Orest Stelmach - The Boy from Reactor 4

After the game ended in a tie, Lauren waited alone in the visiting coach’s office. Ten minutes later, a woman came in and closed the door behind her. She was stylish but not flashy, a classy dresser in a simple black suit. She wore a ruby ring and a Timex sports chronograph—no other jewelry. She had what Lauren called active eyes, the type that shone with a special light because the people behind them were readers and interpreters and not just lookers.

“Nadia Tesla,” she said.

“Hi. Lauren Ross.”

They exchanged cool smiles and still-cooler handshakes.

Nadia circled her way to the coach’s desk and assumed the seat of authority. Lauren sat down in front of her and opened her pad.

“So you’re Bobby’s guardian.”

“That’s right.”

Lauren scribbled on her pad. “Coach Hilliard told me your relation, but I forget. You’re Bobby’s… aunt, is it?”

“I’m his guardian.”

Lauren smiled. “No. I understand that, but—”

“Bobby’s not going to be joining us today.”

Lauren shifted in her seat. “Oh? Why? Is he okay? Is he hurt?”

“He’s fine. But it’s not realistic for him to be interviewed right now. He’s adjusting to a new life. New home. New friends. New school. This race in Central Park has caused a bit of a hullabaloo, but it will blow over in time.”

“Okay, fine. But you understand that this is a story. My guess is it’s a big story. It’s my job to dig. And I’m going to do my job.”

“You’ll fail,” Nadia said. “The more you dig, the less you’ll find. Say you go to Kotzebue and ask questions. All you’ll learn is that there are more questions to ask. And that will be it. You’ll hit a dead end. You’ll have your wasted time, and you won’t have a story.”

“You seem very sure of this.”

“I am. I’m Bobby’s guardian.”

“Well, no good journalist is going to resist the challenge just because someone tells her it’s a dead end. If anything, you’ve only piqued my curiosity even more.”

“Of course, there’s an alternative course of action.”

Lauren raised her eyebrows.

“Give Bobby until June of next year. He’ll be done with his first year at Fordham. He’ll be substantially fluent by then—except for certain humor and inside jokes that take forever. If you leave him alone until June of next year, we’ll sit down with you together and give you an exclusive story.”

Lauren chuckled. “You’re telling me this is something worth waiting for?”

“I think so, but you’ll have to be the judge of that.”

“This is about… more than hockey?”

“Hockey is about more than hockey. But yes, it’s about more than hockey.”

“And you won’t talk to anyone else in the meantime?”

“As long as you keep your word and leave the story alone until then.”

“I like what you propose. But I’d like to think about it overnight. Do you have a business card?”

Nadia handed her a card with her name, a 917 area code cell phone number, no address, and a title.

“What’s a forensic investment analyst?”

“Someone who digs until they find the truth. You might say I’m following in my father’s footsteps.”

Lauren chuckled again and put the card in her purse. “I’ll call you tomorrow. Maybe we can have lunch soon, and I can give you my final decision.”

“All right.”

Lauren stood up to leave. “Just tell me one thing. That necklace that fell off Bobby’s neck during the game. What’s in the locket?”

Nadia’s lip quivered for a split second. “The Statue of Liberty,” she said.

“I beg your pardon?”

“A folded-up picture of the Statue of Liberty. Bobby was named after Robert F. Kennedy. He’s very patriotic.”

Adam sat in the bathroom stall, studying the indent on the back of the locket. He’d accidentally scraped it with the edge of his skate blade, removing some of the gilding. He closed his eyes, took a deep breath, and opened them again to make sure he wasn’t imagining things. The indent was still there.

It was the shape of a hexagon, the kind chemists used to write formulas. The scientist Arkady had given his father the locket shortly before his death as a token of appreciation for their friendship. His father, in turn, had passed it on to him so he could keep the mighty woman close to his heart during the trip to America. Were there more symbols beneath the rest of the gilding?

Adam’s next thought was to confide in his aunt. She had taken care of him and proven herself beyond any doubt to be someone he could rely on. Still, it was probably best not to rush into any course of action. Adam came to this conclusion by remembering his father’s final words to him.

With foxes, we must play the fox.

THE FOLLOWING BOOKS served as reference: Svetlana Alexievich’s Voices from Chernobyl, C.C. Bailey’s The Aftermath of Chernobyl , R.F. Mould’s Chernobyl Record, Adriana Petryna’s Life Exposed , James Forsyth’s A History of the Peoples of Siberia , John Ziker’s Peoples of the Tundra , Ian Halliday’s Native Peoples of Alaska , and Russian Criminal Tattoo Encyclopaedia, Volumes I and III.

I am indebted to the following people for their assistance with this enterprise. Jaromir Jagr unwittingly inspired the plot. The men, women and children of Chernobyl inspired the writer. Lou Paglia, Neil McMahon, Jeff Palmer, Mary Jane Cronin, and Jim Cronin read early drafts. Elaine Thomas offered exhaustive input, infectious enthusiasm, and moral support. Scott and James Palmer of Palmer Group Media provided invaluable web design and social media exposure. Scott also created brilliant alternate cover art. Charlotte Herscher guided me to a superior final draft and made the experience a pleasure. Daphne Durham and Andy Bartlett turned a writer’s dream into reality. It’s a privilege to work with them and the rest of the Thomas & Mercer team. Erica Spellman-Silverman of Trident Media Group discovered the book and promoted it relentlessly. She is agent, counsel, and friend. My parents, Eudokia and Bohdan Stelmach, provided an education and instilled in their children a love and appreciation for America that remains the same today.

First and last, of course, I thank Robin for her love and unwavering support.

Orest Stelmach was born in Connecticut, the child of Ukrainian immigrants. He didn’t speak English until he began school as a child, going on to earn academic degrees from Dartmouth College and the University of Chicago. Along the way, he earned his living washing dishes and stocking department-store shelves, later teaching English in Japan and managing international investments. In 2012, his short story “In Persona Christi” was published in the Mystery Writers of America anthology Vengeance . He speaks Ukrainian, Spanish, and Japanese. The Boy from Reactor 4 is his first novel.

“A top-notch, fast-moving thriller with gripping authenticity from Stelmach’s knowledge of politics, history, and crime in Eastern Europe and America.”