Leo Tolstoy - Android Karenina

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Android Karenina: краткое содержание, описание и аннотация

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“Literary hybrids of Jane Austen novels and zombie stories? That’s so last year. Quirk Books, which released the best‐selling novels Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, has seen the future of the mashup novel, and it is Leo Tolstoy and robots.” -New York Times
“Anna’s nightmare, one of the most famous passages in Anna Karenina, clearly anticipates the “steampunk‐inspired” atmosphere of Android Karenina… Tolstoy didn’t know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half‐human status of the Russian peasant classes.” -Elif Batuman, author of The Possessed, via The New Yorker
“Whenever a truly pulpy trend reaches its apotheosis like this, I can’t help but wonder if we’ll get a new classic out of it.” -io9
“No word on whether she’ll [Anna] be bionically rebuilt following the ending, though. It’s good that this series is branching out to other authors…” -Entertainment Weekly
***
Android Karenina – Sense and Sensibility and Sea Monsters co-author Ben H. Winters is back with an all-new collaborator, legendary Russian novelist Leo Tolstoy, and the result is Android Karenina-an enhanced edition of the classic love story set in a dystopian world of robots, cyborgs, and interstellar space travel.
As in the original novel, our story follows two relationships: the tragic adulterous romance of Anna Karenina and Count Alexei Vronsky, and the much more hopeful marriage of Konstantin Levin and Kitty Shcherbatskaya.These four, yearning for true love, live in a steampunk-inspired 19th century of mechanical butlers, extraterrestrial-worshiping cults, and airborne debutante balls. Their passions alone would be enough to consume them-but when a secret cabal of radical scientific revolutionaries launches an attack on Russian high society's high-tech lifestyle, our heroes must fight back with all their courage, all their gadgets, and all the power of a sleek new cyborg model like nothing the world has ever seen.
Filled with the same blend of romance, drama, and fantasy that made the first two Quirk Classics New York Times best sellers, Android Karenina brings this celebrated series into the exciting world of science fiction.
Leo Tolstoy wrote two of the greatest novels in world literature: War and Peace and Anna Karenina.
Ben H. Winters is coauthor of Sense and Sensibility and Sea Monsters, which was hailed by The Onion A.V. Club as a "sheer delight" and by Library Journal as "strangely entertaining, like a Weird Al version of an opera aria." Mr. Winters lives in Brooklyn.

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He squatted, plucked the crackle-dagger from his boot, and stared carefully towards his target. An inch too high, and the dagger would sail uselessly off into the gardens; an inch too low, and it would bounce harmlessly off the side of the bubble-or, worse, slice through the exterior and into Anna’s precious flesh. He squinted, took aim… and hesitated, as the wind shifted the bubble ever so slightly upon the air. Lupo redoubled his powerful air-disrupting war cry, but Vronsky knew he hadn’t much time left before the shell would be borne off by the winds.

Inside her queer floating prison, Anna looked down upon Vronsky, in his soldier’s crouch with weapons drawn, and, despite the furious tangle of fears and doubts that had gripped her, felt her heart wrung by love. He is a man of action , she thought, a man who does not hesitate to grab hold of whatever life presents to him. That is how I am meant to live: with truth, with purpose, with vitality. I cannot give this up-cannot give him up, cannot stop loving him. But… am I really prepared to leave my husband? To lose my son? To abandon all I have begun, all I have known? To uproot my life entirely?

At that thought, all her problems coalesced. Of course! Anna gestured frantically to Vronsky, waving and pointing. Her wild but deliberate motions captured his attention, stopping him just before his cocked arm would have sent the deadly crackle-dagger arcing towards her. At last, they were communicating.

Vronsky, following her pantomimed suggestion, swung his crackle-dagger around to attack not the flowering bubble that held her fast, but at the base of the tree whence it had come. Lupo joined in the assault, extending excavation-quality end-effectors from his paws to dig furiously at the root of the mechanical plant. Within moments, they severed the trunk from the earth, and as it creaked and fell to the ground, the bubble that had been its progeny dissipated-sending Anna tumbling down to where Android Karenina waited to catch her beloved mistress in her arms.

MY GOD VRONSKY SHOUTED AT LAST NOTICING ANNA YOU ARE FLOATING - фото 7

“MY GOD!” VRONSKY SHOUTED, AT LAST NOTICING: “ANNA! YOU ARE FLOATING!”

* * *

After Anna had assured Vronsky for the third time that she had suffered nothing but minor bruising in the fall, they sat beside each other upon the stone wall beside the tree.

She turned his face to hers, looking him squarely in the eye. With the intensity brought on by peril, they focused and listened to one another.

