Kevin Hearne - Hunted

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Hunted: краткое содержание, описание и аннотация

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For a two-thousand-year-old Druid, Atticus O’Sullivan is a pretty fast runner. Good thing, because he’s being chased by not one but two goddesses of the hunt—Artemis and Diana—for messing with one of their own. Dodging their slings and arrows, Atticus, Granuaile, and his wolfhound Oberon are making a mad dash across modern-day Europe to seek help from a friend of the Tuatha Dé Danann. His usual magical option of shifting planes is blocked, so instead of playing hide-and-seek, the game plan is . . . run like hell.
 Crashing the pantheon marathon is the Norse god Loki. Killing Atticus is the only loose end he needs to tie up before unleashing Ragnarok—AKA the Apocalypse. Atticus and Granuaile have to outfox the Olympians and contain the god of mischief if they want to go on living—and still have a world to live in.

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The open doorway was made of shifted flat stones identical to the ones on the inside of the pit. Hopping through it, I found myself facing a hallway graced with paintings and sculptures and lit by circular skylights spaced periodically down its length. I was standing in a niche with a small stone selkie fountain on one side and a chair on the other, the skylight above me presumably disguising this secret entrance as a reading nook. Or something.

The ground was blessedly bare underneath my feet, and I could feel the magic there—a common feature of all the homes of the Tuatha Dé Danann. With the exception of a few rooms here and there, they would never willingly cut themselves off from power for the sake of interior design. And who needs a foundation when you can bind everything you need to stay still with the earth’s help? Their estates also rarely had a second floor; if they did, they were reserved for non-magical guests or those who did not depend on the earth for their power. That meant I wouldn’t have to climb any more stairs to find Midhir. Having a steady supply of magic again, I cast camouflage and magical sight. The nose of the selkie fountain glowed white, giving its purpose away, and I pressed it. The stones behind me shifted and the door to the piehole pit closed. Midhir couldn’t have used this as a way to feed them, though; they would have flown out if he had. That meant there was some other way to access the room, but I wasn’t terribly interested now that I was out of there.

I checked the hall to see if any noises I’d made had drawn attention. Apparently not. There were no signs of magical booby traps in either direction, so I took a cautious hop into an exposed position. Now that I was paranoid about discovery, it sounded abnormally loud. I supposed there was no good way to hop stealthily. Since my left side was ruddy useless, I turned right, holding Fragarach in my hand and using the wall for support, giving it fist bumps as I hopped. It turned to a smooth plaster past the niche, interrupted at intervals by some works of art. The first door I came to led to an unused bedroom. Past it on the left, an open archway hinted at a parlor or library or some other sitting area full of books, and, through that, another room promised a much larger living space that might lead to a kitchen. I hoped I’d make it there and find something to eat. But there was one more door I wanted to check before I crossed the hall and moved on. It wouldn’t do to leave it at my back without knowing what was in there.

It was another bedroom—the master suite, in fact. It was tastefully appointed with a sod floor fed by regular waterings and sun angling through a long glass panel on the far side of the very high ceiling. On the near side of the ceiling, a wrought-iron chandelier with those ingenious motion-sensing candles flared to life as I opened the door. Midhir—it was definitely him, for I recognized the Druidic tattoos on his biceps—hung upside down from it, wrapped in iron chains to nullify his magic. His throat had been cut, and the blood had sheeted down his face and turned the grass below a dark red. Unable to cast a healing spell and cut off from all earthly aid by his suspension, he’d bled out.

“Gods below,” I breathed, “I’m in deep shit now.”

Whoever had done this to Midhir could easily do the same thing to me. I could cast spells past my iron amulet and aura, of course, but wrap me up in that much iron and cut me off from the earth and I was as vulnerable as a tadpole.

I cast a wild-eyed glance back down the hall, expecting a trap of some sort to be sprung. I immediately assumed I’d either suffer the same fate as Midhir or else be framed for his murder. But seconds ticked by and no cries of alarm sounded. No one snuck up in camouflage and punched me in the junk. The phrase deathly silent came to mind.

