Jonathan Strahan - The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories
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- Название:The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories
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“They’re fools.”
Misa shrugged. “Everyone’s a fool, sooner or later. I make a game of it with my students. What do we believe that will be proven wrong in the future? I envy your ability to live forever so you can see.”
“You should not,” I said, surprised by my own bitterness. “People of the future are as likely to destroy your truths as to uncover your falsehoods.”
She turned toward me, her face drawn with empathy. “You may be right.”
We entered a vast, mahogany-paneled room, large enough to quarter a roc. Curving shelf towers formed an elaborate labyrinth. Misa led me through the narrow aisles with swift precision.
The shelves displayed prisms of various shapes and sizes. Crystal pyramids sat beside metal cylinders and spheres cut from obsidian. There were stranger things, too, shapes for which I possessed no words, woven out of steel threads or hardened lava.
Overhead, a transparent dome revealed a night sky strewn with stars. I recognized no patterns among the sparkling pinpricks; it was as if all the stars I’d known had been gathered in a giant’s palm and then scattered carelessly into new designs.
Misa chattered as she walked. “This is the academy library. There are over three hundred thousand spells in this wing alone and we’ve almost filled the second. My students are taking bets on when they’ll start construction on the third. They’re also taking bets on whose statue will be by the door. Olin Nimble’s the favorite, wouldn’t you know.”
We passed a number of carrel desks upon which lay maps of strange rivers and red-tinted deserts. Tubes containing more maps resided in cubby holes between the desks, their ends labeled in an unfamiliar alphabet.
“We make the first-year students memorize world maps,”said Misa.“A scholar has to understand how much there is to know.”
I stopped by a carrel near the end of the row. The map’s surface was ridged to show changes in elevation. I tried to imagine what the land it depicted would look like from above, on a roc’s back. Could the Mountains where the Sun Rests be hidden among those jagged points?
Misa stopped behind me. “We’re almost to the place I wanted to show you,” she said. When we began walking again, she stayed quiet.
Presently, we approached a place where marble steps led down to a sunken area. We descended, and seemed to enter another room entirely, the arcs of the library shelves on the main level looming upward like a ring of ancient trees.
All around us, invisible from above, there stood statues of men and women.
They held out spell spheres in their carved, upturned palms.
“This is the Circle of Insomniacs,” said Misa. “Every Insomniac is depicted here. All the ones we’ve found, that is.”
Amid hunched old women and bearded men with wild eyes, I caught sight of stranger things. Long, armored spikes jutted from a woman’s spine. A man seemed to be wearing a helmet shaped like a sheep’s head until I noticed that his ears twisted behind his head and became the ram’s horns. A child opened his mouth to display a ring of needle-sharp teeth like a leech’s.
“They aren’t human,” I said.
“They are,” said Misa. “Or they were.” She pointed me to the space between a toothless man and a soldier whose face fell in shadow behind a carved helmet. “Your statue will be there. The sculptor will want to speak with you. Or if you don’t want to talk to him, you can talk to his assistant, and she’ll make notes.”
I looked aghast at the crowd of stone faces. “This—this is why you woke me? This sentimental memorial?”
Misa’s eyes glittered with excitement. “The statue’s only part of it. We want to know more about you and the Kingdom Where Women Rule. Sorry, the Land of Flowered Hills. We want to learn from you and teach you. We want you to stay!”
I could not help but laugh, harsh and mirthless. Would this woman ask a piece of ancient stone wall whether or not it wanted to be displayed in a museum? Not even the worms who tried to steal my spells had presumed so much.
“I’m sorry,” said Misa. “I shouldn’t have blurted it out like that. I’m good at sniffing. I’m terrible with people. Usually I find the Great Ones and then other people do the summoning and bring them to the library. The council asked me to do it myself this time because I lived in a women’s colony before I came to the academy. I’m what they call woman-centered. They thought we’d have something in common.”
“Loving women is fundamental. It’s natural as breeze. It’s not some kind of shared diversion.”
“Still. It’s more than you’d have in common with Olin Nimble.”
She paused, biting her lip. She was still transparently excited even though the conversation had begun to go badly.
“Will you stay a while at least?” she asked. “You’ve slept dark for millennia. What’s a little time in the light?”
I scoffed and began to demand that she banish me back to the dark—but the scholar’s excitement cast ripples in a pond that I’d believed had become permanently still.
What I’d learned from the unrecognizable maps and scattered constellations was that the wage of eternity was forgetfulness. I was lonely, achingly lonely. Besides, I had begun to like Misa’s fumbling chatter. She had reawakened me to light and touch—and even, it seemed, to wonder.
If I was to stay, I told Misa, then she must understand that I’d had enough of worms and their attempts at magic. I did not want them crowding my time in the light.
The corners of Misa’s mouth drew downward in disapproval, but she answered, “The academy puts us at the crossroads of myriad beliefs. Sometimes we must set aside our own.” She reached out to touch me. “You’re giving us a great gift by staying. We’ll always respect that.”
Misa and I worked closely during my first days at the academy. We argued over everything. Our roles switched rapidly and contentiously from master to apprentice and back again. She would begin by asking me questions, and then as I told her about what I’d learned in my matriline’s locked rooms, she would interrupt to tell me I was wrong, her people had experimented with such things, and they never performed consistently. Within moments, we’d be shouting about what magic meant,and what it signified, and what it wanted—because one thing we agreed on was that magic was a little bit alive.
Misa suspended her teaching while she worked with me, so we had the days to ourselves in the vast salon where she taught. Her people’s magic was more than superficially dissimilar from mine. They constructed their spells into physical geometries by mapping out elaborate equations that determined whether they would be cylinders or dodecahedrons, formed of garnet or lapis lazuli or cages of copper strands. Even their academy’s construction reflected magical intentions, although Misa told me its effects were vague and diffuse.
“Magic is like architecture,” she said. “You have to build the right container for magic to grow in. The right house for its heart.”
“You fail to consider the poetry of magic,” I contended. “It likes to be teased with images, cajoled with irony. It wants to match wits.”
“Your spells are random!” Misa answered. “Even you don’t understand how they work. You’ve admitted it yourself. The effects are variable, unpredictable. It lacks rigor!”
“And accomplishes grandeur,” I said. “How many of your scholars can match me?”
I soon learned that Misa was not, as she claimed, an unimportant scholar. By agreement, we allowed her female pupils to enter the salon from time to time for consultations. The young women, who looked startlingly young in their loose white garments, approached Misa with an awe that verged on fear. Once, a very young girl who looked barely out of puberty, ended their session by giving a low bow and kissing Misa’s hand. She turned vivid red and fled the salon.
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