The man lunged with the knife. Sabrina jumped aside then leaped forward as the knife swung past her face. She jerked out her fist and felt the key penetrate his cheek. He screamed. She drew her fist back. As he swung the knife again she jabbed the key into the space between his collarbones, splitting the cartilage between his larynx and his windpipe. He dropped the knife and fell back, clutching his neck. Sabrina kicked open the door and ran for the car.
She was back at the National by nine o’clock. The drive across dusty roads filmed her skin with fine sand the colour of terracotta. At reception the old Indian told her a visitor was waiting. He did not look as if he approved.
She went to the tiny bar and found Nat Takahashi sitting in the corner reading a copy of the local evening paper. When he saw her he looked shocked.
‘What happened? Did a bus hit you, or what?’
‘Just everyday UNACO business. We don’t mind getting our hands and all our other bits dirty. What brings you here, Nat?’
‘I thought I’d buy you dinner before you went back.’
‘You’re an angel,’ she said. ‘I can’t think of anything nicer.’
‘But promise me you’ll clean yourself up first. I have a reputation to look after.’
‘Twenty minutes,’ she promised, going to the stairs. ‘You won’t believe the change.’
Nat sat down to finish reading a late news item, printed in red on the back page, about two Peruvians being fished dead from a well in the Medina quarter that afternoon.
Upstairs Sabrina entered her room, thinking how good it would be to talk to Nat about what had happened since the last time she saw him. But that was out of the question. Rules were rules, her lips were sealed.
‘He wouldn’t believe a word of it, anyway,’ she said, heading for the bathroom.
By 7.00 a.m., one hour after Sabrina had boarded her early flight out of Tangier, Mike Graham was in the bushes on the fringe of a public park in the Kreuzberg district of Berlin. He was positioned directly opposite a squat, black-walled block of high-security apartments at Scharweber Strasse. The front door of number 17a was angled fractionally towards his vantage point, and the view was unobstructed.
The official start of spring was only a few days off, but it was a cold morning nevertheless, and since dawn it had been raining. Mike wore the latest in lightweight, one-piece, low-reflectance thermal suits, and he had brought a flask of coffee, but by 8.30 he felt distinctly chilled.
Beside him in the bushes, mounted on top of a garden cane stuck in the ground, was a high-frequency sound assimilator with its viewfinder fixed on the lock panel at number 17a. He had prepared for this morning’s work with a drive-by the previous day; a quick look had told him the door lock was sonic, with a deadlock back-up. In addition to the assimilator, he had brought a selection of deadlock skeletons plus a keyform profiler, with two blanks and a selection of carbon steel files, in case the deadlock was cleverer than it looked.
At 9.10 a woman wearing a fashionable variation of a duffel coat came out of the apartment, pulling up her hood before Mike got his monocular to his eye. She closed the door, turned and pointed her sonic key at the panel. Mike pressed the button on top of the assimilator and heard it peep softly to confirm it had collected the signal.
The woman pocketed the key, turned and went down the steps. All Mike saw of her face was a firm mouth with bright lipstick, before she turned at the foot of the steps and walked away from him. He pulled the assimilator off the cane and put it in his pocket.
He waited and watched. On a basis of averages, it was safe to assume the flat was now empty, but waiting did no harm, except to his hands and feet, which appeared to have been isolated from his circulation.
At ten o’clock he crossed the road and went up the steps to number 17a. It was raining heavily now and no one was about. He looked right and left, keeping his chin tucked in and leading with the top of his head so the camera above the door wouldn’t identify him. He brought out the assimilator, pointed it at the lock panel on the door and pushed the TRANSMIT button. The machine emitted a crisp beep, a duplicate of the sound the woman had used to lock the door. He was pleased she hadn’t troubled to use the deadlock key. A light push and the door opened.
He slipped inside and shut the door behind him. For a minute he stood still, eyes shut, conditioning them to the dark. In secure premises without windows the lights were often wired to alarm systems. If an intruder switched them on, a signal was sent to the local police station. It was best to move around in the dark, using a torch any time a strong light was needed.
When he opened his eyes he saw a dim red night light above the front door. He could see across the hall and part of the way into the room opposite, which looked like the sitting room. He went in there and switched on his little MagLite torch.
The place was furnished with heavy modern pieces, mostly finished in black lacquer, the up-holstery covered in black and dark-blue canvas. Above the fake fireplace was a painting in a frame with a dim picture light above it. He stepped forward and looked. The painting was not good, but it was a true enough likeness for him to identify the subject as Erika Stramm.
A sideboard along the wall opposite the door had a cupboard at one end and drawers at the other. He put the torch between his teeth and slid open the bottom drawer. It was crammed with books, perhaps a hundred of them, all paperbacks, all new, all in English, and only two titles: Armageddon in the East and The Abuses of Power, both by Erika Stramm. The drawer above held a drawing board, professional-looking drawing instruments and several dozen sheets of self-adhesive lettering.
The top drawer looked more interesting. The torch beam picked out a stack of notebooks at the back, all well thumbed, held together with a rubber band. He put them on top of the sideboard for further examination. He also took out a ledger and a ring-binder full of invoices.
As he probed the back of the drawer, carefully sliding a sheaf of papers past a stapler and a bottle of ink, he failed to hear a man come out of a bedroom adjoining the sitting room. He approached Mike slowly from behind, raising a walking stick in the air above his head.
The stick came down and Mike dropped to his knees and rolled sideways. The move was instinctive, triggered every time he heard the whoosh of a blunt object moving fast. The walking stick crashed on the top of the sideboard. Simultaneously Mike kicked the feet from his assailant, knocking him on his back.
‘Kak eto nazy–’
There was a scrambling, a thud as a heavy chair went over, and suddenly a terrible weight landed on Mike’s chest. Hands gripped his neck, trying to strangle him. He smelled good cologne and a trace of stale brandy.
‘Take it easy…’
They wrestled in the dark, rolling across the floor until the open door stopped them. Mike’s head cracked on the other man’s cheek, making him howl and let go. Mike jumped to his feet, feeling his leg grabbed. He kicked out with the other foot. While it was still travelling his static foot was jerked forward and he landed on his back. His head struck something hard and for a moment his senses swam.
He was aware the other man was up on his knees now and punching. Mike forced himself up, taking the blows, feeling the impact on his face and ribs. With an effort he drove himself to his feet, grabbed the man’s hair and with the other hand jabbed him in the gut. The man folded, groaning.
Mike turned, looking for the door. He saw it but never took the first step towards it. A bunched fist hit the back of his skull and put him on his knees. He was hoisted, punched again, dumped into a chair and felt himself being tied there. There was no longer any strength in his arms to resist.
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