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Don Pendleton: Chicago Wipe-Out

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Don Pendleton Chicago Wipe-Out

Chicago Wipe-Out: краткое содержание, описание и аннотация

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Mack Bolan faces the battle of his life as he invades the nerve-center of the Mafias powerful U.S. Operations.

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His Beretta was clear of its leather and filling his hand as he rounded the corner of the garage and made a run for the hedgerow. When, confronting a superior force, Bolan had learned that confusion and the unexpected were the best equalizers. They would be expecting him to flee; therefore he must charge.

Charge, hell, I'm just retreating to the front!

His maneuver caught three of the enemy in flatfooted indecision as he descended upon them along the hedgerow, the Beretta coughing its chilling little message of defiance. The return fire was disorganized, ineffective, and very brief as two of the Mafiosi went down under the assault. The third, a skinny youth with mottled skin and very frightened eyes, stood quietly staring into the full extension of the black Beretta, his mouth open and his own weapon dangling impotently toward the ground. The gunhand was rapidly turning red under a flow of blood from a shoulder wound. The gunner's eyes flicked briefly from the bore of the Beretta to the icy gaze of The Executioner , then skittered away to fasten on the dead man lying at his feet.

Coldly, Bolan asked him, "You ready to die, soldier?"

The gunner shook his head in a negative response and the revolver slipped from his hand.

"How many more of you?" Bolan demanded.

"Just me," the youth mumbled. His gaze once more raised to Bolan's cool inspection, then again fell. "And I'm hit," he added dully.

Bolan said, "Count your blessings." He tossed a marksman's medal toward the defeated man's feet. "Pick it up," he commanded. "See that Lavallo gets it. Tell him he's next."

The Masfioso scooped up the medal with his good hand. He inspected it with suddenly expressive eyes and said, "Hell, I guessed it. I figured it must be you. Jeezus, Bolan, I..."

The Executioner's graveyard voice commanded, "Take off."

The guy took off, staggering back through the hedgerow without a backwards glance, and undoubtedly counting his blessings.

Bolan stepped over a dead body and strode quickly toward the garage and his waiting vehicle. The mob, he was thinking, would not overlook a challenge like that.

The die was cast.

The Chicago Wipe-Out was on.

And maybe something else was on, as well. The mind-blowing blonde with the million-dollar wiggle, whom Bolan had last seen entering the hardsite, was standing beside his Ferrari and breathing hard as she agitatedly watched his approach. Her hair was in a wild tangle, and somewhere she'd become parted from the fur coat — a loss she could hardly afford, considering the costume she had left. The girl was practically naked, and Bolan couldn't decide if she was shivering from the cold or from terror. Either way, something else was definitely on.

2

A foxy lady

"I'm on your s-side. Take me with you. Please !"

If she'd looked good in the sniperscope, she was downright edible in the three-dimensional reality as she moved jerkily around to Bolan's side of the car. A tall girl, pushing close to the six-foot mark, but put together in eye-gathering proportions, with those softly alluring contours that are sometimes seen on a budding ballerina who has not yet gone to solid muscle.

The costume would have been a bit much for the classical ballet crowd, though. It was made of red fur, a one-piece bit of fluff with a microscopic bottom that was hardly more than a G-string, and a thin strip stretching up each side to loop about into a decorative but entirely non-concealing swirl across luxurious breastworks. A bushy red tail reaching to her knees completed the picture — except for the head of a leering fox, done in bodypaint and peering out from the soft valley between her breasts.

Discounting the tail, Bolan figured he could hide the costume in his hand. The only other items of apparel were soft, ankle-high moccasins — and the temperature was in the mid-thirties with a stiff breeze raking in from the lake. It was no time to be recruiting a women's auxiliary — but it was also no time for any human being to be prancing about the shores of Lake Michigan in a bedroom combat suit. And she was about to cave in completely — swaying like a reed in the wind fighting to get her breathing and her emotions under control, all the while turning a deeper shade of blue. Bolan silently stowed the Weatherby and debated the question of what to do about the girl. Finally he gave her a reluctant okay with his eyes and she tumbled into the car with a shivery moan of thanks — it was not entirely certain whether she was thanking Bolan or a higher power.

He slid in beside her, snared his topcoat from the rear deck and draped it over her. Silently she bundled herself in it and drew the long, sculpted legs into the seat to cover them also, then went into a chattering case of the shakes.

The girl was still shivering when the Ferrari cleared the scene and took up a casual southward cruise along Lake Shore Drive. Bolan was in no great hurry now. He produced a quart thermos and poured his passenger a slug of steaming coffee. She accepted it with a grateful sweep of the eyes and quickly began to settle down.

When the coffee was nearly consumed Bolan lit a cigarette and handed it to her along with his first words. "You're looking better," he growled.

"Thanks," she said in an unsteady voice. "Feeling better."

A police car with beacon flashing tore past on a northward track, weaving through the traffic on a hot call to Bolan guessed where — and followed closely by a second and then a third. His guest was huddled in the topcoat and working hard at the cigarette, exhaling with audible tremors, but she had also noted the passage of the police. She wriggled about on the seat and murmured, "Thanks for getting me away from there."

He grunted and tried the heater, found it mildly warm, and told her, "Out of the frying pan and into the fire."

"What?"

"That's you. You picked a hard taxi, lady."

She raked him with sky blue eyes and made a stab at a smile. "I know," she said. "You're Mack Bolan, aren't you?"

"Stretch your feet to the heater," he commanded gruffly.

She did so, carefully arranging the coat to capture the warmth. Then her gaze became fixed on Bolan's profile and he felt it quietly absorbing him. Presently she announced, "I'm a Foxy Lady."

Bolan gave her his full attention for a moment, inspecting her with a sober gaze. He pegged her age in the low twenties. The eyes were luminous and intelligent; under different conditions she would be a girl who laughed easily. Maybe she would be capable of warmth and sincerity. She returned his stare, and nothing more — no invitation, no challenge, no bid for sympathy — simply a frank return of interest.

Bolan showed her half a smile and told her, "Yeah, you're pretty foxy."

She said, "No, I mean..."

"I know what you mean," he assured her. Bolan had not been that much out of things. The Foxy Ladies had become an international trademark of female sensuality, standard-bearers of Foxy Magazine and the widely popular Lair keyclubs. The technically nude young beauties were the symbols of a farflung male-oriented business empire — and to become a Foxy Lady was an almost certain threshold to bigger and better things for aspiring models and actresses. Sure, Bolan and several million other Vietnam veterans knew about the Foxy Ladies. Their centerfold artwork had adorned every barracks, tent and vehicle in Southeast Asia.

This one had bent toward the ashtray to crush out the cigarette. The topcoat fell away from her. She sighed and let it remain where it fell. The limited airspace of the Ferrari cabin was beginning to heat up. She neatly folded the coat and arranged it over the backrest. Then she repositioned herself to face Bolan and drew one leg onto the seat. Bolan cooly inspected the display of living flesh, then directed his eyes to the business of piloting the vehicle.

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