Colson Whitehead - Zone One

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Zone One: краткое содержание, описание и аннотация

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In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead.
Now the plague is receding, and Americans are busy rebuild­ing civilization under orders from the provisional govern­ment based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street—aka Zone One—but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety—the “malfunctioning” stragglers, who exist in a catatonic state, transfixed by their former lives.
Mark Spitz is a member of one of the civilian teams work­ing in lower Manhattan. Alternating between flashbacks of Spitz’s desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world.
And then things start to go wrong.
Both spine chilling and playfully cerebral,
bril­liantly subverts the genre’s conventions and deconstructs the zombie myth for the twenty-first century.

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“His P-A-S-D, man, his P-A-S-D. Give me a hand.”

That afternoon in Human Resources, Mark Spitz was grateful for Kaitlyn’s empathy in sparing him from ID duty, and it became evident that Gary relished the job. “Ronkonkoma?” he asked, holding one of the HR ladies’ licenses. “Had a lump of that on our crotch once.” Kaitlyn excluded this information from the report.

Inserting corpses into body bags, on the other hand, provoked no symptoms in Mark Spitz. He removed four body bags from his pack and unfolded them, a genie of new-vinyl smell untangling its limbs. “You got Aunt Ethel and Gums over there,” Gary said.

Mark Spitz started with the skel in pink, to get the heaviest out of the way. He grabbed its ankles and dragged it onto the plastic, tucking its feet into the sleeve. Its pantyhose curled back over its toes like a banana peel.

He still had a soft spot for Miss Alcott, all these years later, for it had been in her English class that he realized he was utterly unremarkable. She gave Mark Spitz and his classmates a vocab test every Thursday—“Use this word from the assigned reading in a sentence”—and by December it was hard not to notice the pattern. He was a thorough, inveterate B. It was his road. He studied for hours and there it waited for him, circled in red ink, oddly welcoming, silently forgiving. Or he refused to open his books and gorged instead on a prime-time platter of sitcoms: he’d still get a B. It was a little play he performed each week and he hit his marks instinctively, stalking the boards of mediocrity. He was not unintelligent; in fact, his instructors agreed that he was often quite perceptive and canny in his contributions to discussion, a “true pleasure to have in the classroom.” The adjectives in his report cards, drawn from a special teachers’ collection of mild yet approving modifiers, described an individual of broader gifts than implied by the grades delivered at the end of each term. All the parts were there. Extra screws, even. There was just something wrong in the execution.

Over the years, Mark Spitz reconciled himself to his condition. It took the pressure off. A force from above held him down, and a counterforce from below bore him aloft. He hovered on unexceptionality.

He zipped up the corpse that resembled, under the blood and contorted features, his elementary-school teacher and then he remembered. He looked around and crawled to the copier and retrieved its wig. He unzipped the black bag and dropped it on its face.

He tossed Gary a body bag and the mechanic grabbed the feet of the faceless skel. Mark Spitz got started on the Marge. He looked into her black teeth. His arm still flared in the aftermath of its assault, even though the lattice of fibers in his fatigues had absorbed most of the pressure. He didn’t want to see what his bicep looked like under there. He’d probably have to tape a chemical compress around it for a week.

The Marge’s broken teeth tilted hideously from its gums. He thought of the crumbling pilings across the water. Last month they’d swept the big apartment complexes of Battery Park, that crop of edifices jabbed deep into landfill. The western face of the buildings bristled with rows of terraces overlooking Jersey City. The week they worked that development, he stepped out on the balconies for air and stared at the withered stunts of the old Jersey docks. Remnants of a dead, seafaring era of trade and commerce. What a view . Make it to the edges of the island and the Palisades, Brooklyn, the Statue of Liberty scrolled before you in their stillness. (Give me your poor, your hungry, your suppurating masses yearning to eat.) What percentage of the residents’ lips had formed, at one point or another, the syllables of a sweet, awestruck “What a view”? How could it be any less than a hundred percent. It was a banality no one could elude. What percentage of the residents surged with pride as they darted between the kitchenette and the living room to replenish the hors d’oeuvres when their guests whispered “What a view”? One hundred percent. The citizens were programmed by the vista-less city to utter such things at the correct triggers, so diminished were they from crippled horizons.

After four flights, Mark Spitz had the complex’s blueprints in his pocket, a super’s knowledge of the identical layouts of the apartments in their distinct lines. Windowless office nook or nursery, bathroom on the right, second bedroom at the end of the hall with a coffin-size closet. He recognized the area rugs and sconces and accent tables, for the residents had all shopped at the same popular furniture emporiums the rest of the country shopped at. They had shambled through the identical outlet showrooms and tested the same sofas with their asses, clicked through the dropdown menus of the same online purveyors, broadband willing, zooming in on See in a Room and mentally arranging the merchandise according to the same floor plans. In the D-line apartment on the sixth floor he discovered the plaid ottoman he came across in the A-line apartment on the fourteenth floor, an identical distance from the flat-screen television. They had been a community.

The only thing that truly changed was the view of Jersey, easing in perspective as his unit moved down the stairs from penthouse god to grub eye. Omega disposed of the bodies from the big Battery Park buildings the same way they disposed of bodies anywhere else. The vantages affected price per square foot, not their jobs. The bodies were equally ungainly in the black polyurethane, whether recovered in rooms that overlooked cliffs, or air shafts, or more extravagant apartments across the street. On the other bank of the Hudson River, the old pilings stuck up abjectly, rotten teeth in a monstrous jaw. Revolting gray water sloshed around them like saliva. Teeth everywhere. You make it across the water, Mark Spitz thought, and you’d get eaten up.

He zipped up the Marge, hastening when he arrived at the bloody mophead of her scalp. Was this skel a native New Yorker, or had it been lured here by the high jinks of Margaret Halstead and her colorful roommates? One of those seekers powerless before the seduction of the impossible apartment that the gang inexplicably afforded on their shit-job salaries, unable to resist the scalpel-carved and well-abraded faces of the guest stars the characters smooched in one-shot appearances or across multi-episode arcs. Struck dumb by the dazzling stock footage of the city avenues at teeming evening. Did it work, the hairdo, the bleached teeth, the calculated injections, did it transform the country rube into the cosmopolitan? Mold their faces to the prevailing grimace? The city required people to make it go. When citizens flee or die, others must replace them. As it expanded its magnificence, out over landfill or up in its multifarious and towering honeycombs, it required bodies to fill the vacancies. When the sweepers finished their mission, who would be the new residents of the island, bellies up to the boat rail, gaping as expectantly as those other immigrants who had come to the harbor, that first fodder? Where had all the previous tenants gone, what number would have been spared if they had remained in their stifling hometowns? How many had been indoctrinated by that enervating glow?

Infected by reruns. He sucked his teeth. Just as easy to get chomped up in a hayfield as in a subway tunnel. To be honest Mark Spitz had been hypnotized by the show himself, nestled inside the eighteen-to-thirty-four age demographic whose underdeveloped cultural immune systems rendered them susceptible to the series’ shenanigans. The acquisitive debit-card swipers and the easily swayed. The obedient. Endure a minor epiphany by show’s end and forget it by next week. At least that part of the program was true to life, he thought.

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