Donna Leon - Drawing Conclusions

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When a young woman returns from holiday to find her elderly neighbour dead, she immediately alerts the police. Commissario Brunetti is called to the scene but, though there are signs of a struggle, it seems the woman has simply suffered a fatal heart attack. Vice-Questore Patta is eager to dismiss the case as a death from natural causes, but Brunetti believes there is more to it than that. His suspicions are further aroused when the medical examiner finds faint bruising around the victim’s neck and shoulders, indicating that someone might have grabbed and shaken her. Could this have caused her heart attack? Was someone threatening her?
Conversations with the woman’s son, her upstairs neighbour, and the nun in charge of the old-age home where she volunteered, do little to satisfy Brunetti’s nagging curiosity. With the help of Inspector Vianello and the ever-resourceful Signorina Elettra, Brunetti is determined to get to the truth and find some measure of justice.
Insightful and emotionally powerful, Drawing Conclusions reaffirms Donna Leon’s status as one of the masters of literary crime fiction.
***
In the opening pages of a debut novel nearly two decades ago, a nasty conductor was poisoned during intermission at the famous La Fenice opera house in Venice. The Questura sent a man to investigate, and readers first met Commissario Guido Brunetti.
Since 1992's Death at La Fenice, Donna Leon and her shrewd, sophisticated, and compassionate investigator have been delighting readers around the world. For her millions of fans, Leon's novels have opened a window into the private Venice of her citizens, a world of incomparable beauty, family intimacy, shocking crime, and insidious corruption. This internationally acclaimed, best-selling series is widely considered one of the best ever written. Atlantic Monthly Press is thrilled to be publishing Drawing Conclusions, the 20th installment, in Spring 2011.
Late one night, Brunetti is suffering through a dinner with Vice Questore Patta and his nasty Lieutenant Scarpa when his telefonino rings. A old woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Her neighbor discovered it when she went to pick up her mail, after having been away in Palermo. Brunetti sees some signs of force on the old woman-the obvious wound on her head, what could be a bruise near her collarbone-but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing for Brunetti to investigate. But he can't shake the feeling that something may have created conditions that led to her heart attack, that perhaps the woman was threatened.
Brunetti meets with the woman's son, called into the city from the mainland to identify the body, her upstairs neighbor, and the nun in charge of the old age home where she volunteered. None of these quiet his suspicions. If anything, the son's distraught, perhaps cagey behavior, a scene witnessed by the neighbor, and the nun's reluctance to tell anything, as well as her comments about the deceased's "terrible honesty,' only heighten Brunetti's notion.
With the help of Inspector Lorenzo Vianello and the ever-resourceful Signorina Elettra Zorzi, perhaps Brunetti can get to the truth, and find some measure of justice.
Like the best of her beloved novels, Drawing Conclusions is insightful and emotionally powerful, and it reaffirms her status as one of the masters of literary crime fiction.

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‘What about you, sir?’

Brunetti had already consulted the map of the city imprinted in his genes. ‘It’s faster for me to walk. I’ll meet them there.’ Then, as an afterthought, ‘If there’s a patrol anywhere near, call them and tell them to go over. And call the woman and tell her not to touch anything in the apartment.’

‘She went back to her own, sir, to make the call. I told her to stay there.’

‘Good. What’s her name?’

‘Giusti, sir.’

‘If you speak to the patrol, tell them I’ll be there in ten minutes.’

‘Yes, sir,’ the officer said and hung up.

Vice-Questore Patta looked across at Brunetti with open curiosity. ‘Trouble, Commissario?’ he asked in a tone that made Brunetti aware of how different curiosity was from interest.

‘Yes, sir. A woman’s been found dead in Santa Croce.’

‘And they called you?’ interrupted Scarpa, placing just the least hint of polite suspicion on the last word.

‘Griffoni’s not back from vacation yet, and I live closest,’ Brunetti answered with practised blandness.

‘Of course,’ Scarpa said, turning aside to say something to the waiter.

To Patta, Brunetti said, ‘I’ll go and have a look, Vice-Questore.’ He put on his face the look of a beleaguered bureaucrat, reluctantly pulled away from what he wanted to do by what he had to do; he pushed back his chair and got to his feet. He gave Patta the chance to make a comment, but the moment passed in silence.

Outside the restaurant, Brunetti left the business of getting there to memory and pulled out his telefonino . He dialled his home number.

‘Are you calling for moral support?’ Paola asked when she picked up the phone.

‘Scarpa has just told me we northerners don’t know anything about making wine,’ he said.

There was a pause before she said, ‘That’s what your words say, but it sounds as if something else is wrong.’

‘I’ve been called in. There’s a dead woman in Santa Croce, over by San Giacomo.’

‘Why did they call you?’

