Ken Follett - Lie down with lions

That was when she snapped.

She was tired and miserable and aching and hungry and wretched, and he wanted her to stand up, carrying the weight of their baby, so that he could sit. That contemptuous jerk of the thumb seemed to sum up all his cruelty and malice and treachery, and it enraged her. She stood up, with Chantal swinging from her neck, and thrust her face into his, screaming: "You bastard! You bastard!" Her words were lost in the roar of the engines and the rushing wind, but her facial expression apparently shocked him, for he took a startled step back. "I hate you!" Jane shrieked; then she rushed at him with her hands outstretched and violently pushed him backward out through the open door.

The Russians had made one mistake. It was a very small one, but it was all Ellis had, and he was ready to make the most of it. Their mistake had been to fasten his hands in front instead of behind his back.

He had been hoping they would not bind him at all— that was why he had done nothing, by a superhuman effort, when Jean-Pierre started slapping Jane. There had been a chance they might leave him unrestrained: after all, he was unarmed and outnumbered. But Anatoly was a cautious man, it seemed.

Fortunately Anatoly had not been the one to put the handcuffs on: a trooper had. Soldiers knew that it was easier to deal with a prisoner whose arms were bound in front—he was less likely to fall over, and he could get in and out of trucks and helicopters unaided. So, when Ellis had submissively held out his hands in front, the soldier had not given it a second thought.

Unaided, Ellis could not overpower three men, especially as at least one of the three was armed. His chances in a straight fight were zero. His only hope was to crash the helicopter.

There was an instant of frozen time when Jane stood at the open doorway, the baby swinging from her neck, and stared with a horrified expression as Jean-Pierre fell into space; and in that moment Ellis thought: We're only twelve or fifteen feet up, the bastard will probably survive, more's the pity; then Anatoly sprang up and grabbed her arms from behind, restraining her. Now Anatoly and Jane stood between Ellis and the trooper at the other end of the cabin.

Ellis whirled around, sprang up beside the pilot's raised seat, hooked his manacled arms over the pilot's head, drew the chain of the handcuffs into the flesh of the man's throat, and heaved.

The pilot did not panic.

Keeping his feet on the pedals and his left hand on the collective pitch lever, he reached up with his right hand and clawed at Ellis's wrists.

Ellis had a flash of dread. This was his last chance and he had only a second or two. The trooper in the cabin would at first be afraid to use his rifle for fear of hitting the pilot; and Anatoly, if he too was armed, would share the same fear; but in a moment one of them would realize that they had nothing to lose, since if they did not shoot Ellis the aircraft would crash, so they would take the risk.

Ellis's shoulders were grabbed from behind. A glimpse of dark gray sleeve told him it was Anatoly. Down in the nose of the helicopter, the gunner turned around, saw what was happening and started to get out of his seat.

Ellis jerked savagely on the chain. The pain was too much for the pilot, who threw up both hands and rose from his seat.

As soon as the pilot's hands and feet left the controls, the helicopter began to buck and sway in the wind. Ellis was ready for that, and kept his footing by bracing himself against the pilot's seat; but Anatoly, behind him, lost his balance and released his grip.

Ellis hauled the pilot out of the seat and threw him to the floor, then reached over the controls and pushed the collective stick down.

The helicopter dropped like a stone.

Ellis turned around and braced himself for the impact.

The pilot was on the cabin floor at his feet, clutching his throat. Anatoly had fallen full-length in the middle of the cabin. Jane was crouched in a corner with her arms enclosing Chantal protectively. The trooper, too, had fallen, but he had regained his balance and was now on one knee and raising his Kalashnikov toward Ellis,

As he pulled the trigger, the helicopter's wheels hit the ground.

The impact threw Ellis to his knees, but he was ready for it and he kept his balance. The trooper staggered sideways, his shots going through the fuselage a yard from Ellis's head, then he fell forward, dropping the gun and throwing out his hands to break his fall.

Ellis leaned forward, snatched up the rifle and held it awkwardly in his manacled hands.

It was a moment of pure joy.

He was fighting back. He had run away, he had been captured and humiliated, he had suffered cold and hunger and fear, and he had stood helpless while Jane was slapped around; but now, at last, he had a chance to stand and fight.

He got his finger to the trigger. His hands were bound too close together for him to hold the Kalashnikov in the normal position, but he was able to support the barrel unconventionally by using his left hand to hold the curved magazine, which jutted down just in front of the trigger guard.

The helicopter's engine stalled and the rotors began to slow. Ellis glanced into the flight deck and saw the gunner jumping out through the pilot's side door. He had to gain control of the situation quickly, before the Russians outside gathered their wits.

He moved so that Anatoly, who was stretched out on the floor, was between him and the door; then he rested the muzzle of the rifle on Anatoly's cheek.

The trooper stared at him, looking frightened. "Get out," Ellis said with a jerk of his head. The trooper understood and jumped out through the door.

The pilot was still lying down, apparently having trouble breathing. Ellis kicked him to get his attention, then told him to get out, too. The man struggled to his feet, still clutching his throat, and went out the same way.

Ellis said to Jane: "Tell this guy to get out of the helicopter and stand real close with his back to me. Quick, quick!'

Jane shouted a stream of Russian at Anatoly. The man got to his feet, shot a glance of pure hatred at Ellis and slowly climbed out of the helicopter.

Ellis rested the muzzle of the rifle on the back of Anatoly's neck and said: "Tell him to have the others freeze."

Jane spoke again and Anatoly shouted an order. Ellis looked around. The pilot, the gunner and the trooper who had been in the helicopter were nearby. Just beyond them was Jean-Pierre, sitting on the ground and clutching his ankle: he must have fallen well, thought Ellis; there's nothing much wrong with him. Farther away were three more soldiers, the captain, the horse and Halarn.

Ellis said: "Tell Anatoly to unbutton his coat, slowly take out his pistol, and hand it to you."

Jane translated. Ellis pressed the rifle harder into Anatoly's flesh as he drew the pistol from its holster and reached behind him with it in his hand.

Jane took it from him.

Ellis said: "Is it a Makarov? Yes. You'll see a safety catch on the left-hand side. Move it until it covers the red dot. To fire the gun, first pull back the slide above the grip, then pull the trigger. Okay?''

"Okay," she said. She was white and trembling, but her mouth was set in a determined line.

Ellis said: "Tell him to have the soldiers bring their weapons here, one by one, and throw them into the helicopter.''

Jane translated and Anatoly gave the order.

"Point that pistol at them as they get close," Ellis added.

One by one, the soldiers came up and disarmed.

"Five young men," said Jane.

"What are you talking about?"

"There was a captain, Halam and five young men. I only see four."

"Tell Anatoly he has to find the other one if he wants to live."

Jane shouted to Anatoly, and Ellis was surprised by the vehemence of her voice. Anatoly sounded scared as he shouted his order. A moment later the fifth soldier came around the tail of the helicopter and surrendered his rifle as the others had.