Kelley Armstrong - Haunted

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Haunted: краткое содержание, описание и аннотация

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From Publishers Weekly
Smart-mouthed Eve Levine, a witch with a reputation for breaking the rules, may be dead, but as she proves in this overstuffed paranormal romance (a follow-up to Industrial Magic), she can still raise hell in the hereafter-which, in this case, is a curiously ordinary dimension in which ghosts like Eve and her also deceased former lover, a sorcerer named Kris, can bicker, have sex and use their paranormal powers. The Fates, three elusive sisters, are the rulers of this otherworldly dimension, and they have a job for Eve. If she can defeat a demonic Nix who's wreaking havoc in the human realm by inducing people to kill, she'll earn her wings-literally. The catch: she can't capture the Nix without the powers that angelhood affords. Eve surmounts this hurdle by teaming up with a hunky and humanlike angel named Trsiel, but her quest, which is fraught with obstacles as well as unnecessary distractions, is lengthy and meandering. In addition, Eve's kick-butt-ask-questions-later attitude, while amusing, can be wearying, and the rules of Armstrong's alternate world seem conveniently changeable. Still, those who appreciate heroines with a good measure of spunk, sass and strong-arm savvy will find this a fun if fitful read.
Review
“Armstrong has created a persuasive, finely detailed other-worldly cosmology – featuring sorcery, astral projection, spells, telepathy and teleportation.” – Toronto Star

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"That's gotta be La Ceiba, but I think it's too late to get a boat to Roatan."

"Legally, yes. But there are bound to be plenty lying around."

"Good plan." I sniffed the air. "Do you smell that?"

"Wood burning. Campfires, I think."

"A Boy Scout town?"

"I wouldn't bet against it. They have everything else here. Just name your fetish."

I knocked his arm. "It's called an alternate afterlife-style choice, remember? Or did you sleep through that part of orientation?"

Kris snorted. "When you choose to spend your afterlife living in a Southern manor, that's a lifestyle choice. When you spend it playing Confederate soldier or Billy the Kid, it's a fetish."

"Hmmm. I seem to recall a certain someone playing Billy the Kid sixteen years ago."

"It was Pat Garrett," he said. "And one night is not a 'life-style choice."

"No, it's a fetish."

He slapped me on the rear and growled, "Watch it."

"Hey, I said it was a fetish." I grinned over at him. "Didn't say I objected."

We crested a small rise. Just below, in the glow of moonlight, lay the town of La Ceiba, a ramshackle collection of houses that were little more than huts-and decrepit huts at that. From the town came the raucous laughs, whoops, and catcalls of men trying very hard to have a good time, and downing massive quantities of alcohol to help them find it. The waver of candlelight blazed from the windows of a few of the larger buildings. Wood-fire smoke hung in a blue-gray haze over the town.

"Nineteenth-century frat party?"

Kris shook his head and guided my gaze to the waterfront. There, crammed into the small harbor so tight they were double- and triple-parked, were a dozen or more boats. Not just boats, but spectacular wooden galleons, each with a dozen or more sails, and decks that were a veritable jungle of ropes. High atop the masts, flags fluttered in the breeze. From here, they looked like little more than brightly colored scraps of fabric. When I sharpened my sight, I could make out markings and designs-an arm bearing a scabbard, a skeleton raising a toast, several national flags, and on more than half, the ubiquitous skull and crossbones of the Jolly Roger.

Pirates.

Chapter 21

THIS EXPLAINED LUTHER ROSS'S RELOCATION TO Roatan: the only route to the island was guarded by a pirate town. We now knew why that half-demon surfer had advised us to change our outfits before visiting La Ceiba. No part of the ghost world is off-limits, but just because you're allowed in doesn't mean you'll be encouraged to stay. Waltz into a themed afterlife town wearing your civvies, and you'll find yourself as welcome as a Mormon at Mardi Gras.

Themed afterlife towns were indeed a ghost-world Mardi Gras, a nonstop costumed paean to some romanticized bygone era. If you come to visit, you'd damned well better get yourself into the spirit of things… fast.

We slipped behind an abandoned hut on the outskirts of town and changed into more appropriate outfits. Kristof tried his damnedest to convince me to let him dress me, but I made him wait around the corner while I fashioned my own outfit.

