Jo Nesbø - Headhunters

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Roger Brown is a corporate headhunter, and he's a master of his profession. But one career simply can't support his luxurious lifestyle and his wife's fledgling art gallery. At an art opening one night he meets Clas Greve, who is not only the perfect candidate for a major CEO job, but also, perhaps, the answer to his financial woes: Greve just so happens to mention that he owns a priceless Peter Paul Rubens painting that's been lost since World War II – and Roger Brown just so happens to dabble in art theft. But when he breaks into Greve's apartment, he finds more than just the painting. And Clas Greve may turn out to be the worst thing that's ever happened to Roger Brown.

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I had been lying in bed with a temperature and aching cheeks and ears and looked like a sweaty pufferfish while the doctor checked the thermometer and said ‘it wasn’t too bad’. And it hadn’t felt too bad, either. It was only after pressure from Diana that he had mentioned ugly words like meningitis and orchitis, which he had even more reluctantly translated as an inflammation of the tissues round the brain and inflammation of the testicles, but straight away he had added that they were ‘highly unlikely in this case’.

Diana read to me and laid cold compresses on my forehead. The book was The Fourth Night Watch , and since I had nothing else to occupy my inflammation-threatened brain with, I listened carefully. There were two particular things that caught my attention. First there was Sigismund the priest who excuses a drunk with those words ‘We all drink according to how thirsty we are’. Maybe because I found comfort in such a view of humanity: If that’s your nature, then it’s fine.

The second was a quotation from what are known informally as ‘Pontoppidan’s Explanations’ in which he declares that a person is capable of killing another person’s soul, infecting it, dragging it down into sin in such a way that redemption is precluded. I found less comfort in that. And the thought that I might be defiling angel wings meant that I never let Diana in on all the things I was doing to acquire extra income.

She took care of me for four days and nights, and it was a source of both pleasure and annoyance. For I knew I would not have done the same for her, at least not if she had only had lousy mumps. So when I finally asked her why she had done it, I was genuinely curious. Her response was simple and straightforward.

‘Because I love you.’

‘It’s just mumps.’

‘Perhaps I won’t get a chance to show it later. You’re so healthy.’

It sounded like an accusation.

And, sure enough, the day afterwards I got out of bed, went for a job interview with a recruitment agency called Alfa and told them they would have to be idiots not to employ me. And I know how I was able to say that to them with such unshakeable self-assurance. Because there is nothing that makes a man grow beyond his own stature than a woman telling him she loves him. And however much she might have lied to him, there will always be a part of him that is grateful to her for this, and that will harbour some love for her.

I took one of Diana’s art books, read about Rubens and the little there was about The Calydonian Boar Hunt and studied the picture with great care. Then I put down the book and tried to think through the following day’s operation in Oscars gate step by step.

An apartment in a block meant of course a risk of bumping into neighbours on the stairs. Potential witnesses who could catch a glimpse of me. Just for a few seconds, though. They wouldn’t be suspicious then, wouldn’t make a note of my face as I would be wearing overalls and would let myself into an apartment that was being redecorated. So what was I frightened of?

I knew what I was frightened of.

He had read me like an open book during the interview. But how many of the pages? Could he have suspected something? No. He had recognised a method of interrogation he had used himself in the military, that was all.

I grabbed my mobile phone and called Greve’s number to tell him that Diana was out and the name of a possible expert to check the picture’s authenticity would have to wait until he was back from Rotterdam. Greve’s answerphone voice said in English: ‘Please leave a message,’ and so I did. The bottle was empty. I considered a whisky, but dismissed the idea, didn’t want to wake up with a hangover tomorrow. A last beer, great.

The call was about to go through when I realised what I had done. I lowered my phone and hurriedly pressed the red button. I had dialled Lotte’s number, the one under the discreet L in the address book, an L which had made me tremble the few times it had appeared on the display as an incoming call. Our rule had been that I was to ring. I went into the address book, found L and pressed ‘Delete’.

‘Do you really want to delete?’ the phone replied.

I scrutinised the alternatives. The cowardly, faithless ‘no’ and the mendacious ‘yes’.

I pressed ‘yes’. Knowing that her number was printed in my brain in a way that defied deletion. What that meant I neither knew nor wanted to know. But it would fade. Fade and disappear. It had to.

Diana returned home at five minutes to midnight.

‘What have you been doing today, darling?’ she asked, making for the chair, squatting on the arm and giving me a hug.

‘Not much,’ I said. ‘I interviewed Clas Greve.’

‘How did it go?’

‘He’s perfect, except that he’s a foreigner. Pathfinder said they wanted a Norwegian as head; they’ve even said publicly they set great store by being Norwegian down to the last detail. So it will have to be a persuasion job.’

‘But you’re the world’s greatest at that.’ She kissed me on the forehead. ‘I’ve heard people talking about your record.’

‘Which record?’

‘The man who always has his candidate appointed, I suppose.’

‘Oh, that one,’ I said, acting surprised.

‘You’ll manage this time, too.’

‘How was it with Cathrine?’

Diana ran her hand through my thick hair. ‘Fantastic. As usual. Or, even more fantastic than usual.’

‘She’s going to die of happiness one day.’

Diana pressed her face into my hair and spoke into it. ‘She’s just found out she’s pregnant.’

‘So it won’t be that fantastic for a while.’

‘Nonsense,’ she mumbled. ‘Have you been drinking?’

‘A tiny bit. Shall we raise a glass to Cathrine?’

‘I’m heading for bed. I’m exhausted from all this happiness chat. Are you coming?’

Lying curled up behind her in the bed, enclosing her and feeling her spine against my chest and stomach, I suddenly realised something I knew I must have thought ever since the interview with Greve. That now I could make her pregnant. That I was finally on terra firma, on safe ground; a child could not supplant me now. With the Rubens I would at last be the lion, the master Diana talked about. The irreplaceable provider. It wasn’t that Diana had had any doubts before, but I had doubted. Doubted whether I could be the guardian of the nest that Diana deserved. And that a child of all things could cure her blessed blindness. But now she could go ahead and see, see all of me. More of me, at any rate.

The sharp, cold air from the open window was giving my skin goose Pimples on top of the duvet and I could feel an erection coming.

But her breathing was already deep and even.

I let go of her. She rolled onto her back, secure and defenceless like an infant.

I slipped out of bed.

The mizuko altar did not seem to have been touched since yesterday. It was rare for a day to pass without her making some kind of visible change: replacing the water, putting in a new candle, new flowers.

I went up to the living room, poured myself a whisky. The parquet floor by the window was cold. The whisky was a thirty-year-old Macallan, a present from a satisfied client. They were listed on the stock exchange now. I looked down at the garage, which was bathed in moonlight. Ove was probably on his way. He would let himself into the garage and get into the car with the spare keys he held. Remove the Eva Mudocci , put her in the portfolio and return to his car which was parked at a reassuringly safe distance, far enough away not to be connected with our house. He would drive to the art dealer in Gothenburg, deliver the picture and be back by the early morning. But the Eva Mudocci was no longer interesting now, an irritating filler job that just had to be dispatched. On Ove’s return from Gothenburg he would hopefully have a usable reproduction of Rubens’s Boar Hunt , which he would put under the ceiling of the Volvo before we or the neighbours were up.

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