Walter Mosley - Fear of the Dark

“You think Jerry Twist woulda lied about that?”

“Go on,” Fearless said. “Tell me why you cain’t talk to them but you can chatter all ovah me.”

“Drummund don’t know us,” I said. “Katz neither. I cain’t just walk in on ’em, ’cause they’re important men. They ain’t gonna have nobody like you or me walk in their offices, not unless we tell ’em about LaTiara or Useless.”

“Cain’t tell ’em ’bout Ulysses,” Fearless said. “Hearts wouldn’t like that.”

“That don’t even mattah,” I said. “’Cause if we call ’em an’ tell ’em ’bout how we know about them bein’ blackmailed or whatevah, they might just call the cops. They don’t know Hector’s real name, I’m sure’a that, and so when the police ask us and then find Hector dead, where will we be?”

Fearless smiled. Smiled. Here I was explaining how our whole enterprise was stalled in the water, and he just grinned as if I had told a half-funny joke.

“You’ll figure it out, Paris,” he told me.

“Aren’t you listening to me, man?” I asked. “I’m sayin’ I don’t know what to do.”

“That’s okay,” he said. “That’s how everything start. First you don’t know an’ then you do.”

The day was wending into evening while Fearless and I walked along the shore. We were friends, there was no doubt about that, but our relationship was also hard to define. Sometimes I was like the big brother who could read complex documents and decipher the logical knots that faced my simpleminded friend. At other times he was like the ideal father that had never abandoned me, protecting me from danger. On that particular evening he was this selfsame father who saw my troubles and only said that he believed in me and that I would see my way through in time.

Maybe all true friendships are like that: like rolling rivers rather than edifices of stone. I don’t know. All I had on my mind was how I could get information from Katz and Drummund without them calling the cops on me.

“You tired, Paris?” Fearless asked, as the setting sun ignited the pollutants in the evening sky, making a fiery red sunset that had all of the ecstasy and terror of a heart attack.

“Naw, man. I couldn’t sleep if I wanted to.”

“That’s good. ’Cause you know I think we gonna have to work hard tonight.”

“Why’s that?”

“Al Rive’s in town.”

“Really? He really came back?” I asked.

“Yeah, brother. First he put his mother in the soup an’ now he wanna hurt Milo for turnin’ on the heat. Whisper fount him out, but before we could get there he was gone. Tomorrow I be full-time either chasin’ Al or bodyguardin’ Milo’s butt.”

“You a good friend, Fearless.”

“Why not? Friendship is free.”

We drove from the beach down to Nadine Grant’s many-flowered home.

As we were walking through the gated fence toward the front door, Three Hearts was coming out. She was wearing all white, which was never a good sign. White was what Three Hearts wore when she was bringing God with her on her mission, whatever that mission was. It was lore in our family that Three Hearts wearing white meant that she was going to someone’s funeral — and that someone didn’t need to be dead yet.

“Hey, Hearts,” Fearless said, holding out hands of greeting and restraint.

“Out of my way, Fearless,” she commanded. “I got places to be.”

“Who’s drivin’ you?” he asked, both friendly and stern.

“Toby Battrell,” she said, waving a white-gloved hand at the street.

Standing there next to a 1940s wood-paneled station wagon was a teenage boy. His shirttails were hanging out and his plump body seemed to be made from fudge.

“That’s a child right there, Hearts,” Fearless said. “What’s his mama gonna say when you put him out there in front’a Mad Anthony or some other crazy fool like that?”

“Toby will stay in the car.”

“In the middle’a the night in places where Ulysses might be? Hearts,” Fearless entreated. “You cain’t be draggin’ no child around where trouble grow. You know that, baby.”

“Who said that I’m goin’ out lookin’ for trouble?” Three Hearts said to the ground at her feet.

“Toby,” Fearless called.

“Yessir?”

My friend flipped a coin across the void. The boy made a valiant effort, but he missed and had to run after the silver disk as it rolled down the asphalt.

“That’s a dollar,” Fearless said when the awkward ballet was through. “Go on home now. Me an’ Paris will drive Mrs. Grant.”

When the boy flashed a grin I decided I liked him. He jumped into his station wagon and rolled away to safety.

“Now, where you wanna go, Hearts?” Fearless asked my auntie.

I didn’t speak because I would always be a child in the eyes of my family. Even with my mustache they treated me according to my size and temperament. That’s why Three Hearts could use Toby on a risky venture and not realize how wrong she was.

But Fearless was born an adult. People always listened to him; even white folks cocked an ear when they were in trouble and Fearless offered to help.

“There’s a house down around Compton,” she said. “I wanna go there.”

“What’s there?” I asked. I just couldn’t keep quiet.

“Ain’t none’a your business.”

“Hearts,” Fearless said. “We your people here. Why you wanna stonewall us?”

Three Hearts looked up into my friend’s eyes with something like evil festering in hers. I did not know another man or woman who knew Three Hearts that wouldn’t back down from that stare.

Fearless grinned.

“I ain’t scared’a you, Hearts,” he said. “You know I’m tryin’ to help ya. You know you need us wit’ you to help your son. So don’t be pullin’ no evil-eye stuff on me.”

Nadine had come to the screen door. She was looking at the encounter with something like fear in her face.

Three Hearts began to tremble. Her fists were knotted in rage. I swear I felt lightning gather in the sky. It took all of my courage not to step away from Fearless.

“It’s that girl,” Three Hearts hissed. “I found out from a woman. I’m goin’ down there to get her spell off my son.”

From the backseat of my car on the way to Compton, she told us the tale.

“I know you been lookin’, Paris,” she said. “An’ I appreciate it, baby. But I couldn’t just sit there in Nadine’s house an’ watch the flowers grow. I had to get out an’ do sumpin’. And so Nadine told me about Toby. He done got put outta school fo’ stealin’ from the canteen, an’ his mama want him to work. So I hired him for fifty cent a hour t’drive me. I buy his lunch an’ pay the gas, an’ he took me to every church around here.

“I must’a gone to twenty churches when I finally fount a woman who knew a woman that this Angel girl done messed wit’. I knew it was gonna be sumpin’ like that. Her Christian name is Allmont. She was in this one church, Triumph of the Lord Holy Baptist, when she lured Tyree Mullins inta sin. His wife, Cleo, couldn’t do nuthin’ about it. It was like he had a fever. He kept tellin’ Cleo that it wasn’t nuthin’ romantic or sex but that he was just tryin’ t’help the girl. He owns some property ovah in Compton an’ he put her up there. She don’t pay no rent, don’t buy her own food or her clothes. If she get sick he there wit’ her before his own chirren. That’s the woman that have beguiled my poor son.”

I didn’t know how much truth or rumor or fabrication by Three Hearts herself had gone into that story, but I did know that Tommy Hoag had used the name Allmont when referring to Angel. Three Hearts had brought us to the door I was looking for, the door I needed to go through in order to effect a plan that had an escape hatch if need be.