Alan Milne - Bodies from the Library - Lost Tales of Mystery and Suspense by Agatha Christie and other Masters of the Golden Age

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This anthology of rare stories of crime and suspense brings together 16 tales by masters of the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Agatha Christie crime story that has not been seen since 1922.At a time when crime and thriller writing has once again overtaken the sales of general and literary fiction, Bodies from the Library unearths lost stories from the Golden Age, that period between the World Wars when detective fiction captured the public’s imagination and saw the emergence of some of the world’s cleverest and most popular storytellers.This anthology brings together 16 forgotten tales that have either been published only once before – perhaps in a newspaper or rare magazine – or have never before appeared in print. From a previously unpublished 1917 script featuring Ernest Bramah’s blind detective Max Carrados, to early 1950s crime stories written for London’s Evening Standard by Cyril Hare, Freeman Wills Crofts and A.A. Milne, it spans five decades of writing by masters of the Golden Age.Most anticipated of all are the contributions by women writers: the first detective story by Georgette Heyer, unseen since 1923; an unpublished story by Christianna Brand, creator of Nanny McPhee; and a dark tale by Agatha Christie published only in an Australian journal in 1922 during her ‘Grand Tour’ of the British Empire.With other stories by Detection Club stalwarts Anthony Berkeley, H.C. Bailey, J.J. Connington, John Rhode and Nicholas Blake, plus Vincent Cornier, Leo Bruce, Roy Vickers and Arthur Upfield, this essential collection harks back to a time before forensic science – when murder was a complex business.

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Over a career lasting more than fifty years, Rupert Croft-Cooke was amazingly prolific. He authored nearly thirty volumes of autobiography, including The World is Young (1937) on his experiences in South America, as well as collections of verse, memoirs of his extensive travels and biographies of Lord Alfred Douglas—Oscar Wilde’s Bosie—and of the entertainers Charles ‘Tom Thumb’ Stratton and Colonel ‘Buffalo Bill’ Cody. Croft-Cooke also wrote widely on subjects that interested him, including his beloved darts and the circus, as well as the importance of freedom of the press and the problems caused by ‘petty’ regulation. After his conviction and subsequent imprisonment, he argued for greater tolerance of homosexuality and in support of improvements to the penal system. His writing was highly regarded by critics up to the early 1950s, but after his conviction, reviews tended to be more negative and even favourable ones were marred by obscurely worded but plainly homophobic allusions.

As well as his extensive writing under his own name, Croft-Cooke also wrote detective stories using the pseudonym of Leo Bruce. His first mystery novel, Case for Three Detectives , was published in 1936. While the titular detectives parody Lord Peter Wimsey, Hercule Poirot and G. K. Chesterton’s Father Brown, the case is solved by a cockney policeman, Sergeant William Beef, who would go on to appear in seven other novels. In the early 1950s, Croft-Cooke abandoned Beef and created another amateur sleuth, Dr Carolus Deene, a history teacher who would appear in more than twenty novels. As Bruce and under his own name, Croft-Cooke wrote many short stories including a round-robin novella with Beverley Nichols and Monica Dickens, author of the Follyfoot series of children’s novels. His last book was published in 1977 and Rupert Croft-Cooke died in 1979.

One of four uncollected stories to feature Sergeant Beef, The Inverness Cape was first published in The Sketch on 16 July 1952. The text in this collection is taken from the original manuscript of the story in the author’s papers, where it was located by Curtis Evans, author of Masters of the ‘Humdrum’ Mystery and The Spectrum of Murder .

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