P. James - The Children of Men

The road curved and twisted but its surface became smoother. Theo was lulled into confidence by the hours of trouble-free motoring. Perhaps, after all, the journey need not be disastrous. Gascoigne would have talked, but he hadn’t known about the child. In Xan’s eyes the Five Fishes were surely a small and contemptible band of amateurs. He might not even bother to have them hunted down. For the first time since the journey began there rose in him a spring of hope.

He saw the fallen trunk only just in time and braked violently a moment before the car bonnet scraped its jutting branches. Rolf jerked awake and swore. Theo switched off the engine. There was a moment of silence in which two thoughts, following so quickly they were almost instantaneous, shook him into full consciousness. The first was relief; the trunk didn’t look heavy despite its bush of autumn leaves. He and the other two men could probably drag it clear without much trouble. The second realization was horror. It couldn’t have fallen so inconveniently; there had been no recent strong winds. This was a deliberate obstruction.

And in that second the Omegas were upon them. Horribly, they came at first unheard, in total silence. At each car window the painted faces stared in, lit by the flames of torches. Miriam gave a short involuntary scream. Rolf yelled “Back! Reverse!” and tried to seize the wheel and gear-stick. Their hands locked. Theo thrust him aside and slammed the gears into reverse. The engine roared into life, the car shot back. They crashed to a stop with a violence which threw him forward. The Omegas must have moved quickly and silently, imprisoning them with a second obstruction. And now the faces were at the windows again. He stared into two expressionless eyes, gleaming, white-rimmed, in a mask of blue, red and yellow swirls. Above the painted forehead the hair was dragged back into a top-knot. In one hand the Omega held a flaming torch, in the other a club, like a policeman’s truncheon, decorated with thin pigtails of hair. Theo remembered with horror being told that when the Painted Faces killed they cut off the hair of the victim and braided it into a trophy, a rumour he had only half believed, part of the folklore of terror. Now he gazed in fascinated horror at the dangling plait and wondered whether it had come from the head of a man or a woman.

No one in the car spoke. The silence, which had seemed to last for minutes, could have been held for seconds only. And then the ritual dance began. With a great whoop the figures slowly pranced round the car, beating their truncheons on the sides and the roof, a rhythmic drumbeat to the high chanting voices. They were wearing shorts only but their bodies were unpainted. The naked chests looked white as milk in the flame of the torches, the rib-cages delicately vulnerable. The jerking legs, the ornate heads, the patterned faces slit by wide, yodelling mouths, made it possible to see them as a gang of overgrown children playing their disruptive but essentially innocent games.

Was it possible, Theo wondered, to talk to them, to reason with them, establish at least a recognition of common humanity? He wasted no time on the thought. He remembered once meeting one of their victims and a snatch of their conversation came into his mind. “They’re said to kill the single sacrificial victim, but on this occasion, thank God, they were satisfied with the car.” He had added: “Just don’t meddle with them. Abandon your vehicle and get away.” For him, escape hadn’t been easy; for them, encumbered with a pregnant woman, it seemed impossible. But there was one fact which might divert them from murder, if they were capable of rational thought and believed it: Julian’s pregnancy. The evidence was now sufficient even for an Omega. But he had no need to ask himself what Julian’s reaction to that would be; they hadn’t fled from Xan and the Council to fall into the power of the Painted Faces. He looked back at Julian. She was sitting with her head bowed. Presumably she was praying. He wished her good luck with her god. Miriam’s eyes were wide and terrified. It was impossible to see Luke’s face, but from his seat Rolf poured out a stream of obscenities.

The dance continued, the whirling bodies moving ever faster, the chanting louder. It was difficult to see how many there were but he judged there couldn’t be fewer than a dozen. They were making no move to open the car doors but the locks, he knew, provided no real safety. There were enough of them to overturn the car. There were torches to set it alight. It was only a matter of time before they were forced out.

Theo’s thoughts were racing. What chance was there of a successful flight, at least for Julian and Rolf? Through the kaleidoscope of prancing bodies he studied the terrain. To the left was a low crumbling stone wall, in parts, he judged, no more than three feet high. Beyond it he could see a dark fringe of trees. He had the gun, the single bullet, but he knew that even to show the gun could be fatal. He could kill only one; the rest would fall on them in a fury of retaliation. It would be a massacre. It was useless to think of physical force, outnumbered as they were. The darkness was their only hope. If Julian and Rolf could reach the fringe of trees there was at least a chance of concealment. To keep running, crashing dangerously and noisily through the undergrowth of an unfamiliar wood, would only invite pursuit, but it might be possible to hide. Success would depend on whether the Omegas bothered to pursue. There was a chance, if only a small one, that they would content themselves with the car and then remaining three victims.

He thought: They mustn’t see that we’re talking, mustn’t know that we’re scheming to get away. There was no fear that their words would be overheard; the whoops and cries which made the night hideous almost drowned his voice. It was necessary to speak loudly and clearly if Luke, Miriam and Julian in the back were to hear, but he was careful not to turn his head.

He said: “They’ll make us get out in the end. We’ll have to plan exactly what we’re going to do. It’s up to you, Rolf. When they pull us out, get Julian over that wall, then run for the trees and hide. Choose your moment. The rest of us will try to cover for you.”

Rolf said: “How? How do you mean cover? How can you cover for us?”

“By talking. By taking their attention.” Then inspiration came to him. “By joining the dance.”

Rolf’s voice was high, close to hysteria. “Dance with those fuckers? What sort of a gig d’you think this is? They don’t talk. These fuckers don’t talk and they don’t dance with their victims. They bum, they kill.”

“Never more than one victim. We have to see that it isn’t Julian or you.”

“They’ll come after us. Julian can’t run.”

“I doubt whether they’ll bother with three other possible victims and the car to burn. We’ve got to choose the right moment. Get Julian over that wall if you have to drag her. Then make for the trees. Understand?”

“It’s crazy.”

“If you can think of another plan, let’s have it.”

After a moment’s thought, Rolf said: “We could show Julian to them. Tell them she’s pregnant, let them see for themselves. Tell them I’m the father. We could make a pact with them. At least that would keep us alive. We’ll talk to them now, before they try to drag us from the car.”

From the back seat Julian spoke for the first time. She said clearly: “No.”

After that single word no one spoke for a moment. Then Theo said again: “They’ll make us get out in the end. Either that, or they’ll fire the car. That’s why we have to plan now exactly what we’re going to do. If we join the dance—if they don’t kill us then—we may distract their attention for long enough to give you and Julian a chance.”