Patrick O'Brian - The Letter of Marque

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    The Letter of Marque
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'Death strides from ship to ship with sweeping scythe;

On every poop damned fiends of murder writhe,

Demons of carnage ride th'empurpled flood,

Champ their fell jaws, and quaff the streaming blood ..."

'Oh sir, if you please,' cried a tall, pale, frightened midshipman at the cabin door, 'Mr Cornwallis's duty, but the digesting machine has burst.'

'Is anyone hurt?' asked Babbington, rising.

'No one actually dead, sir, I believe, but...'

'Forgive me,' said Babbington to his guests. 'I must go and see.'

'How I hate foreign inventions,' said Fanny in the anxious pause.

'Nobody dead,' said Babbington, returning, 'and the surgeon says their scalds are of no consequence - will heal in a month or so - but I am very much concerned to have to tell you, sir, that the pudding is spread just about equally over the cook and his mates and the deck-head. They thought it might cook quicker if they put a smoothing-iron on the safety-valve.'

'It was a pity about the pudding,' said Jack, when they were back in the cabin of the Surprise, 'but upon the whole, I have rarely enjoyed a supper more. And although Fanny Harte may be neither Scylla nor Charybdis, they are very, very fond of one another, and when all is said and done, that is what really signifies. On his way down to Pompey William looked in at Ashgrove Cottage to ask Sophie how she did, and she gave him a note for me in case we should meet: all is well at home, and my mother-in-law is less of a trial than you might suppose. She declares I am cruelly ill-used and that Sophie and I deserve all her sympathy: it is not that she supposed for a moment that I am innocent, but that she thoroughly approves of what she thinks I did - if she had the least opportunity, she would certainly do the same, and so would any other woman who had a proper sense of duty towards her capital... Surely that is not the Marseillaise you are picking out?'

Stephen had his 'cello between his knees and for some time now he had been very quietly stroking two or three phrases with variations upon them - a half-conscious playing that interrupted neither his talk nor his listening. 'It is not,' he said. 'It is, or rather it is meant to be, the Mozart piece that was no doubt lurking somewhere in the Frenchman's mind when he wrote it. Yet something eludes me...'

'Stephen,' cried Jack. 'Not another note, I beg. I have it exactly, if only it don't fly away.' He whipped the cloth off his violin-case, tuned roughly, and swept straight into the true line. After a while Stephen joined him, and when they were thoroughly satisfied they stopped, tuned very exactly, passed the rosin to and fro and so returned to the direct statement, to variations upon it, inversions, embroideries, first one setting out in a flight of improvisation while the other filled in and then the other doing the same, playing on and on until a lee-lurch half-flung Stephen from his seat, so that his 'cello gave a dismal screech.

He recovered, bow and strings unharmed, but their free-flowing rhythm was destroyed, and they played no more. 'It is just as well, however,' said Jack, 'I should very soon have been most damnably out of tune. During the great-gun exercise I ran up and down without a pause, doing what half a dozen midshipmen usually do, each for his own set of guns - I never knew the little brutes were so useful before - and now I am quite fagged out. Hold hard, Stephen,' he cried, catching Stephen as he fell again, this time from a standing position. 'Where are your sea-legs?'

'It is not a question of sea-legs at all,' said Stephen. 'The ship is moving about in a very wild, unbridled manner. A crocodile would fall, in such circumstances, without it had wings.'

'I said it was going to be a dirty night,' said Jack, walking over to the barometer. 'But perhaps it is going to be dirtier than I thought. We had better snug down here as well. Killick, Killick, there.'

'Sir?' said Killick, appearing instantly, with a padded cloth under his arm.

'Strike the Doctor's 'cello and my fiddle down into the bread-room, together with the article."

'Aye aye, sir. The Doctor's 'cello and your fiddle down into the bread-room it is, together with the object.'

Early in their marriage Diana had given Stephen a singularly splendid but nameless example of the cabinet-maker's art and ingenuity: it could be, and generally was, a music-stand, but various levers and flaps turned it into a wash-basin, a small but quite adequate desk, a medicine-chest and a book-case, and it had seven secret drawers or compartments; it also contained an astrolabe, a sundial, a perpetual calendar and a quantity of cut-glass bottles and ivory brushes and combs; but what really pleased Killick was the fact that its hinges, keyhole-scutcheons, door-straps, finger-plates, bottle-stoppers and all other fittings were massive gold. He took idolatrous care of it - the padded cloth was only the innermost of its three rough-weather cases - and he thought his captain's name for it improper, disrespectful and out of place. Object was the appropriate word - a word that had not the remotest connection with chamber-pot but on the contrary with holiness: holy object - and steadily, for years, Killick had tried to impose it.

Jack stood there for some moments, swaying easily with the twisting roll and pitch: his mouth was poised for whistling, yet in fact it was not music at all that ran through his mind but a set of calculations of position, currents, wind-force and the changing barometric pressure, all set against the immediate past and a background of a great many similar patterns in this part of the Atlantic. He put on a pilot-jacket, made his way to the quarterdeck and considered again, this time more instinctively, taking the feel of the wind at the sea directly. The topgallantmasts had already been struck, the hatches battened down, deadlights shipped and the boats on the booms double-griped. He said to Davidge, 'When the larboard watch is called, let the topsails be close-reefed. Call me if there is any change in the wind. Captain Pullings relieves you, I believe?'

'Yes, sir.'

'Then let him know what I have said. Good night to you, Mr Davidge.'

'Good night, sir.'

Back in the cabin he observed, 'This may be the blow I was talking about, when I said that an action or a storm pulled a mixed crew together wonderfully. I wish I may not have spoken like a fool. I wish it may not have been thought I desired a really violent blow."

'My godfather's great-great-grandmother lived at Avila, in a house that I shall show you and Sophie when the war is done; she knew Saint Theresa, and the saint told her that more tears were shed over prayers that were granted than ever were shed over prayers that were refused.'

CHAPTER THREE

It was indeed the prayed-for blow, with the wind backing and strengthening until on the third day it reached the east-northeast, where it blew a hard gale for two watches on end without varying a single point; but then, with the Surprise under a close-reefed foresail and mizen storm-staysail, it began to veer and haul in a most confusing manner, and with even greater force.

At this point, well on in the graveyard watch, past three in the morning and with rain sweeping in almost solid sheets across the deck, Tom Pullings left his cot, put on his oilskins and crept up the ladder to see how Davidge was weathering it. Most of the watch were in the waist, sheltering from the worst of the spray, rain and flying water under the break of the forecastle, but the four men at the wheel and the officer standing behind them with one arm round the mizenmast, had the full choking sweep, and they kept their heads down to be able to breathe. Davidge was an experienced, capable seaman and he had known some monstrous seas in his time, yet even so he answered Pulling's enquiry, roared with cupped hands into his ear, with 'Pretty well, sir, I thank you. But I was thinking of calling the captain. Every time she comes up a trifle the helm gives a kind of judder, as though the tiller-ropes were either slipping on the barrel or growing frayed.'

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