Clive Cussler - Trojan Odyssey

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Trojan Odyssey: краткое содержание, описание и аннотация

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Long hailed as the grand master of adventure fiction, Clive Cussler has continued to astound with the intricate plotting and astonishing set pieces of his novels. Now, with a surprising twist, he gives us his most audacious work yet.
In the final pages of *Valhalla Rising*, Dirk Pitt discovered, to his shock, that he had two grown children he had never known-twenty-three-year-old fraternal twins born to a woman he thought had died in an underwater earthquake. Both have inherited his love of the sea: the girl, Summer, is a marine biologist; the boy, himself named Dirk, is a marine engineer. And now they are about to help their father in the adventure of a lifetime.
There is a brown tide infesting the ocean off the shore of Nicaragua. The twins are working in a NUMA(r) underwater enclosure, trying to determine its origin, when two startling things happen: Summer discovers an artifact, something strange and beautiful and ancient; and the worst storm in years boils up out of the sky, heading straight not only for them but also for a luxurious floating resort hotel square in its path.
The peril for everybody concerned is incalculable, and, desperately, Pitt, Al Giordino, and the rest of the NUMA(r) crew rush to the rescue, but what they find in the storm's wake makes the furies of nature pale in comparison. For there is an all-too-human evil at work in that part of the world, and the brown tide is only a by-product of its plan. Soon, its work will be complete-and the world will be a very different place.
Though if Summer's discovery is to be believed, the world is already a very different place…

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The yacht loomed up and blocked out the sun. Then havoc piled on havoc and everything seemed to go into slow motion as the sound of a dull lingering crunch that never seemed to end broke the atmosphere. Poco Bonito sliced into her far larger antagonist, smashing a V-shaped slash, demolishing the engine room bulkheads on the starboard hull of the big catamaran and crushing anyone working inside.

Renee and Dodge stood and hurled their fuel-filled bottles, with soaked rags aflame. One bounced on the teak deck without breaking, but the other smashed and ignited a ball of fire that spread down the side of the yacht in a fiery waterfall. Without pause, they hurled the glass jars, then the wine bottle, and all burst into a holocaust that covered half the yacht. The once-beautiful vessel looked as though it was locked in a psychotic's nightmare.

Even before the research boat had lost her momentum, Gunn pulled the throttle into full reverse. For several tormented seconds, Poco Bonito just hung there, her shattered bow driven six feet into Epona, caught like a fist in a vise, propeller flogging the water convulsively. Ten seconds, fifteen seconds, then twenty. At last, with a great shriek of ripping debris, she began to pull free. As her crumpled bow unplugged the gash in the yacht's hull, the brown crud gushed into her like a raging river. The yacht immediately began to list sharply.

Two of Epona's crewmen, protected on the opposite hull, recovered and began firing automatic weapons at Poco Bonito. Their aim was erratic and low because their eyes were influenced by the downward list of the starboard hull. Bullets splashed the water around the research boat's hull, some penetrating and leaving several small holes for water to spurt through.

Pitt and Giordino fired blindly into the smoke and fire until resistance aboard the yacht faded away. The superstructure was hidden by flame and smoke. Screams and shouts could be heard inside the conflagration. Fanned by a light breeze, flames flickered through the great hole driven in her starboard hull. The catamaran yacht was settling deeper in the water now, lifting the undamaged port hull free of the water surface.

Everyone on board Poco Bonito crowded the railing, staring in rapt fascination at the dying yacht. The Epona's crew frantically scrambled aboard the helicopter, whose pilot started and revved the engine. Compensating for the angle of list, the pilot lifted the helicopter off the burning vessel and banked toward land, leaving any wounded behind to burn or drown.

"Pull alongside her," Pitt ordered Gunn.

"How close?" the little man inquired anxiously.

"Close enough for me to jump aboard."

Knowing it was senseless to argue with Pitt, Gunn shrugged and began easing the badly damaged boat toward the yacht that was aflame from bow to amidships. He kept the engine in reverse and moved astern to ease pressure from the water that was streaming into the smashed bow section.

