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Sharyn McCrumb: If I'd Killed Him When I Met Him…

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Sharyn McCrumb If I'd Killed Him When I Met Him…

If I'd Killed Him When I Met Him…: краткое содержание, описание и аннотация

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Agatha Award “(A) SHARP-EDGED, WITTY TALE… Buoyed by intriguing characters, a wry wit, and lush Virginia atmosphere, McCrumb’s mystery spins merrily along on its own momentum, concluding that justice will triumph… but in surprising ways.” – Publishers Weekly “Elizabeth’s eighth outing has it all-a gaggle of tidy mysteries, nonstop laughs, bumper-sticker wisdom about the male animal, and some other, sadder kinds of wisdom, too. Quite a banquet-if you don’t mind all that arsenic.” – Kirkus Reviews (starred review) “Whenever Sharyn McCrumb suits up her amateur detective, Elizabeth MacPherson, it’s pretty certain that a trip is in the offing and that something deadly funny will happen.” – The New York Times Book Review “McCrumb has an exquisite sense of the ridiculous: she creates a New Age version of the Mad Hatter’s tea party that will induce tears of laughter as she neatly skewers academia.” – Richmond Times-Dispatch “A terrific tale… Lots of feminist folklore is coupled with plain old fun as the lawyers and MacPherson do their damnedest to defend their clients.” – Trenton Times “She’s Agatha Christie with an attitude; outrageous and engrossing at the same time.” – Nashville Banner “Contains the author’s trademark rapier wit… Only a writer as accomplished as Sharyn McCrumb can so skillfully marry farce and tragedy with such rewarding results.” – The Gainesville Sun “A delightfully entertaining, uniquely plotted story.” – Booklist “McCrumb is a fine writer with an eye and ear finely tuned to the ever-frazzling relationships between the sexes.” – St. Petersburg Times “McCrumb’s ability to write in a variety of styles-crossing genres, mixing the comic with the serious-makes her one of the most versatile crime authors on the contemporary scene.” – Booklist “Sharyn McCrumb is definitely a star in the New Golden Age of mystery fiction. I look forward to reading her for a long time to come.” – ELIZABETH PETERS “IF I’D KILLED HIM WHEN I MET HIM… is sheer pleasure. The book moves like a streak and all the storylines are fascinating. To tantalize you further, let me say that this story has the most unusual sexual scene in the world of mystery literature.” – Romantic Times *** Southern sleuth Elizabeth MacPherson acts as official investigator for her brother's Virginia law firm and tests her skills solving two sensational murders and a third crime unsolved for a century.

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The first observation, of course, is that there’s damned little family life to observe. I feel more like a war correspondent. Mother and Daddy are still in the process of divorcing, despite the best efforts of Bill and me to reconcile them. Now they aren’t even speaking to each other! We are obviously no great shakes as mediators, my brother Bill and I. If the UN sent us to the Middle East as peacekeepers, we could probably pull off Armageddon in a matter of days.

Bill is still eking out an existence in his Danville law practice with his partner A. P. Hill (who resembles her namesake, the Confederate general, except that she’s much more stern and commanding). I don’t know that I like her all that much, but I admire her for being such a force to be reckoned with. If I were five-foot-three-inches and blonde, I’d have gone for perky and cute, but A.P. somehow manages to be terrifyingly competent.

Since I haven’t had the peace of mind to go out looking for a job in my field, Bill and A.P. have sort of hired me (although I have more money than both of them put together) to be an “investigator” for their law firm, at an hourly wage that is laughable, especially considering that I have a Ph.D. But they mean to be kind, I know. They want to keep me busy. But so far there hasn’t been any call for an investigator’s talents (even assuming I had any). All their clients have either taken the plea bargain or agreed to work through their divorces without resorting to storm-trooper tactics.

That word again. Divorce.

At least you and I were spared that.

Sometimes I think that there is a great war going on between men and women. There is so much dislike and distrust in the air. Prenuptial agreements; kamikaze divorces; lawsuits over emotional matters: how very unromantic. The monasteries should be packing them in. Not that I care, personally, because at present I am a noncombatant. I am, as I said before, a war correspondent, writing sad communiqués to someone behind enemy lines.

I have no quarrel with you, dear Cameron. Except that you were selfish enough and stupid enough to go sailing away into the wild North Sea on that stupid, antiquated little boat. And so, goodbye for now, my dear. I must close.

If I knew where you were, I’d mail this.

Love,

Elizabeth

How do you like your snow white pillows,

And how do you like your sheets?

And how do you like the fair young maid

Who lies in your arms asleep ?