"Still working on it?" Kristof called after a few minutes. "If you need help…"

I stepped around the corner. A slow grin swept over Kris's face. I'd dressed myself in hip-hugging calfskin breeches, knee-high boots, and a tight white laced bodice cinched at my waist with a jaunty black sash. Add oversize gold hoop earrings and a red bandanna, leaving my hair falling down my back, and I probably looked no more like the real Anne Bonney than Elizabeth Taylor looked like Cleopatra, but historical inaccuracy wasn't an issue-not in a place like this.

I surveyed Kristof's ensemble: a white linen shirt, black trousers tucked into low black boots, and a black naval jacket with brass buttons.

"Looks good," I said. "Now-Whoops. Forgot something."

I closed my eyes and conjured up two cutlasses.

"Hardware," I said, handing Kris one. I raised mine and sliced it through the air. "Think we'll get a chance to use them?"

"Only if we're lucky. But just in case we do, I'd better switch to this…" He closed his eyes and transformed the cutlass into a straight sword. He hefted it, spun it in his hand, then smiled, and lunged. "En garde."

"Uh, pirates, Kris, not the three musketeers."

"Close enough." He thrust the sword at an imaginary foe. "I always told my father those fencing lessons would come in handy someday."

"So you can really use that thing?"

He grinned. "Try me."

I raised my cutlass into something that vaguely resembled Kris's "en garde" position.

"Ready?" he asked.

I nodded. He lunged forward and knocked the cutlass so hard it flew from my hand, and left my wrist vibrating.

"Hey!"

I ducked to grab my cutlass, then stopped as I felt the tip of his sword pressed against my throat. Still crouching, I looked up at Kristof.

"It would seem, sir, that you have me at a disadvantage."

"So it would."

He slid the sword tip down my throat to my chest, and traced a line down my cleavage, caught the edge of the bodice, and plucked it off my breast. The moment his attention was diverted, I flipped backward, grabbed my cutlass, and sprang to my feet. Kris lunged, sword raised. I feinted and swung around him, then lifted the cutlass blade to the back of his neck.

When he felt the blade shift, he ducked and spun, sword raised. We sparred for a few seconds. Then he caught the underside of my cutlass and knocked it from my hand. I quickstepped backward-and slammed into a wide tree. Kristof lifted his sword tip to my throat again.

"Mercy?" he asked.

"Never."

Kristof laughed and slid the blade down my chest again. This time, he snagged the first lace on the bodice, and sliced through it.

"Kris…"

He caught the second lace on his sword tip.

"Kris…"

"Oh, you know I wont do anything," he said. "Won't even try. Not until I know you're ready. I just like to…" A small smile as he pressed against me. "Remind you. In case you've forgotten what it was like."

That was one reminder I never needed. I'd had lovers before and after Kristof-never many, I was always too particular to share my body with just anyone-but Kris was the only man I'd ever lost control with, the only one I'd never been able to get enough of. And now, feeling him hard against me…

Oh, to hell with this.

I tilted my hips up. Kris pressed closer, letting me lift my legs and wrap them around him. I wrapped my hands in his hair and kissed him. Kris moaned and slid his hands into my breeches, and grabbed my rear, pulling me tighter against him.

Then he tensed, resisting. After a moment's hesitation, he tugged my arms down and stepped back.

"You aren't ready," he murmured.

"No?"

I took his hand. He let me slide his fingers under my waistband, then jerked his hand away and took another step back.

"I don't mean ready for a five-minute bang against a tree, Eve. That's not good enough. I want you back. For now and forever. I mean that."

"Kris, I've told you-"

"You don't want that kind of relationship. Yes, you've said it. Over and over. We couldn't make it work the first time, so we shouldn't try again. A nice, pat excuse-"

"It's not-"

"Since when have you ever failed at something once and given up? It's an excuse, Eve-a simple excuse for avoiding the very complex problem that's you and me, and everything we did and didn't do once upon a time. You aren't ready yet. I know that. And I'll wait until you are." He gave a small smile. "It's not like I'm going to run out of time."

"I-"

"Speaking of time, though, you have a job to do, so I'd suggest we stop screwing around-or talking about why we aren't screwing around-and get back to work."

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