‘They probably didn’t want to call Patta or Scarpa.’

‘So they called you when you were with them? Wonderful.’

‘They didn’t know where I was. Besides, it was a way for me to get away from them. I’ll go over to see what happened. I live the closest, anyway.’

‘Do you want me to wait up?’

‘No. I have no idea how long it will take.’

‘I’ll wake up when you come in,’ she said. ‘If I don’t, just give me a shove.’

Brunetti smiled at the thought but confined himself to a noise of agreement.

‘I have been known not to sleep through the night,’ she said with false indignation, her aural radar having caught the precise nuance of his noise.

The last time, Brunetti recalled, was the night the Fenice burned down, when the sound of the helicopter repeatedly passing overhead had finally summoned her from the deep abyss to which she repaired each evening.

In a more conciliatory tone, she said, ‘I hope it’s not awful.’

He thanked her, then said goodbye and put the phone in his pocket. He called his attention back to where he was walking. The streets were brightly lit: more largesse from the profligate bureaucrats in Brussels. If he had chosen to do so, Brunetti could have read a newspaper in the light from the street lamps. Light still poured from many shop windows: he thought of the satellite photos he had seen of the glowing night-time planet as measured from above. Only Darkest Africa remained so.

At the end of Scaleter Ca’ Bernardo, he turned left and passed the tower of San Boldo, then walked down from the bridge and into Calle del Tintor and went past the pizzeria. Next to it a shop selling cheap purses was still open; behind the counter sat a young Chinese girl, reading a Chinese newspaper. He had no idea what the current laws were about how late a shop could stay open, but some atavistic voice whispered to him about the unseemliness of engaging in commercial activity at this hour.

A few weeks ago he had had dinner with a commander of the Frontier Police, who had told him, among other things, that their own best estimate of the number of Chinese currently living in Italy was between 500,000 and five million. After saying this, he sat back, the better to enjoy Brunetti’s astonishment. In the face of it, he had added, ‘If the Chinese in Europe were all wearing uniforms, we’d be forced to see it as the invasion it is.’ He had then returned his attention to his grilled calamari.

Two doors down he found another shop, with still another young Chinese girl behind the cash register. More light spilled into the street from a bar; in front of it four or five young people stood, smoking and drinking. He noticed that three of them drank Coca-Cola: so much for the nightlife of Venice.

He came out into the campo; it too was flooded with light. Years ago, just when he had been transferred back from Naples, this campo had been infamous as a place to buy drugs. He remembered the stories he’d heard about the abandoned needles that had to be swept up every morning, had a vague memory of some young person who had been found dead, overdosed, on one of the benches. But gentrification had swept it clean; that or the shift to designer drugs that had rendered needles obsolete.

He glanced at the buildings on his right, just opposite the apse. The shadowy form of a woman stood outlined in the light from a window on the fourth floor of one of them. Resisting the impulse to raise his hand to her, Brunetti went over to the building. The number was nowhere evident on the façade, but her name was on the top bell.

He rang it and the door snapped open almost immediately, suggesting that she had gone to the door at the sight of a man walking into the campo . Brunetti had been the solitary walker at this hour, tourists apparently evaporated, everyone else at home and in bed, so the odd man out had to be the policeman.

He walked up the steps, past the shoes and the papers: to a Venetian, this amoeba-like tendency to expand one’s territory beyond the confines of the walls of an apartment seemed so entirely natural as barely to merit notice.

As he turned into the last ramp of stairs, he heard a woman’s voice ask from above him, ‘Are you the police?’

, Signora,’ he said, reaching for his warrant card and stifling the impulse to tell her she should be more prudent about whom she let into the building. When he reached the landing, she took a half-step forward and put out her hand.

‘Anna Maria Giusti,’ she said.

‘Brunetti,’ he answered, taking her hand. He showed her the card, but she gave it the barest glance. He estimated she was in her early thirties, tall and lanky, with an aristocratic nose and dark brown eyes. Her face was stiff with tension or tiredness; he guessed that, in repose, it would soften into something approaching beauty. She drew him towards her and into the apartment, then dropped his hand and took a step back from him. ‘Thank you for coming,’ she said. She looked around and behind him to verify that no one else had come.

‘My assistant and the others are on their way, Signora,’ Brunetti said, making no attempt to advance farther into the apartment. ‘While we wait for them, could you tell me what happened?’

‘I don’t know,’ she said, bringing her hands together just at her waist in a visual cliché of confusion, the sort of gesture women made in the movies of the fifties to show their distress. ‘I got home from vacation about an hour ago, and when I went down to Signora Altavilla’s apartment, I found her there. She was dead.’

‘You’re sure?’ Brunetti asking, thinking it might upset her less if he asked it that way rather than asking her to describe what she had seen.

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