– “LITTLE MARGARET”

( Traditionalfolk ballad )

1

THE FACT THAT Eleanor Royden was putting on lipstick at 445 was not unusual - фото 4

THE FACT THAT Eleanor Royden was putting on lipstick at 4:45 was not unusual; the fact that it was 4:45 in the morning , however, made it an unprecedented departure from her usual routine. Eleanor was not known as an early riser, although, since the divorce, she’d had to get a clerical job, which meant that she had to show up at the real-estate office at 8:30 looking presentable. But she didn’t get up at 4:45 to do it. On a good day, she managed to rise (if not shine) at 7:45. But today was Sunday-no real-estate office to go to, and usually Eleanor slept in, letting the drapes stay drawn and the Sunday paper turn brown in the delivery tube until midafternoon. She used to read the society column, but none of those people spoke to her anymore anyway, since Jeb had kept the house and the country-club membership; so she no longer bothered to keep up with them.

She blotted the Berry Stain lipstick with a square of toilet paper and looked at herself in the medicine-cabinet mirror. Not bad for fifty-one, she thought. She had long ago lightened her mousy-brown hair to blonde, and now that it was surely gray under all that L’Oréal, the hair coloring gave her carefully bobbed hair the shimmer of moonlight. Cucumber slices placed under her eyes for fifteen minutes each night had gone a long way toward reducing the baggy look of half-a-century-old skin, but a face-lift would have been easier and more effective. In the right light she might pass for thirty-nine, she thought, as long as she remembered to keep her eyes wide open, arching her eyebrows for a face-lift via muscle control.

She let her features relax into a series of crow’s-feet and laugh lines, and the dozen years came seeping back, etching a great weariness on her face. She might look better if she hadn’t been up all night. But what did it matter if you could look thirty-nine, when she -the Bitch-was twenty-nine , not by artifice, but by the simple expedient of having been born during the presidency of Lyndon Johnson?

It wasn’t fair. Jeb certainly didn’t look thirty-nine. He had more white hair than a skunk-not the only thing the two creatures had in common. Eleanor smiled, etching wrinkles back into her face, which made her solemn again. Jeb was fifty-one. He did not jog. He did not starve himself. He did not take any steps to keep from getting run over by Time’s Winged Chariot. And that simpering teenage bride of his didn’t mind in the least. It was okay if men got old. She would see about that.

It wasn’t fair for him to have it all. He got to grow old gracefully, and still be loved, despite his age. He got to make a lot of money, and keep it all, even though she had given up a perfectly good bookkeeping job to marry him all those years ago. Even though she had cleaned his house to his fanatical standard of cleanliness; cooked delicious, well-balanced meals from his short list of acceptable foods; and played the thankless role of stage manager to his star turn in their upwardly mobile, career-oriented social life. He got all the applause: she got to do the housework backstage .

And now the play had closed. And good old Jeb was starring in a new production: same old show, but this time with a young and pretty leading lady to share the spotlight.

Eleanor never said that woman’s name aloud; she hardly ever thought it. Someday she might try to summon up the first name to find it had escaped her completely. Their last names were the same. That was the problem. Two Mrs. Roydens: the hag of marriage past, and the whore of marriage present.

Eleanor called her replacement the Bitch or the Bimbo. Sometimes in public Eleanor had called her La Chaplin, which her women friends understood to be a code term, referring to the silent film star’s greatest role: the Little Tramp.

At luncheons with her old friends, in the early days of the divorce proceedings, they had made a game of thinking up things to call the creature. To keep on saying the Whore would have been monotonous, and above all, one must not be tedious. Of course one had to put on a brave face, and affect amusement at Jeb’s stupid weakness and lust. (“Of course he had a pet name for his penis, dear. He wouldn’t want to be ordered about by a stranger .” Eleanor christened the future Mrs. Royden the Gap-not a reference to her fashion sense; the One-Trick Pony -not a musical reference; and, because the creature had been a landscape architect, the Lay of the Land .

Eleanor was the hit of the luncheon crowd with her wicked wedding parodies of Jeb’s second nuptials. “The organist ought to play ‘Send in the Clowns,’” Eleanor suggested. Her tablemates shrieked delightedly and countered with suggestions of their own: “Heat Wave,” “Almost Like Being in Love,” and “Call Me Irresponsible.”

She could get her wedding attire from Frederick’s of Hollywood, one of them suggested. “We could give him a certificate for prostate surgery!” whooped another. They spilled their cappuccino laughing at each other’s suggestions for additions to the traditional wedding vows. Eleanor Royden had kept everyone entertained for months. But underneath all the hilarity, Eleanor wasn’t laughing: she was using the only weapon she possessed to keep from going mad while she lost everything. And every hilarious luncheon had ended in an ominous silence, as the foursome contemplated the fact that no matter how much they ridiculed the problem, it wasn’t going away. And one of them might be next.

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