I felt a flash of anger. Why? I demanded explanations from myself as I stepped back up onto the platform: Surely this was something I wanted. I wanted Trevor to pay big bucks for me and take me to dinner like he should. But what's this "should" stuff about? Why should he do that? And why should I expect-as part of me did-a sweet and gentle invitation to dinner in an elevator instead of a hot five minutes of sex? I'd been thinking about the sex, myself. I'd been wanting it. I couldn't let myself be a hypocrite.
I cried, "We have four hundred from Mr. Martin. Who'll make it five hundred?" and all the explanations vanished in my head and I was left with an abrupt realization: there was something being put before this crowd that had a value in need of being articulated. I pointed to one of the paddles in the back, some elderly gentleman who I'd been pitting against Mrs. Fielding, who would want to talk about who knows what over dinner, maybe the time she'd seen her dear and pudgy aunt in the nude, after her bath. "Five hundred," I called, and that suddenly seemed way too low.
"I am not a Renoir," I said. "But I am… not six inches square, either."
It was a start.
"I am in excellent condition," I cried. "For an object my age. Who'll make it a thousand."
It was a big leap. But I found myself feeling ready for a big leap.
There was only a moment of hesitation and I saw a paddle go up to my right and I looked and it was John Paul Gibbons. All right. "A thousand dollars to John Paul Gibbons. Who'll make it eleven hundred?"
And now I looked to Trevor. He raised his paddle instantly. "Eleven hundred to Mr. Martin. And this is still an unconscionable bargain. I am rare. I am. Who else knows so many of you so well? Who else has filled your homes and emptied your wallets? Who'll make it fifteen hundred?"
I turned back to John Paul and he winked again and lifted his paddle and he glanced over his shoulder toward Trevor.
I said, "I am a perfect size, thanks to my ongoing efforts. Neither too big nor too small. Who'll make it two thousand?"
I, too, looked at Trevor and he smiled that faintly patronizing smile of his and he lifted his paddle and I was caught by his smile, the smile that he gave me the first time I saw him, the smile he'd given me as we walked past the doorman last night and into the warm evening air and he said, "I think I've begun to move into the rest of my life."
His life. But what did I want in the rest of my life? I'd like to have seen the inside of his apartment by this point. I'd like to have been asked to dinner, just the two of us, without a price put on anything. He takes his first step in the elevator, when it's least expected, and he arranges to buy his next step. This was his mother's way. I lowered my face. My book lay open before me. I lifted my face. "I am authentic," I said. "You must look into me now, as I've looked into you." And I took my own challenge. And I looked. And I said, "Three thousand to the book."
There was a little gasp. A private tour of Dollywood, Tennessee, with Dolly Parton herself as guide, had gone for $2,800, the biggest bid of the auction.
I looked at John Paul. He blew me a little kiss and kept his paddle on his lap. I turned to Trevor. "It's against you, Mr. Martin," I said. "Thirty-five?"
The smile was gone. But he lifted his paddle.
"Three thousand five hundred to Mr. Martin," I cried, and I instantly added, "Four thousand to the book."
Now there was a great hum that lifted in the crowd, resonating, perhaps, with the one from the sea. "It's against you, Mr. Martin," I said. His face slowly eclipsed itself behind the face in front of him, a jowly man in a shirt and tie, a Wall Street lawyer who collected Stieff teddy bears.
"Fair warning," I cried, scanning the faces before me. I let the warning sit with them all for a long moment, and then I said, "Sold to the book for four thousand dollars."
~
And now I sit at this newest chic SoHo restaurant with the faces of Anita Ekberg and Marcello Mastroianni and Giulietta Masina and Signor Fellini himself all about me on the walls, and two places are set at the table. But I am alone and waiting for no one. And yet, I am lingering now over the linguini, eating it strand by strand, sipping my wine in tiny, dry sips. And I am feeling good. The book, of course, had been empty. I bid for myself, and I won.
Zoetrope All-Story Vol 4 № 2