“I cannot lose my son,” Anna began simply.

“But, for God’s sake, which is better?-leave your child, or keep up this degrading position?”

“To whom is it degrading?”

“To all, and most of all to you.”

As they spoke, Lupo padded carefully around the tree, sniffing at the earth, gathering up fragments of the translucent sheath for later analysis.

“You say degrading… don’t say that. That has no meaning for me.” Her voice shook. She did not want him now to say what was untrue. She had nothing left but his love, and she wanted to love him. “Don’t you understand that from the day I loved you everything has changed for me? For me there is one thing, and one thing only-your love. If that’s mine, I feel so exalted, so strong, that nothing can be humiliating to me. I am proud of my position, because… proud of being… proud…” She could not say what she was proud of. Tears of shame and despair choked her utterance. She stood still and sobbed.

He, too, felt, something swelling in his throat and twitching in his nose, and for the first time in his life Vronsky found himself on the point of weeping. The flower-trap; his love; their impossible situation; he could not have said exactly what it was that touched him so. He felt sorry for her, and he felt he could not help her, and with that he knew that he was to blame for her wretchedness, and that he had done something wrong.

“Is not a divorce possible?” he said feebly. She shook her head, not answering. “Couldn’t you take your son, and still leave him?”

“Yes; but it all depends on him. Now I must go to him,” she said shortly. Her presentiment that all would again go on in the old way had not deceived her.

“On Tuesday I shall be in Petersburg, and everything can be settled.”

“Yes,” she said. “But don’t let us talk any more of it.”

Anna’s carriage, which she had sent away and ordered to come back to the little gate of the Vrede Garden, drove up. Anna said good-bye to Vronsky. Android Karenina gingerly lifted her up into their carriage, and they drove home.

CHAPTER 10

ON MONDAY THERE WAS the usual sitting of the Higher Branches of the Ministry. Alexei Alexandrovich walked into the hall where the sitting was held, greeted the members and the president as usual, and sat down in his place, the papers laid ready before him. Among these papers lay the necessary evidence and a rough outline of the speech he intended to make. But he did not really need these documents. He remembered every point, and did not think it necessary to go over in his memory what he would say. He knew that when the time came, and when he saw his enemy facing him, and studiously endeavoring to assume an expression of indifference, his speech would flow of itself better than he could prepare it now. The Face murmured quiet encouragement into his cerebral cortex, assuring him that the import of his speech was of such magnitude that every word of it would have weight. Meanwhile, as he listened to the usual report, he had the most innocent and inoffensive air. No one, looking at him gazing calmly through the monocle he wore, somewhat pompously, over his one human eye, and at the air of weariness with which his head drooped on one side, would have suspected that in a few minutes a torrent of words would flow from his lips that would arouse a fearful storm, set the members shouting and attacking one another, and force the president to call for order.

When the report was over, Alexei Alexandrovich announced in his subdued, delicate voice that he had several points to bring before the meeting in regard to the subsequent phases of the Project they had undertaken. All attention was turned upon him. Alexei Alexandrovich cleared his throat, and not looking at his opponent, but selecting, as he always did while he was delivering his speeches, the first person sitting opposite him, an inoffensive little old man who never had an opinion of any sort in the commission, began to expound his views.

“As those of you who have, like myself, been participants in the development of the Project are aware, the first phase of our noble endeavor has been a total and unqualified success.”

SO IT HAS BEEN, hissed the Face. SO I HAVE BEEN.

“The second phase is now being made ready, under my direct supervision, in a subterranean work office in the Moscow Tower. The new prototype of robot, exactly as I planned, will have those three advancements we wished for: advancements in appearance, advancements in capacity, and advancements in the appropriate distribution of loyalty.”

This set of euphemistic and jargonistic phrases earned a smattering of applause from Karenin’s colleagues. But when he reached the point about the next phase of the Project, in which all Class III robots extant in Russian society would be gathered up and adjusted to meet the new standard, his opponent jumped up and began to protest. Stremov took the position that only those individuals who so desired it should have their Class Ills updated to the new version that Karenin was perfecting. Stremov, who had long been Karenin’s political enemy, was a man of fifty, partly gray, but still vigorous-looking, very ugly, but with a characteristic and intelligent face. He spoke longly and loudly about “ancient prerogatives” and the “unique nature of the bond between man and beloved-companion,” and altogether a stormy sitting followed. But Alexei Alexandrovich triumphed, and his motion was carried, the oath of secrecy-unto-death was sworn; Alexei Alexandrovich’s success had been even greater than he had anticipated.

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