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Ella Barrick: Quickstep to Murder

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What if your dance partner, business partner, and fiance was stepping out with another woman? That's exactly what happens to Stacy Graysin, who shares ownership of a ballroom dance studio with the man who broke her heart, Rafe Acosta. But when Stacy discovers Rafe's dead body in the studio one dark night, the police suspect her of killing him. To clear her name and save her studio, Stacey teams up with Rafe's estranged cousin from Argentina, Tav, to find the real killer. And if Stacy doesn't watch her step, the killer may make this dance her last.

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“I’ll let him know,” I said and breathed a sigh of relief when she swept out of the office.

Without bothering to change, she charged out the side door. I went to the window and watched as a driver held the door of a black Lincoln Town Car for her. It wasn’t quite a limo, but it was certainly a more luxurious mode of transportation than my yellow Beetle. An orange feather dangled out of the door, but the car moved off anyway.

I hoped Rafe knew what he was doing. But I doubted it.

At eight thirty I sat at the dinette table in my breakfast nook, eating a late dinner of spinach and water-packed tuna, wishing I could have a cheeseburger and fries. But Blackpool was only six weeks away and I didn’t need an extra pound or two straining the seams of my fitted costumes. Rafe had complained during a lift last week that I was gaining weight and although I denied it, I was counting every calorie. Winning trophies at the big competitions was excellent advertising for the studio and the prize money was nothing to sneer at, either.

And now the studio’s very existence was at issue. Clearly, Rafe was going to push for some decisions if he showed up tonight, which was beginning to look doubtful. Trouble was, I didn’t see a solution that we could agree on. I wanted to build Graysin Motion into one of the country’s most respected ballroom-dance training centers and that took time. I was willing to live on the bare minimum while we grew the business. Rafe, for whatever reason-expensive new girlfriend? Bad investments?-wasn’t.

I sipped my mineral water and downed a handful of vitamins. How had things disintegrated so quickly? A few short months ago we’d had similar goals for our relationship and our business; now… well, I’d rather shave off my hair than turn Graysin Motion into a kiddie recital mill. If Rafe insisted on taking more money out of the business, I’d have to do something drastic. I cleared my place and tried to decide what “drastic” would be. There was really only one answer and I shied away from it: borrow money from Uncle Nico to buy Rafe’s share of the business.

The banks weren’t lending to small businesses-I’d already approached eight of them-and my parents, divorced, weren’t in a position to invest in a ballroom dance studio. My brother and sister had less money than I did, and my lottery picks never seemed to win. Uncle Nico, my mom’s brother and an entrepreneur with his fingers in many pies (not all of them strictly legal, I suspected) would happily lend me the money. The problem was, what would he expect in return? He’d loaned me a hundred bucks in high school to buy the bicycle I needed to get to dance lessons, and told me I could just do him a favor someday in return. The favor turned out to be going to the prom with the son of one of his business associates. I was a senior and the kid was a pimply sophomore who laughed in little snorts, tipped a bottle of Southern Comfort into the punch bowl, and tried to feel me up during the slow dances. Gag me.

I was trying to decide whether to call Uncle Nico now, so I could have a solid offer for Rafe, or wait until after I’d heard what Rafe had to say, when a thump overhead brought my gaze to the ceiling. Someone was in the studio. My watch read 8:45. The last class had let out at eight-Maurice taught it-and those students were long gone. A car backfired out front and then another noise, like something heavy landing on the floor, thudded through the centuries-old boards. What the-?

I ran to the stairs and pounded up them in my bare feet, impulse taking over once again. Pushing open the door that led into the upstairs hall, I expected lights, but it was almost totally dark. Slivers of moonlight, stippled by passing clouds, provided faint illumination. The studio that was like an extension of my home, a cocoon that gave me comfort, suddenly seemed eerie and alien. I hesitated before stepping into the hall. I held my breath and listened. Nothing. I took a deep breath. This was silly. I didn’t need to slink around my own studio. I slid my hand along the wall to the light switch and flicked it. The sconces in the hall lit up, casting a warm glow on the wooden floors. The hall was empty.

“Hello?” I called. “Anybody here?” I was pleased my voice didn’t tremble. “Hello?” I said again, louder. Nothing.

The rooms opening off the hall still lay in semidarkness, with the small studio, the powder room, and my office to my left and the ballroom running the length of the house on my right. Standing in the hall, I reached my right hand around the jamb of the small studio door and felt for the light switch. The overhead fixture sprang to life, illuminating the emptiness of the wood-floored room with its windows that looked on to my courtyard. Gaining confidence, I marched down the hall to the powder room and turned on the light. Small mosaic tiles in white and blue, white ceramic sink and toilet-that needed cleaning, I noted-framed dancing prints on the wall, humming fridge. Nothing out of place.

As I approached my office, a thin whistling raised gooseflesh on my arms. I slowed my pace and peered around the corner of the short hall that led to the stairs. The door to the outside stairs gapped slightly and a breath of wind soughed through. With shaking hands, I pushed it closed and turned the dead bolt. Could Maurice have forgotten to lock up? I leaned back against the door for a moment, then pushed away to continue my search. I was confident by now that there was no one here… no intruder waiting to jump out at me. It just didn’t feel like there was anyone here.

I scanned the office: desks, chairs, computers, Oriental rug I’d bought in Turkey-all untouched. The brightness of the lights I’d left on as I progressed toward the front of the house infused me with courage and I entered the ballroom without a qualm. What is it in our DNA that seeks light, feels safer in the glare of sunlight than hidden in dark crannies? Maybe because we relied on our vision and had lost our senses of smell and hearing, relatively speaking. Our ancestors could see the saber-toothed cat stalking them but couldn’t smell or hear it. Although if the tiger house at the National Zoo was anything to go by, any Neanderthal downwind should have smelled the big kitty coming. I shook my head at the goofy direction in which my thoughts had drifted.

The glow from headlights and streetlights out front illuminated the northern end of the room and a trickle of moonlight from the back windows cast shadows along the south side. A broad stripe of light fell into the room from the hall. My eyes went to the stereo system; if someone were going to rob Graysin Motion, it was about the only thing worth stealing. Present and accounted for. About to return to my office to wait for Rafe, I sniffed. Something didn’t smell right. I gazed around the room more deliberately, scanning each section in turn.

Nothing by the front windows. The curtains were too sheer for anyone to hide behind. Nothing in the center of the floor. The odor grew stronger as I stood there and my legs started to tremble. Beneath the southern windows, one of the shadows was strangely static, not shifting as clouds and tree limbs skipped through the moonlight. I groped for the switch on the wall, my eyes never leaving the immobile shadow.

Light drenched the room and I slid down the wall until I squatted on my haunches, unable to approach Rafe where he lay under the window. I felt like I’d just plummeted into a death drop, but Rafe was not there to catch me. The beach ball-sized pool of blood congealing like a macabre halo around his shattered head told me it was too late for bandages or CPR. Too late for kissing and making up. Too late for… Forcing myself to move, I crabbed sideways on my hands and feet until I reached the door. Pulling myself up by the doorknob, I staggered into the bathroom and threw up.

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