Meanwhile, Giordino labored furiously in the mangled mess of the Poco Bonito's engine room, making necessary repairs to keep the boat afloat and under power. Renee cleared the deck of any useless equipment and threw it over the side. Blackened and stained with smoke, Dodge went below and dragged a portable pump into the bow section and attacked the rising water that flowed in through the bow that had been smashed back to the forward bulkhead.

As Gunn carefully maneuvered Poco Bonito alongside Epona, Pitt waited until they nearly touched before he stood on the railing and leaped aboard, landing on the open teak deck behind the main dining salon. Thankfully, the breeze was blowing the fire forward and the aft section had not yet suffered the effects of the blaze. If he were to find anyone alive, he had to move fast before the once-sleek ship sank into the deep. The sound of a fire out of control was like a steam locomotive thundering down the track.

Pitt ran through the dining salon and found it empty. A fast search through the staterooms below failed to turn up any sign of crew member or officer. He tried to go up the plushly carpeted stairs to the pilothouse, but met a wall of fire that drove him back. The smoke seeped through his nose into his lungs. His eyes streamed tears from the acrid smoke and felt as though they were burning out of their sockets. With his hair and eyebrows singed, he was about to give up and abandon the search when he stumbled over a body in the galley.

He reached down and was stunned to feel that it was a woman wearing nothing but a brief bikini. Hoisting her over his shoulder, he stumbled out onto the stern deck, coughing and wiping the tears from his eyes onto one arm.

Gunn instantly appraised the situation and moved the boat ever closer to the yacht until their hulls bumped. Then he rushed from the pilothouse and took the limp shape of the woman that Pitt passed across the railing. The heat from the flames was beginning to blister the paint on the sides of the research boat, as Gunn laid the woman gently on the deck, noting only that she had long straight red hair before hurrying back to the helm and moving Poco Bonito away from the flames.

Pitt, barely able to see until his eyes cleared, felt her pulse and found it had a regular beat. Her breathing was also normal. He brushed back the flame-red hair from her forehead and found an egg-sized bump. He assumed that she had been knocked unconscious during the collision. The face, arms and long, shapely legs revealed an even tan. Her face was beautifully sculpted, with a flawless complexion and lips that were full and sensual. The upturned nose was a perfect complement to the face. Because her eyes were closed, he could not see their color. From what he could tell, she was a very attractive woman, with the lithe body of a dancer.

Renee finished throwing a box of net buoys over the side and rushed to the woman lying on the deck. "Help me get her down below," she said. "I'll take care of her."

Still partially blind, Pitt carried the woman from the yacht down the stairwell to his cabin and laid her out on his bunk. "She has a nasty bump on the head," he said, "but I think she'll come around. You might give her air from a dive tank to help clear the smoke from her lungs."

Pitt returned topside just in time to watch the end of the yacht.

It was slipping under the water, her once lavender-colored hull and superstructure now blackened by the fire and stained with the brown crud. A sad and pathetic ending for a beautiful ship. He regretted that he had been the cause of her demise. But then cold, hard logic took the place of sadness, as he envisioned Poco Bonito succumbing to the same fate, with all her crew dead. His regret was replaced with a euphoria that he and his friends were alive and unharmed.

The starboard hull of the catamaran had sunk completely under the brown water. The port hull hung briefly in the air as the superstructure slipped below the surface, leaving behind a swirling spiral of steam and smoke. Her polished bronze screws sparkled in the sun, and then they were gone. Except for the hiss of the water as it squelched the flames, she went down quietly, without protest, as if wanting to hide her disfigurement. The last sight of her was the pennant with the golden horse. Then it too was swallowed by the indifferent brown sea.

After she disappeared, fuel oil surfaced and spread across the muck, painting it black with rainbow-hued streaks reflecting under the sun. Bubbles came up and burst, along with distorted debris that popped to the surface and seemed to hang there, waiting to be carried to some distant shore by the currents and tides.

Turning from the tragedy, Pitt stepped into the pilothouse, his shoes crunching in the shattered glass scattered on the deck. "How's it look, Rudi? Can we make the coast or do we take to the rafts?"

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