’s never been right since she first started to get it, but at least this time we were able to hope a little bit.’ He looked at Brunetti and tried to smile. There were the same broken veins, the same battered nose and ridiculous hair, but Brunetti wondered where the man he had seen in the casa di cura had gone, for surely this was not the same one.

The anger or fear or whatever it was had disappeared. Here in the sunlight, Morandi was a quiet old man on a park bench. Perhaps, in the manner of a bodyguard, Morandi reacted only in defence of whom he was sent to guard and for the rest was content to sit and toss seeds to the little birds.

What then to make of his criminal record? After how many years did a record cease to matter?

‘Are you a policeman?’ Morandi surprised him by asking.

‘Yes,’ Brunetti said. ‘How did you know?’

Morandi shrugged. ‘When I saw you there in the room, that was the first thing I thought, and now that you tell me you weren’t there for the pension, that’s what I go back to thinking.’

‘Why did you think I was a policeman?’ Brunetti wanted to know.

The old man glanced at him. ‘I thought you’d come. Sooner or later,’ he said, speaking in the plural. He shrugged, placed his palms on his thighs, and said, ‘I didn’t think it would take you this long, though.’

‘Why? How long has it been?’ Brunetti asked.

‘Since she died,’ Morandi answered.

‘And why did you think we’d come?’

Morandi looked at the backs of his fingers, at Brunetti, and then again at his hands. In a much softer voice, he said, ‘Because of what I did.’ That said, he stiffened his elbows and leaned forward, arms braced on his thighs. He wasn’t getting ready to get to his feet, Brunetti could see: he looked at the ground. Suddenly the birds were back, looking up at him and peeping insistently. Brunetti thought he didn’t see them.

The old man, with visible effort, pulled himself up and leaned against the back of the bench once again. He looked at his watch and abruptly got to his feet. Brunetti stood. ‘It’s time. I have to go and see her,’ Morandi said. ‘Her doctor came at five, and the sisters said I could see her after he spoke to her. But only for a few minutes. So she doesn’t have to worry about anything he said.’

He turned and walked in the direction of the casa di cura , just on the other side of the campo . The building had only the front door, so Brunetti could easily have waited in the campo , but he fell into step with Morandi, who seemed not to notice or, if he did, to mind.

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