My panic gradually faded as minutes passed and it became clear that the world was unaware that I’d just found the body of an ancient being. Eventually, though, they’d figure it out; if nothing else, once Midhir’s body was discovered, Brighid’s hounds would be brought in and they’d pick up my scent.

I toyed briefly with the idea of shifting to a hound myself to pick up some scent clues but discarded the idea as unwise when I was so messed up. Hounds can’t hop on one side very well. And, besides, once this got out, Brighid’s hounds would pick up the scent of whoever had really done this.

Though it was unwise to approach any farther and place myself in the same room as the murder, I spied another tangle of chains, resting on the feather bed. This demanded a closer look, for there were clothes underneath the chains—clothes I thought I recognized. And as a couple of hops improved my angle of vision, I saw that there wasn’t actually a body there—just ashes and foppish clothing that could only belong to Lord Grundlebeard.

I had no way of knowing if those were really the ashes of Lord Grundlebeard or if he—or someone—was clever enough to fake his death this way. But Midhir’s death certainly wasn’t faked. And a powerful magician like him couldn’t have been so thoroughly dominated this way except by another member of the Tuatha Dé Danann.

Though I knew it was all conjecture, the deaths of Midhir and Grundlebeard suggested that they had indeed been involved in the hunt for us. They’d kept an eye on Granuaile through divination or else had spoken to someone who did, and then they’d communicated with vampires and dark elves and Fae assassins and shuttled them around the Old World where they’d be most likely to run into us. They’d even told the Olympians where to ambush us back in Romania. And maybe they’d told Ukko where to find Loki, thus setting him free and possibly accelerating the beginning of the end. In that sense, this ending for them felt like justice.

But they hadn’t been the true bosses. They’d been something akin to executive assistants, a layer of insulation from where the real orders originated, and once Granuaile and I had escaped their net, these two, who could point fingers and name a name, had to be eliminated. Something else clicked into place: It had always bothered me that Faunus began to spread pandemonium throughout Europe at the same time that Perun’s plane was destroyed by Loki. But Grundlebeard could have easily sent a message to Faunus to begin as soon as I arrived at the Fae Court and then made up a cover story to match. He’d probably been the one to send that pod of yewmen after us as well—at someone else’s orders, of course. But now that someone had drunk his milkshake, and Midhir’s too.

Thinking of milkshakes reminded me of the kitchen and my dire need for protein. There was no good I could do by lingering in the bedroom, but I could do myself all kinds of good if I found something to eat. My stomach clenched and rumbled at the thought—genuine hunger pangs. If I fed it, perhaps I’d be able to think more clearly.

The parlor-cum-library, when I hopped through it, turned out to be one of my favorite rooms ever. A tree grew in the far corner to my right, its trunk allowed to stretch up through a hole in the ceiling and spread its canopy there. The floor was a lovely trimmed lawn. Starting on either side of the tree, walnut bookshelves lined the walls, oddly but fabulously filled with nothing but graphic novels and manga. Centered in the room, a copy of Alan Moore’s V for Vendetta was set precisely in the middle of a matching walnut coffee table set low to the ground, Japanese style. The room invited you to pick a graphic novel and read on the grass, perhaps leaning against the trunk of the tree. But the placement of V for Vendetta bothered me. It hadn’t been casually laid near one of the edges, which would indicate that it had been left by a reader. It was aligned squarely in the center, so that the table edges acted like a frame, directing one’s attention to the cover. Perhaps it was a message of some kind? If so, intended for whom? For whomever found Midhir’s body? If Midhir had been killed to conceal the identity of the real person behind my hunting, was this message intended for me? Or maybe Midhir’s death had nothing to do with me at all. The vendetta might have been against him rather than me, and this timing was entirely coincidental. Regardless, it only increased my suspicion that there was a trap here somewhere and I had yet to spring it.

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