Bernard Cornwell - Sharpe’s Enemy - The Defence of Portugal, Christmas 1812

They had ridden far enough to see along the length of the eastern wall, and their excursion had been worthwhile. Most of the wall was gone, nothing now but a heap of rubble marking the line of the old wall. The rubble line would be simple to cross, a ready made breach into Pot-au-Feu’s fastness.

They turned toward the Convent. No one stared from its apparently flat roof, no smoke drifted from its cloisters. It seemed to be abandoned. One doorway faced east, a doorway that was flanked by two small barred windows that Sharpe guessed had been the only normal channels of communication with the outside world. The door itself was huge, decorated with strange heads carved into the stone archway, and Sharpe dismounted beneath their eroded gaze and tied the horses’ reins to the rusting bars of the left hand window. Harper heaved the saddlebags off the third horse, the gold heavy, and Sharpe pushed at one of the doors.

It creaked open.

The watch said ten past eleven, the scroll-worked minute hand precisely pointing to the Roman II.

The door, hinges rusted, swung fully open.

It showed a cloister beyond the entrance tunnel. A century of neglect had made the cloister ragged, but it kept its beauty. The stone pillars that supported the cloister arches were carved, their heads a riot of stone leaves and small birds, while the cloister floor was paved in coloured tiles, green and yellow, now edged with weeds and dead grass. In the centre was a raised pool, empty of water but filled with weeds, and in one corner of the courtyard a young hornbeam had pushed its way through the tiles, cracking them around its bole. The cloister seemed empty. The roof line of the southern and eastern walls was etched in shadow on the tiles.

Sharpe took the rifle from his shoulder. He was a Major now, the ranks long in his past, yet he still carried the rifle. He had always carried a long-arm into battle; a musket when he was a private, a rifle now he was an officer. He saw no reason not to carry a gun. A soldier’s job was to kill. A rifle killed.

He cocked it, the click suddenly loud in the dark entranceway, and he walked on soft feet into the sunlight of the cloister. His eyes searched the shadows of the arches. Nothing moved.

He gestured to Harper.

The huge Sergeant carried the saddlebag into the courtyard. The coins chinked dully inside the leather. His eyes, like Sharpe’s, searched the roofline, the shadows, and saw nothing, nobody.

Beneath the arches doors opened from the cloister and Sharpe pushed them open one by one. They seemed to be storerooms. One was full of sacks and he drew his huge, clumsy sword and slit at the rough cloth. Grain spilled onto the floor. He sheathed the sword.

Harper dropped the saddlebag beside the raised pool and took from his shoulder the seven-barrelled gun and pulled back the flint. The gun was a gift from Sharpe and it fired seven half-inch bullets from its seven barrels. Only a hugely strong man could wield the gun, and they were few in number, so much so that the Royal Navy, for whom the guns had been made, had abandoned the weapon when they found its recoil wounding more of their own men than its bullets wounded of the enemy. Harper adored the gun. At close range it was a fearful weapon and he had become used to the massive kick. He lifted the frizzen and checked with his finger that there was powder in its pan.

On the left of the courtyard there was just the one door beneath a window dark with stained glass. It was a large door, ornate with decoration, larger than the door on the western side which Sharpe had tried, pushed, and found firmly barred from the far side. He tried the lever handle of the decorated door and it moved. Harper shook his head, gestured at the seven-barrelled gun, and took Sharpe’s place. He looked questioningly at his officer.

Sharpe nodded.

Harper shouted as he jumped through the door, a fearful screaming challenge designed to terrify anyone within the building, and he threw himself to one side, crouched, and swept the seven-barrelled gun around the gloom. His voice died away. He was in the chapel and it was empty. ‘Sir?’

Sharpe went inside. He could see little. The stoup that had held holy water was empty and dry, its bowl lined with dust and tiny fragments of stone. The light fell on the tiles of the chapel floor by the doorway and Sharpe could see an untidy brown stain that flaked at the edges of the tiles. Blood.

‘Look, sir.’

Harper was standing at a great iron grille that made the area they were standing in into a kind of ante-chamber to the chapel proper. There was a door pierced in the grille, but the door was padlocked shut. Harper fingered the lock. ‘New, sir.’

Sharpe craned his head back. The grille went to the ceiling where gold paint shone dully on the beams. ‘Why’s it here?’

‘To stop outsiders getting into the chapel, sir. This is as far as anyone could go. Only the nuns were allowed in there, sir. When it was a convent, that is.’

Sharpe pressed his face against the cold bars. The chapel ran left and right, altar to the left, and as his eyes became accustomed to the gloom he saw that the chapel had been defaced. Blood was splashed on the painted walls, statues had been torn from their niches, the light of the Eternal Presence ripped from its hanging chains. It seemed a pointless kind of destruction, but then Pot-au-Feu’s band was desperate, men who had run and had nowhere else to flee to, and such men would wreak their vengeance on anything that was beautiful, valued, and good. Sharpe wondered if Lady Farthingdale was even alive.

Horses’ hooves came faintly from outside the Convent. The two Riflemen froze, listened.

The hooves were coming closer. Sharpe could hear voices. ‘This way!’

They moved quickly, quietly, out into the cloister. The hooves were closer. Sharpe pointed across the courtyard and Harper, astonishingly silent for a huge man, disappeared into the dark shadow beneath the arches. Sharpe stepped backwards, into the chapel, and pulled the door close so that he and his rifle looked through a slit onto the entrance tunnel.

Silence in the courtyard. Not even a wind to stir the dead leaves of the hornbeam on the green and yellow tiles. The hooves stopped outside, the creak of a saddle as a man dismounted, the crunch of boots on the roadway, and then silence.

Two sparrows flew down into the raised pool and pecked among the dead weeds.

Sharpe moved slightly to his right, searching for Harper, but the Irishman was invisible in the shadows. Sharpe crouched so that his shape, if seen through the crack, would be confusing to whoever came out of the dark tunnel.

The gate creaked. Silence again. The sparrows flew upwards, their wings loud in the cloister, and then Sharpe almost jumped in alarm because the silence was shattered by a bellowed shout, a challenge, and a man leaped into the cloister, moving fast, his musket jerking round to cover the dark shadows where assailants might wait, and then the man crouched at the foot of a pillar by the entrance and called softly behind him.

He was a huge man, as big as Harper, and he was dressed in French blue with a single gold ring on his sleeve. The uniform of a French Sergeant. He called again.

A second man appeared, as wary as the first, and this man dragged saddlebags behind him. He was in the uniform of a French officer, a senior officer, his red-collared blue jacket bright with gold insignia. Was this Pot-au-Feu? He carried a cavalry carbine, despite his infantry uniform, and at his side, slung on silver chains, was a cavalry sabre.

The two Frenchmen stared round the cloister. Nothing moved, nobody.

‘ Allons .’ The Sergeant took the saddlebag and froze, pointing. He had seen Harper’s bag beside the pool.

‘Stop!’ Sharpe yelled, kicking the door open with his right foot as he stood up. ‘Stop!’ the rifle pointed at them. They turned.