Lawrence Durrell - The Alexandria Quartet

Somewhere, surely, the sum of these things will still exist. There were no hauntings yet. Day followed day upon the calendar of desire, each night turning softly over in its sleep to reverse the darkness and drench us once more in the royal sunlight. Everything conspired to make it what we needed.

It is not hard, writing at this remove in time, to realize that it had all already happened , had been ordained in such a way and in no other. This was, so to speak, only its ‘coming to pass’ — its stage of manifestation. But the scenario had already been devised somewhere, the actors chosen, the timing rehearsed down to the last detail in the mind of that invisible author — which perhaps would prove to be only the city itself: the Alexandria of the human estate. The seeds of future events are carried within ourselves. They are implicit in us and unfold according to the laws of their own nature. It is hard to believe, I know, when one thinks of the perfection of that summer and what followed it.

Much had to do with the discovery of the island. The island!

How had it eluded us for so long? There was literally not a corner of this coast which we did not know, not a beach we had not tried, not an anchorage we had not used. Yet it had been there, staring us in the face. ‘If you wish to hide something’ says the Arabic proverb, ‘hide it in the sun’s eye.’ It lay, not hidden at all, somewhere to the west of the little shrine of Sidi El Agami — the white scarp with the snowy butt of a tomb emerging from a straggle of palms and figlets. It was simply an upshouldered piece of granite pushed up from the seabed by an earthquake or some submarine convulsion in the distant past. Of course, when the sea ran high it would be covered; but it is curious that it remains to this day unmarked on the Admiralty charts, for it would constitute quite a hazard to craft of medium draught.

It was Clea who first discovered the little island of Narouz.

‘Where has this sprung from?’ she asked with astonishment; her brown wrist swung the cutter’s tiller hard over and carried us fluttering down into its lee. The granite boulder was tall enough for a windbreak. It made a roundel of still blue water in the combing tides. On the landward side there was a crude N carved in the rock above an old eroded iron ring which, with a stern anchor out to brace her, served as a secure mooring. It would be ridiculous to speak of stepping ashore for the ‘shore’ consisted of a narrow strip of dazzling white pebbles no larger than a fireplace. ‘Yes, it is, it is Narouz’ island’ she cried, beside herself with delight at the discovery — for here at last was a place where she could fully indulge her taste for solitude. Here one would be as private as a seabird. The beach faced landward. One could see the whole swaying line of the coast with its ruined Martello towers and dunes travelling away to ancient Taposiris. We unpacked our provisions with delight for here we could swim naked and sunbathe to our heart’s content without interruption.

Here that strange and solitary brother of Nessim had spent his time fishing. ‘I always wondered where it could be, this island of his. I thought perhaps it lay westerly beyond Abu El Suir.

Nessim could not tell me. But he knew there was a deep rock-pool with a wreck.’

‘There is an N carved here.’ Clea clapped her hands with delight and struggled out of her bathing costume. ‘I’m sure of it. Nessim said that for months he was fighting a duel with some big fish he couldn’t identify. That was when he gave me the harpoon-gun which Narouz owned.

Isn’t it strange? I’ve always carried it in the locker wrapped in an oilskin. I thought I might shoot something one day. But it is so heavy I can’t manage it under water.’

‘What sort of fish was it?’

‘I don’t know.’ But she scrambled back to the cutter and produced the bulky package of greased rags in which this singular weapon was wrapped. It was an ugly-looking contrivance, a compressed-air rifle no less, with a hollow butt. It fired a slim steel harpoon about a metre and a half in length. It had been made to specifications for him in Germany. It looked deadly enough to kill quite a large fish.

‘Pretty horrible looking’ she said, eating an orange.

‘We must try it.’

‘It’s too heavy for me. Perhaps you will manage it. I found that the barrel lagged in the water. I couldn’t bring it to bear properly. But he was a marksman, so Nessim said, and shot a lot of quite large fish. But there was one, a very big one, which made infrequent appearances. He watched and waited in ambush for it for months. He had several shots at it but always missed. I hope it wasn’t a shark — I’m scared of them.’

‘There aren’t many in the Mediterranean. It is down the Red Sea that you get them in numbers.’

‘Nevertheless I keep a sharp eye out.’ It was too heavy an instrument, I decided, to lug about under water; besides I had no interest in shooting fish. So I wrapped and stowed it once more in the cutter’s ample locker. She lay there naked in the sunlight, drowsing like a seal, to smoke a cigarette before exploring further. The rock-pool glowed beneath the glimmering keel of the boat like a quivering emerald, the long ribbons of milky light penetrating it slowly, stealing down like golden probes. About four fathoms, I thought, and drawing a deep breath rolled over and let my body wangle downwards like a fish, not using my arms.

Its beauty was spell-binding. It was like diving into the nave of a cathedral whose stained-glass windows filtered the sunlight through a dozen rainbows. The sides of the amphitheatre — for it opened gradually towards the deep sea — seemed as if carved by some heartsick artist of the Romantic Age into a dozen halffinished galleries lined with statues. Some of these were so like real statuary that I thought for a moment that I had made an archaeological find. But these blurred caryatids were wave-born, pressed and moulded by the hazard of the tides into goddesses and dwarfs and clowns. A light marine fucus of brilliant yellow and green had bearded them — shallow curtains of weed which swung lightly in the tide, parting and closing, as if to reveal their secrets suggestively and then cover them again. I pushed my fingers through this scalp of dense and slippery foliage to press them upon the blind face of a Diana or the hooked nose of a medieval dwarf. The floor of this deserted palace was of selenite plastic clay, soft to the touch and in no way greasy. Terracotta baked in a dozen hues of mauve and violet and gold. Inside close to the island it was not deep — perhaps a fathom and a half — but it fell away steeply where the gallery spread out to the sea, and the deeper lining of water faded from emerald to apple green, and from Prussian blue to black, suggesting great depth. Here, too, was the wreck of which Clea had spoken. I had hopes of finding perhaps a Roman amphora or two, but it was not alas a very old ship. I recognized the flared curve of the poop as an Aegean design — the type of caique which the Greeks call ‘ trechandiri ’ .

She had been rammed astern. Her back was broken. She was full of a dead weight of dark sponges. I tried to find the painted eyes on the prow and a name, but they had vanished. Her wood was crawling with slime and every cranny winked full of hermit crabs.

She must have belonged to sponge fishers of Kalymnos I thought, for each year their fleet crosses to fish the African coast and carry its haul back for processing in the Dodecanese Islands.

A blinding parcel of light struck through the ceiling now and down flashed the eloquent body of Clea, her exploding coils of hair swerved up behind her by the water’s concussion, her arms spread. I caught her and we rolled and sideslipped down in each other’s arms, playing like fish until lack of breath drove us upwards once more into the sunlight. To sit at last panting in the shallows, gazing with breathless delight at each other.