Karin Fossum - Don't Look Back

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Beneath the imposing Kollen Mountain lies a small village where the children run in and out of one another's houses and play unafraid in the streets. But the sleepy village is like a pond through which not enough water runs – beneath the surface it is beginning to stagnate. When a naked body is found by the lake at the top of the mountain, its seeming tranquility is disturbed forever. Enter Inspector Sejer, a tough, no-nonsense policeman whose own life is tinged by sadness. As the suspense builds, and the list of suspects grows, Sejer's determination to discover the truth will lead him to peel away layer upon layer of distrust and lies, in this tiny community where apparently normal family ties hide dark secrets. Critically acclaimed across Europe, Karin Fossum's novels evoke a world that is terrifyingly familiar. Don't Look Back introduces the tough, ethical Inspector Sejer to British readers for the first time.

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Raymond, meanwhile, was preoccupied with other things. He was sitting at the kitchen table, gluing pictures into a book about Tommy and Tiger, and Pip and Sylvester. The ceiling light was on, his father was taking an afternoon nap, the radio was playing requests. "And now here's one for Glenn Kåre, with a happy birthday from his grandmother." Raymond listened and sniffed at the glue stick, enjoying the delicious scent of essence of almonds. He didn't notice the man staring at him intently through the window.

Halvor closed the door to the kitchen and switched on his computer. He logged on to the hard drive and stared pensively at the rows of files: games, tax forms, budgets, address lists, a database of his CD collection, and other trivial items. But there was one other thing. A file labelled "Annie", the contents of which were unknown to him. He sat there, staring at it while he pondered for a while. By double-clicking the mouse the files would open, one after the other, and a second later their contents would appear on the screen. But there were exceptions. He had a file marked "Personal". To open it he had to enter a password. The same was true of Annie's file. He had taught her how to protect it from anyone else, quite a simple procedure. He had no idea what password she had chosen or what the file might contain. She had insisted on keeping it secret, giving a little laugh when she saw his disappointment. So he'd shown her how to do it, and then he'd left and sat in the living room while she entered her password. He double-clicked anyway and immediately received the message: "Access denied. Password required."

Now he was going to open it. This was all he had left of her. What if there was something about him in there, something that might be dangerous? Maybe it was some kind of diary. It's an impossible job, of course, he thought, staring in bewilderment at the keyboard where ten numbers, 29 letters, and a whole series of various symbols offered more possible combinations than he could even imagine. He tried to relax, and suddenly he realised that for his own password he had chosen a name. The name of a legendary woman who was burned at the stake and later declared a saint. It was the perfect choice, and not even Annie would have thought of it. Maybe she had chosen a date. It was very common to choose a birth-date, maybe of a close friend. He sat for a moment and stared at the file: just a modest little grey square with her name on it. She hadn't intended for him to open it, she had put a lock on it to keep it secret. But now she was gone, so the same rules no longer applied. Perhaps it contained something that would explain why she was the way she was. So damned inscrutable.

All his reservations crumbled and settled like dust in the corners. He was alone now, with an endless amount of time and nothing with which to fill it. As he sat there in the dimly lit room, staring at the glowing screen, he felt very close to Annie. He decided to begin with numbers – birth-dates, social security numbers. He had a few of them memorised: Annie's, his own, his grandmother's. The others he could get. It was somewhere to begin. Of course she might have chosen a word. Or several words, maybe a saying or a familiar quote, or maybe even a name. It was going to be a tedious job. He didn't know if he would ever find it, but he had plenty of time and lots of patience.

He started with her birthday, which of course she hadn't chosen: March 3, 1980, zero three zero three one nine eight zero. Then the same numbers backwards.

"Access denied," flashed up on the screen. Suddenly his grandmother was standing in the doorway.

"What did they say?" she asked, leaning against the doorframe.

He gave a start and straightened up.

"Nothing much. They just asked me a few questions."

"Yes, but it's all so terrible, Halvor! Why is she dead?"

He stared at her mutely. "Eddie said they found her in the woods. Up by Serpent Tarn."

"But why is she dead?"

"They didn't say," he whispered. "I forgot to ask."

Sejer and Skarre had taken over the lecture room in the courthouse. They closed the curtains and shut out most of the light. The video had been rewound to the beginning. Skarre was ready with the remote control.

The soundproofing in this hastily erected annexe was far from satisfactory. They could hear phones ringing and doors slamming, voices, laughter, cars roaring past in the street and a drunk bellowing from the courtyard outside. But at least the sounds were muted, marked by the waning hours of the day.

"What in the world is that?"

Skarre leaned forward. "Someone running. It looks like Grete Waitz. Could be the New York Marathon."

"Maybe he gave us the wrong tape."

"I don't think so. Stop there. I saw some islands and skerries."

The picture hopped and jumped for a moment before it settled and focused on two women in bikinis, lying on rocks.

"Sølvi and her mother," Sejer said.

Sølvi was lying on her back with one knee bent. Her sunglasses were pushed up on her head, perhaps to avoid getting white circles around her eyes. Her mother was partially covered by a newspaper, the Aftenposten, judging by its size. Next to her lay magazines and suntan lotion and thermos bottles, along with several large towels and a portable radio.

The camera had been aimed long enough on the two sun worshippers. Now the lens turned towards the shoreline further away, and a tall, blonde girl came walking along from the right. She was carrying a windsurfer on her head and was facing away from the camera. Her gait was not in the least provocative, her sole aim was to keep going, and she didn't slow down even when the water reached her knees. They could hear the roar of the waves, quite loud, suddenly pierced by the sound of her father's voice.

"Smile, Annie!"

She waded on, further and further into the water, ignoring his request. Then she finally turned around, though it took some effort under the weight of the board. For several seconds she stared straight at Sejer and Skarre. Her blonde hair was caught by the wind and fluttered around her ears, a quick smile flitted across her lips. Skarre looked into her grey eyes and felt the goosebumps rise on his arms as he watched the long-legged girl striding into the waves. She was wearing a black bathing suit, the kind that swimmers wear, with the straps crossed over her shoulder-blades, and a blue life-vest.

"That board isn't for beginners," he said.

Sejer didn't reply. Annie was still walking out into the water. Then she stopped, got on to the board, grabbed the sail with strong hands, and found her balance. The board made a 180° turn and picked up speed. The men were silent as Annie sailed out. She swept through the waves like a pro. Her father followed her with the camera. They became the father's eyes now, watching his own daughter through the lens. He tried hard to hold it still, mustn't shake too much, had to grant the windsurfer the greatest possible respect. Through the images they could feel his pride, what he must have felt for her. She was in her element. She wasn't the least bit afraid of falling and ending up in the water.

And then she vanished, and they were staring at a table that had been set with a flowered tablecloth, plates and glasses, polished silverware, wildflowers in a vase. Pork chops, hot dogs, bacon on a platter. The barbecue glowing nearby. Sunlight glinting on bottles of coke and Farris. Sølvi and her mother again, chattering in the background, the tinkling of ice-cubes, and there was Annie pouring a coke. Once more she turned around slowly, with a bottle in her hand, and asked the camera: "Coke, Papa?"

She had a surprisingly deep voice. In the next instant they were inside the cabin. Mrs Holland was standing at the kitchen counter, slicing a cake.

Coke, Papa. Her voice was terse and yet gentle. Annie had loved her father, they could hear that in the two little words; they heard warmth and respect – as apparent as the difference between juice and red wine in a glass. Her voice had depth and vibrancy. Annie was her daddy's girl.

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