Harriet Evans - Love Always

And suddenly, as I am drawing furiously, there comes a soft tapping at the door.

‘Natasha, are you there?’ a voice cal s.

I unfurl my legs, stiff and aching from the cold and from being in the same position for so long. I rol my head slowly around my neck, and it crunches satisfyingly.

‘Who’s that?’

‘It’s me,’ says the voice. ‘Mummy.’

What’s she doing here? The hairs on the back of my neck stand up; my hand flies to my throat. ‘Come in,’ I say, after a moment.

She peeks around the door, her dark fringe and long eyelashes appearing first, like a naughty child, her green eyes sparkling. ‘Hel o, darling.

My little girl.’

‘Mum?’ I say, standing up. ‘Wow. I’ve been cal ing you for days. Hel o! What are you doing here?’

‘I was in the area,’ she says. ‘I wanted to see you. I’ve been rather un-loco parentis lately.’ She gives a tinkling laugh. ‘Awful joke. I’m sorry, should I have cal ed?’

‘No, of course not,’ I say, sounding ridiculously formal. My heart is beating fast, and my palms are slick. ‘It’s fine. I’ve been wondering where you were. I haven’t seen you since the funeral and—’

Mum frowns. ‘Wel , I’m here now, aren’t I?’

She advances into the room, arms outstretched. She looks fantastic, as always, skinny jeans tucked into brown suede leather boots, a thick grey cardigan-coat and a long floral scarf wrapped many times round her neck and tied in a knot. Her skin is gleaming, her nails are beautiful, her hair is shining and soft. She wraps me in her arms.

‘Poor girl.’

She squeezes me tight. Her scent is heavy; it makes me nauseous. Suddenly I want to push her away. I’m repulsed by her.

I step back. She clutches my hands, then reaches into her large canvas bag. ‘Bought you a little something,’ she says, handing me a box of tiny, very expensive-looking cheese crackers in a beautiful y printed box.

‘Thanks,’ I say, bemused by this gift, which is so like Mum – there were months when we thought we wouldn’t be able to pay the rent in Bryant Court, but she would think nothing of buying a free-range chicken from Fortnum & Mason for fifteen pounds and then not know how to cook it. I put the biscuits down on the little sink. ‘Have you eaten? Do you want some coffee – or tea?’

‘Tea would be lovely,’ she says, and I suddenly realise what’s been bothering me. She’s nervous too. I don’t think I’ve ever seen her nervous.

‘Great.’ We are silent for a moment. We don’t know how to do this. I look around for a distraction. Luckily, I remember Ben has borrowed my teapot.

‘I’l get the teapot.’ I get up. ‘Back in a second.’ She is looking around the room, and she hums blithely in agreement when I say this. My hand is on the door and I say, ‘Mum – we do need to talk, you know.’

Mum’s expression does not change, but there’s something in her eyes that I can’t define. ‘Oh, darling, real y?’

I realise this is a stupid way to begin. ‘Yes, real y. Look, hold on.’

I dash down the corridor and knock on their door. Ben flings it open.

‘Aha,’ he says. ‘Hel o there.’

‘Hi,’ I say. ‘Sorry to disturb you. Have you got my teapot?’

‘Oh, right. Yeah, of course,’ he says. ‘Sorry, forgot to put it back. Hang on a second.’ He comes back with the pot and a teacake, wrapped in blue foil. ‘We’ve got one spare,’ he says. ‘Have it.’

I take the teacake. ‘Thanks.’

‘Was going to drop by later. We’re going for a drink.’

‘I can’t,’ I say. ‘Mum’s just turned up. Soon, though. I haven’t seen you for ages.’

‘I know, you’re busy,’ he says. ‘But it’s good.’ He smiles, and I know he knows. ‘Just checking you’re not rocking at home in a bal by the radiator.’ He scratches his curly hair and it bounces; I smile.

‘Wel , thanks again,’ I say. ‘I’m OK. I’m not going to start gibbering and weeping al over you.’

‘You’re al owed to, you know,’ he says. ‘You’re so in touch with your feelings, Benjamin,’ I say. ‘I’m a cold-hearted bitch, however. So bog off.’

He smiles, and then I hear Tania’s voice in the background. ‘Hi, Nat. How you doing?’

In the back of my buzzing brain this confuses me. I thought she wasn’t working with him any more. Perhaps she’s just popped over to see him, he is her boyfriend after al . ‘I’m good,’ I cal back to her.

‘See you guys later then,’ I say. ‘Coolio. Sorry about tonight.’

‘No probs,’ he says equably, sticking a piece of toast in his mouth. He reaches out and pats my shoulder. ‘Hey. You’re not cold-hearted. You’re lovely. Remember that. Keep your chin up, Nat.’ His voice is muffled as he closes the door, almost abruptly, and I’m left standing in the corridor. On the front of the door is written, in black marker pen:

Ben Cohen

Photographer & Male Escort

I’ve never noticed this before and it makes me smile. I’m stil smiling as I walk back into the studio. Mum is looking at my drawing pad, the sketch of the ring and the necklace; she jumps guiltily.

‘Oh,’ she says. ‘You gave me a fright.’

‘Sorry,’ I say. I fil the kettle up and then I take a deep breath and turn to face her. The unexpectedness of this encounter makes me bold. I haven’t had time to worry about it. ‘So where have you been? I’ve been wanting to talk to you.’

‘Yes, I know.’ Mum runs one hand careful y through her hair. ‘Look, I’m sorry. It’s been hard for me.’

‘You should have cal ed me.’

She smiles, almost sweetly. ‘Darling, you don’t understand.’

‘I don’t?’ I say, looking at her.

‘No, you don’t. Sorry, Natasha.’

‘Try me,’ I say, opening my arms wide. ‘You’ve lost your mother, I’ve lost my grandmother. My marriage is ended. You’re my mum. Why can’t you talk to me? And why can’t I talk to you? I’m not saying I’m a great daughter, but . . . where’ve you been ?’

‘Because . . .’ She shakes her head, scrunching up her face.

‘Oh, you don’t understand. You don’t! I know you think I’m a terrible mother, but –’ her voice is rising into a whine – ‘you don’t understand!’

A kind of despair tugs at me – this is my mother, my mother. ‘Octavia said you were the last person anyone would ask for help,’ I say icily. ‘She was right, wasn’t she?’

‘Octavia? We’re listening to what Octavia says now, are we? Right.’ Mum’s eyes dart around the room, undermining the bul ish tone in which she says this. ‘Funny, darling, I thought you and I were in rare agreement about Octavia. She’s the last person I’d ask for help.’

This is going wrong, al wrong. ‘She just said it, that’s al . I’m not saying I like her, it’s—’

Mum interrupts. ‘Listen, Natasha. She’s her mother’s daughter. And her father’s. Hah. I don’t care for their opinions, to be honest. Neither should you.’

I’m standing behind the counter. She is facing me. ‘Octavia said something else, too,’ I say, nodding as if to wil myself along, and her eyes meet my gaze. ‘Octavia said . . .’ My voice breaks. ‘Mum, she said you pushed Cecily that day. You pushed her down the steps.’

My mother’s eyes widen a little, and she says, with a catch in her throat, ‘OK, OK.’

She paces around, two steps forward, turns, two steps back. I watch her. ‘You think I kil ed her,’ she says. ‘Is that what you’re saying?’

‘They al think –’ I begin, but she interrupts me again. ‘Not them.’ She holds up her hand. ‘Not them, Natasha. You. Answer me. Is that what you’re saying?’