Mignon Eberhart - Wolf in Man’s Clothing

Naturally, I looked behind me now and then, too. But there wasn’t anything, and the police were busy then at the little lake in the hills beyond the north meadow.

Eventually I reached the Chivery cottage. I couldn’t have missed it, for the path led directly to the road that came out from town (going along east of the meadow where Claud Chivery had died). I crossed the road and there was the white picket fence and gate where Claud Chivery had been photographed stepping into his car, that strange look (of premonition?) in his haggard face.

The cottage had a deserted look and it was deserted. The one general maid Maud kept lived out and didn’t come to work when Maud was away. It was an odd little instance of Maud’s parsimony, but I didn’t know that until later.

The steps weren’t swept and the shreds of vines clinging to the trellis around the little porch looked dreary and unkempt. The door, however, was unlocked. I hadn’t thought of that till I got there; it seemed to me a stroke of luck.

So I opened it and went in; the hall was dreary, too, and dark and looked overfurnished with mahogany and chintz and a gleaming, heavily framed mirror that gave me back a dark and shadowy glimpse of myself. The first thing I saw, however, was the knife-a plain, bone-handled carving knife, lying on the table beside a silver card tray and a vase of withered chrysanthemums. I must admit I stopped rather short and listened, and looked at the knife.

But it was only a knife, inanimate and clean, and I didn’t hear a sound, unless the dry leaves on the little porch outside scraped softly against the trellis. The cottage was breathless, undusted, unaired, with the furniture taking over the place a little inimically the way it only does in an empty house.

That perhaps as much as anything convinced me there was no one in the cottage; but I looked anyway around the first floor, treading very lightly and holding my cape close to me so it wouldn’t brush against anything, pausing to listen as a cat does in strange territory, hearing nothing.

On my right hand, opening from the narrow hall was a living room, very precise, but dark with its curtains drawn and more withered flowers on a table. This led back to a small dining room so neat and yet so deserted that you couldn’t imagine a meal being served on that glistening table with its silver cockatoo ornament and candlesticks; beyond this was a kitchen; from here you went to a kind of passage with narrow back stairs leading upward, a store closet or two and then (by a door which I opened very cautiously) into what was evidently Dr. Chivery’s consulting room-all white enamel and glistening instrument cabinets. From here, in turn, I went on into his study, or perhaps his reception room which led again to the front hall; this made a complete circuit of the first floor of the house. Nothing had moved, nothing had breathed and all the chairs and bookshelves watched me with cold, alien eyes. Out in the tiny hall again, I glanced up the front stairs, a narrow carpeted flight broken by a landing.

There again I looked at the knife.

It was just a knife; somebody had left it there casually, I decided, in the pursuit of household duties, and forgotten it. Perhaps it had been used to open mail or to cut the strings of a package.

I did have, though, a strong aversion to touching it; after I’d seen Claud Chivery. So I listened again and, as nothing anywhere in that silent little house moved, I went back to the doctor’s study.

His books were ranged neatly along bookshelves. I didn’t turn on the light. It was still light enough to see, and I set myself to look for the book-a book about toxicology, Craig had said; if Chivery had a fairly large library that would cover a wide field.

As a matter of fact, it didn’t; I ran hastily through the shelves, selected I believe four or five books which I thought might bear fruit, shook them upside down vigorously with the leaves open, over the big roll-top desk, and, unexpectedly, one of them did. An odd piece of fruit it proved to be, too. For a paper fluttered out, I seized it-incredulously, really not quite believing that I might actually have at last, in my hand, a tangible clue. It was a piece of thin white stationery, like that I had seen on writing tables here and there in the Brent house, and there were hurried, pencilled notes upon it.

I went quickly to a window at the west which was built into a little niche with heavy, linen draperies over it. I thrust the curtains aside and held the letter so I could catch the last of the rapidly fading daylight.

I understood the necessity for Claud’s decision to keep the thing a secret. For horrible things were written lightly, in pencil, on that piece of paper.

“Toxicity of digitalis varies-each lot tested before sold as drug-symptoms vary-may be nausea, convulsion, rapid pulse-single massive dose may cause instant complete heart block-both sides of heart try to beat at once causing stop-fatal dose anywhere from-grains to-. Soluble in alcohol.”

All that was scribbled hurriedly, in pencil; and below it was added a grisly, jaunty little statement: “Entire box of pills ought to be enough.”

That was all. I didn’t recognize the handwriting. But whoever had written it had murdered Conrad.

Claud Chivery knew that! He couldn’t tell because-why because he must have thought that Maud had written it. There could be no other reason. “She” he’d said, not meaning to, when talking to Craig. Yes, he must have had some reason for believing the notes had been made by Maud. If it was not because it was her handwriting and he recognized it, it was because there was some other identifying clue in that piece of paper which led to Maud. So much was obvious. It explained his fear, his haunted eyes. It explained, if Craig was right, his murder.

But had Maud murdered him? Maud with her sweeping skirts and violet sachet?

It was just then that the cottage door opened quietly. A breath of air from outside rustled the withered chrysanthemums. Someone entered the house.

I SHRANK BACK, SWIFTLY as an animal, into the shadow of the heavy linen drapery, and looked to make sure my long blue cape didn’t show. I was perfectly still, crushing that note against me.

I couldn’t see much of the hall from the window, only a strip of carpet before the stairs and some wall and half an oil painting. But I could hear. Although I couldn’t have moved if it had been Gabriel with his trumpet.

After a long moment someone spoke, softly but clearly; that surprised me, somehow, but not as much as when unexpectedly there was an answer.

So I realized there were two people in that little hall, and that they had entered together very quietly, very softly.

“You followed me,” said a voice, and someone else said, “Certainly. So, this is the way of it.”

“Get out of here! Go back! Go home!”

“I guessed as much. When Claud was murdered… Why have you come here?”

“Because I don’t think the police have searched here. They wouldn’t have known it was empty.”

“You came to look for Drue. But she isn’t here, is she ?”

It was Nicky and Alexia. Their voices were curiously alike in quality, soft, vehement, hushed, and suddenly clearer, so I realized that they must be almost at the door of the study. Otherwise, of course, I couldn’t have heard them. I shrank still further behind the curtains, at least instinct bade me do so; I was actually quite completely paralyzed and doubt if I so much as breathed.

Alexia said, “Never mind that. You’ve spied on me.”

“My darling sister, I had to know the truth. I want some of your money, my pet. You’ll have to provide for me, you know.”

“You needn’t try to blackmail me. I’m not afraid of you, Nicky.”