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Mons Kallentoft: Midwinter Sacrifice aka Midwinter Blood

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Mons Kallentoft Midwinter Sacrifice aka Midwinter Blood

Midwinter Sacrifice aka Midwinter Blood: краткое содержание, описание и аннотация

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'An investigation consists of a mass of voices, the sort you can hear, and the sort you can't. You have to listen to the soundless voices, Malin. That's where the truth is hidden.' The snow covered all the tracks, as the killer knew it would. But it couldn't hide the victim, the man who now hung naked from a lonely tree on a frozen plain. Malin Fors is first on the scene. A thirty-one-year-old single mother, Malin is the most talented and ambitious detective on the Linkoping police force, but also the most unpredictable. She must lead the investigation while keeping her fractured life on the rails. No one knows the identity of the dead man. Or perhaps no one ever wanted to know. When all the voices of the investigation have fallen silent, Malin can rely only on herself and her own instincts. And as she follows in the frigid wake of the killer, Malin begins to discover just how far the people in this small town are willing to go to keep their secrets buried.

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And then a bang, and another and another, and a flash of fire shooting out from a bulge in the snow, and she throws herself to the ground, feels the cold force its way into each of her bones.

Weapons from a weapons store.

Hand grenades.

Fuck.

He’s gone now, Elias Murvall thinks. He no longer exists. I didn’t show any weakness.

Elias gets up on all fours, the noise from the explosion ringing in his ears, his whole head full of noise, and he sees Adam and Jakob getting up, and how the door of the hideaway has been blown off, and how the snow that covered its roof has become an impossibly white dust in the air.

Whatever must it look like inside?

Let a firecracker go off in a clenched fist…

Stick one up the arse of some fucking cat…

Bloodstained snow.

The stink of sweat, burned flesh. Of blood.

Who’s that screaming? A woman?

He turns round.

Sees a woman holding a pistol approach from the edge of the forest.

Her? How the fuck did she get here so quickly?

Malin has got up, is walking, pistol drawn, towards the three men who are all clambering to their knees, getting up, putting their hands above their heads.

‘You’ve killed your own brother,’ she yells. ‘You’ve killed your own brother. You think he raped your sister but he had nothing to do with it, you bastards,’ she yells. ‘You’ve killed your own brother.’

Then Jakob Murvall walks towards her.

He yells, ‘We haven’t killed anyone. We were coming to get him, we knew you were looking for him and when we got close to the hideaway it exploded.’

Jakob Murvall smiles.

‘He didn’t rape your sister,’ Malin yells.

The smile vanishes from Jakob Murvall’s lips; now he looks offended, misled, and Malin takes a swing with the pistol, allowing it to cleave the air as fast as it can before the barrel connects with his nose.

The blood pours from Jakob Murvall’s nostrils as he staggers forward, colouring the snow dark red, and Malin sinks to her knees and screams up into the air, she screams again and again but no one hears her cries, slowly turning into a howl just as a helicopter glides in above the clearing and stifles the sound coming from her lungs. The despair and pain and the fragments of human lives that the drowned-out howl contains will echo through the forests around Hultsjön for ever.

Can you hear the rumble?

The unquiet muttering.

The rustling from the moss.

That’s the dead whispering, the stories will say. The dead, and the dead who are yet living.

Epilogue

Mantorp, Wednesday, 2 March

I’m not scared any more.

Me neither.

There’s no rancour. No despair, no injustice to forgive.

Here there is only a scent of apples and balls flying weightlessly through a space that never ends.

We are drifting side by side, me and Karl, the way brothers should. We don’t see the earth any more, instead we see almost everything, and we’re fine.

Rakel Murvall is sitting at the head of her kitchen table, her back to the stove, where a cabbage bake is almost done, spreading a sweet smell over the room.

Elias gets up first.

Then Jakob. And finally Adam.

‘You lied, Mother. The articles in the paper. He was our…’

‘You knew.’

‘He was still our brother.’

‘You lied… you made us kill our…’

One by one they leave the kitchen.

The front door closes.

Rakel Murvall pushes back her long white hair.

‘Come back,’ she whispers. ‘Come back.’

How did it happen?

Malin is sure, as she hunts through the racks of clothes in H &M in the Mobilia shopping centre just outside Mantorp.

They threw the grenades into the hole, and their mother had tricked them into doing it.

But the brothers’ stories match; it’s impossible to prove that Karl Murvall himself didn’t pull out the pins of grenades that he somehow acquired. The brothers will get a month in Skänninge in the summer for poaching and possession of illegal weapons, that’s all.

Tove holds up a red flowery spring dress. Questioning, smiling.

Malin shakes her head.

The case of the murder of Bengt Andersson is regarded as solved, along with the kidnap and assault of Rebecka Stenlundh. The perpetrator in both cases was the victims’ own half-brother, who blew himself into thousands upon thousands of pieces in a hole in the ground that was the closest he ever got to a home on this earth.

This is the official truth: ‘He couldn’t live with what he’d done.’

Jakob Murvall reported Malin for excessive use of force in connection with the event, but Zeke supported her version. ‘Nothing like that happened. He must have been wounded in the explosion,’ and that was the end of it.

One question remains: Who raped Maria Murvall?

Malin fingers a light blue pair of overalls.

Do all questions have to be answered?

Outside the cold has eased, even if the snow is still there. The white skin gets thinner every day, and beneath the ground the first snowdrops are preparing to break through the darkness. They are moving through the soil, soon ready to greet the sun.

Mons Kallentoft

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