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David Morrell: First Blood

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David Morrell First Blood

First Blood: краткое содержание, описание и аннотация

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From New York Times bestselling author David Morrell comes the novel upon which the box office superhit Rambo was based. First came the man: a young wanderer in a fatigue coat and long hair. Then came the legend, as John Rambo sprang up from the pages of First Blood to take his place in the American cultural landscape. This remarkable novel pits a young Vietnam veteran against a small town cop who doesn’t know whom he’s dealing with -- or how far Rambo will take him into a life-and-death struggle through the woods, hills, and caves of rural Kentucky. Millions saw the Rambo movies, but those who haven’t read the book that started it all are in for a surprise — a critically acclaimed story of character, action, and compassion.

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He thought about it longer, and there really was not much to say after all. The quality of her voice did not make him long for her the way he feared it might have, and at last he felt free, at the end of it. 'Are you still in California?'

She did not answer.

'I guess that's none of my business,' he said.

'It's O. K. I don't mind. Yes, I'm still in California.'

'Any troubles? Do you need any money?'

'Will?'

'What?'

'Don't. I didn't call for that.'

'Yes, but do you need any money?'

'I can't take your money.'

'You don't understand. I — I think it's going to be all right now. I mean, I feel a lot better about everything now.'

'I'm glad. I've been worrying about that too. It's not as if I want to hurt you.'

'But what I mean is I feel a lot better, and you can take some money if you need it without the idea that I'm trying to make you beholden and have you come back.'

'No.'

'Well at least let me pay for this call. Let me accept the charges.'

'I can't.'

'Then let me put it on the office bill. It won't be me paying, it'll be the town. For Christ sake, let me do something for you.'

'I can't. Please stop it. Don't make me regret calling. I was afraid this would happen and I almost didn't.'

He felt the telephone sweaty in his palm. 'You're not coming back, are you?'

'This is all wrong. I didn't want to go into this. It's not why I called.'

'But you won't be coming back.'

'Yes. I'm not coming back. I'm sorry.'

All he wanted was to hold her, not do anything but hold her. Slowly he crushed out his cigarette, lit another one. 'What time is it there?'

'Nine. I'm still confused about the time zone shift. I slept fourteen hours when I got here, getting used to the different time. For them it was eleven o'clock, and for me it was already two hours after midnight. What is it, midnight now, where you are?'

'Yes.'

'I have to go, Will.'

'So soon? Why?' Then he caught himself. 'No. Never mind. That's none of my business either.'

'Are you positive you're not hurt?'

'They've bandaged me up, but it's mostly scratches. Are you still living with your sister? Can you at least tell me that much?'

'I moved out into an apartment.'

'Why?'

'I really have to go. I'm sorry.'

'Keep me in touch with what you're doing?'

'If it'll help you. I didn't know it would be this hard. I don't know how to say this.' She sounded like she was sobbing. 'Good-bye.'

'Good-bye.'

He waited, trying to be with her as long as possible. Then she broke the connection and the dial tone was buzzing and he sat there. They had slept together four years. How could she make herself a stranger? Not easily. Her sobbing. She was right, this was hard for her too, and he was sorry.

15

It's over. Do something. Move. Get your mind on the kid where it belongs. The kid. Behind the wheel of a car. Driving fast.

He saw his shoes and socks by the file cabinet and hurriedly put them on. He took a Browning pistol from his gun case, slipped a full bullet clip into the handle and strapped on a holster, slanting it backward he noticed, the way Orval always had told him to. As he came down the hall, through the front room toward the door, Harris looked at him.

'Don't say it,' he told Harris. 'Don't say I shouldn't go back out there.'

'Fine, then I won't.'

Outside the street lights were on, and he breathed the fresh night air. A cruiser was parked at the side. He was just getting in when he glanced to the left and saw the side of town light up, flames reflecting in waves across the night clouds.

Harris was shouting on the front steps. 'The kid! He got out of the caves! They just called that he stole a police car!'

'I know that.'

'But how?'

The force of the explosions rattled the windows in the police station. WHUMP, WHUMP, WHUMP! A string of them from the direction of the main road into town. WHUMP, WHUMP!

'Christ almighty, what's that?' Harris said.

But Teasle already knew and he was ramming the car into gear, racing it out of the parking lot to get there in time.

16

Roaring deeper into town, swerving to pass a motorcyclist who was stopped looking back astonished, Rambo saw in his rearview mirror the street behind him flooded with fire leaping high into the trees that bordered it. The fierce red flames radiated into the cruiser. He pressed the accelerator to the floor, whipping down the main street, explosions flaring in the night behind him, bursting the pattern of the fire. Now they would have to waste time going around. Just in case, he needed to do it again. The more diversions, the more they would be confused. They would have to put off chasing him and stop to control the fire.

One of the street lights ahead was burned out. Under it the brakelights of a car flashed on, its driver opening his door to stare back at the flames. Rambo, sheered into the left lane, bearing down fast on the low headlights of a sports car. It swung into the right lane to avoid him just as he swung into his own lane too, and he continued sweeping toward it until it leapt up onto the sidewalk, snapped off a parking meter and crashed through the front display window of a furniture store. Sofas and chairs, Rambo thought. Here's to a soft landing.

Foot solidly on the throttle, he was surprised there were not more cars on the street. What kind of town was this anyhow? A few minutes after midnight and everybody was asleep. Store lights off. Nobody coming out of bars singing. Well, there was a little life in town now. There sure as hell was. The rush of the cruiser, the hefty surge of the engine, he was reminded of Saturday nights years ago racing stock cars, and he loved it all again. Himself and the car and the road. Everything was going to be fine. He was going to make it. Working unnoticed down through the hills to the highway had been easy. Creeping through the forest of junked cars into the field and up to the cruiser had been easy. The policemen from the car must have been in the hills with the rest, or else down the road to see the drivers of the lorry trucks. There had been no key in the switch, but tripping the ignition wires had been no problem, and now streaking through the red light of an intersection, the power of the motor seeming to rise up through the accelerator, flooding his body, he knew it would be only a matter of hours before he was free. He felt too good not to make it. The police would radio ahead to try and stop him, of course, but most of their units were probably behind him with the searchers, so there could not be much resistance ahead. He would make it through town and take to the side roads and hide the car. Then run overland. Maybe hitch onto a freight train. Maybe sneak into a transport. Maybe even steal a plane. Christ, there were any number of possibilities.

'Rambo.'

The voice startled him, coming from the radio.

'Rambo. Listen to me. I know you can hear me.'

The voice was familiar, years off. He could not place it.

'Listen to me.' Each word smooth, sonorous. 'My name is Sam Trautman. I was director of the school that trained you.'

Yes. Of course. Never in sight. The persistent voice over the camp's loudspeaker. Any hour. Day after day. More running, fewer meals, less sleep. The voice that never failed to signal hardship. So that was it. Teasle had brought in Trautman to help. That explained some of the tactics the searchers had been using. The bastard. Turning on his own kind.

'Rambo, I want you to stop and surrender before they kill you.'

Sure, you bastard.

'Listen to me. I know this is hard to understand, but I'm helping them because I don't want you killed. They've already begun to mobilize another force ahead of you, and there'll be another force after that, and they'll wear you down until there's nothing left of you. If I thought there was the slightest chance of your beating them, I'd gladly tell you to keep on the move. But I know you can't get away. Believe me. I know it. Please. While you still can, give up and get out of this alive. There's nothing you can do.'

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