Penny Jordan - The Italian Duke's Virgin Mistress

‘No Italian woman would dress herself as you do, nor hold herself as you do, without any pride in her womanhood.’

He was being deliberately cruel to her, Charley decided. He must be able to see, after all, that she did not have the kind of womanhood it was possible to take pride in. She was plain and lanky, unfeminine and undesirable—so much the complete opposite to the beauty her artistic senses admired and longed to create that it hurt her to know how far short she fell of her own standards. Secretly, growing up, she had believed that if she could not be beautiful then she could at least create beauty. But even that had been denied her. It was a sacrifice she had made willingly, for the sake of her sisters. They loved her as she was, and she loved them. That was what mattered—not this man.

And yet when he released her and was no longer touching her, when he looked at her as though he despised her, it did matter, Charley recognised miserably.

Following Raphael into the palazzo, Charley was conscious of how untidy and unattractive she must look, in cheap jeans that had never fitted properly, even when she had first bought them, and the bulky, out-of-shape navy jumper she had thought she might need if she had to visit the site, which she had worn over her tee shirt to allow her more packing space in her backpack. And her shoes were so worn that no amount of polishing could make them look anything other than shabby. But then she forgot her awful clothes as she took in the magnificence of the large entrance hall, with its frescoed wall panels and ceiling, the colours surely as rich and fresh today as they had been when they had first been painted, making her want to reach out and touch them, to feel that richness beneath her fingertips. The scenes were allegorical—relating, she guessed, to Roman mythology rather than Christianity—and had obviously been painted by a master hand. Just looking at them was a feast for her senses, overwhelming them and bringing emotional tears to her eyes that she was quick to blink away, not wanting Raphael to see them. She tried to focus on something else, but even the marble staircase that rose up from the hallway was a work of art in its own right.

Raphael, who had been watching her, saw her eyes widen and change colour, her face lifting towards the frescoes with an awed joy that illuminated her features and revealed the true beauty of the delicate bone structure.

His heart slammed into his ribs with a force for which he was totally unprepared. The fresco was one of his personal favourites, and her silent but open homage to it echoed his own private feelings. But how could it be possible that this woman of all people, whose behaviour said that she had no awareness of or respect for artistic beauty, should look at the fresco and react to it with all that he felt for it himself? It shouldn’t have been possible. It should not have happened. But it had, and he had witnessed it. Raphael watched her lift her hand as she took a step towards the nearest fresco, as though unable to stop herself, and then let it fall back. He hadn’t expected it of her. She hadn’t struck him as someone who was capable of feeling, never mind expressing such an emotion, and yet now he could feel her passion filling the distance between them. If he looked at her now he knew he would see her eyes had darkened to that stormy blue-green that had caught his attention earlier, and her lips would be pressed together—soft, sensual pillows of flesh, too full to form a flat line, tempting any man who looked at them to taste them…

Raphael cursed himself under his breath. He had been without a lover for too long. But he couldn’t remember ever seeing anyone react quite so emotionally to the frescoes other than his mother, who had loved them and passed on that love to him. He could still remember how as a small child she had lifted him and held him so that he could see the frescos at close quarters, her voice filled with emotion as she talked to him about them. His life had been so happy then, so filled with love and security—before he had known about his dark inheritance.

So much beauty, Charley thought achingly. Her heart, indeed the very essence of her had gone hungry for such beauty for so long. In her imagination she tried to comprehend what it must have been like to be the pupil of such an artist, to have the privilege of watching him at work, knowing that one’s own best efforts could never hope to match his smallest brushstrokes, feeding off the joy of witnessing such artistry. Only of course the great masters had never taken on female pupils—not even tomboy female pupils.

Once she had dreamed of working amongst great works of art in one of London’s famous museums, as an art historian, but that dream had come to an end with her parents’ death.

Dragging her gaze from the frescoes, she shook her head like someone coming out of a deep dream and said slowly to Raphael, ‘Giovanni Battista Zelotti, the most famous of all fresco painters of his era. He would never tell anyone the recipe he used for his famous blue paint, and the secret died with him.’

Raphael nodded his head. ‘My ancestor commissioned him after he had seen the fresco he painted for the Medicis in Florence.’

He looked at his watch, his movement catching Charley’s attention. His wrists were muscular, and the dark hairs on his arm underlined his maleness, making her stomach muscles tighten into a slow ache that permeated the whole of her lower body. What would it be like to be touched, held by such a man? To know the polished, controlled expertise of his stroke against her skin…? And he would be an expert at knowing what gave a woman the most pleasure…The slow ache flared into something more intense, causing Charley to catch her breath as she tried to hold her own against her body’s attack on her defences. It must be Italy that was making her feel like this—Italy, and the knowledge that she was so close to the cities she had longed to visit and their wonderful art treasures, not Raphael himself. That could not be—must not be.

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