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Michael Connelly: The Black Ice

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Michael Connelly The Black Ice

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The corpse in the hotel room appears to be that of a missing LAPD narcotics officer. Rumours abound that he had crossed selling a new drug called Black Ice from Mexico and the LAPD brass are quick to declare his death aside. But Harry Bosch isn't so sure; prompted by odd, inexplicable details from the crime scene, and attraction to the widow, he begins his own investigation. An investigation that takes him over the border to Mexico and into a dangerous labyrinth of shifting identities and deadly corruption.

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When it was over and the casket was in the hole and the people were moving away, she stayed seated and Bosch saw her wave away an offer from Irving to be escorted back to the limousine. The assistant chief sauntered off, smoothing his collar against his neck. Finally, when the area around the burial site was clear, she stood up, glanced once down into the hole, and then started walking toward Bosch. Her steps were punctuated by the slamming of car doors all across the cemetery. She took the sunglasses off as she came.

“You took my advice,” she said.

This immediately confused him. He looked down at his clothes and then back at her. What advice? She read him and answered.

“The black ice, remember? You have to be careful. You’re here, so I assume you were.”

“Yes, I was careful.”

He saw that her eyes were very clear and she seemed even stronger than the last time they had encountered each other. They were eyes that would not forget a kindness. Or a slight.

“I know there is more than what they have told me. Maybe you will tell me sometime?”

He nodded and she nodded. There was a moment of silence as they looked at each other that was neither long or short. It seemed to Bosch to be a perfect moment. The wind gusted and broke the spell. Some of her hair broke loose from the barrette and she pushed it back with her hand.

“I would like that,” she said.

“Whenever you want,” he said. “Maybe you’ll tell me a few things, too.”

“Such as?”

“That picture that was missing from the picture frame. You knew what it was, but you didn’t tell me.”

She smiled as if to say he had focused his attention on something unnecessary and trivial.

“It was just a picture of him and his friend from the barrio. There were other pictures in the bag.”

“It was important but you didn’t say anything.”

She looked down at the grass.

“I just didn’t want to talk or think about it anymore.”

“But you did, didn’t you?”

“Of course. That’s what happens. The things you don’t want to know or remember or think about come back to haunt you.”

They were quiet for a moment.

“You know, don’t you?” he finally said.

“That that wasn’t my husband buried there? I had an idea, yes. I knew there was more than what people were telling me. Not you, especially. The others.”

He nodded and the silence grew long but not uncomfortable. She turned slightly and looked over at the driver standing next to the limo, waiting. There was nobody left in the cemetery.

“There is something I hope you will tell me,” she said. “Either now or sometime. If you can, I mean… Um, is he… is there a chance he will be back?”

Bosch looked at her and slowly shook his head. He studied her eyes for reaction. Sadness or fear, even complicity. There was none. She looked down at her gloved hands, which grasped each other in front of her dress.

“My driver…,” she said, not finishing the thought.

She tried a polite smile and for the hundredth time he asked himself what had been wrong with Calexico Moore. She took a step forward and touched her hand to his cheek. It felt warm, even through the silk glove, and he could smell perfume on her wrist. Something very light. Not really a smell. A scent.

“I guess I should go,” she said.

He nodded and she backed away.

“Thank you,” she said.

He nodded. He didn’t know what he was being thanked for but all he could do was nod.

“Will you call? Maybe we could… I don’t know. I-”

“I will call.”

Now she nodded and turned to walk back to the black limousine. He hesitated and then spoke up.

“You like jazz? The saxophone?”

She stopped and turned back to him. There was sharpness in her eyes. That need for touch. It was so clear he could feel it cut him. He thought maybe it was his own reflection.

“Especially the solos,” she said. “The ones that are lonely and sad. I love those.”

“There is… is tomorrow night too soon?”

“It’s New Year’s Eve.”

“I know. I was thinking… I guess it might not be the right time. The other night-that was… I don’t know.”

She walked back to him and put her hand on his neck and pulled his face down to hers. He went willingly. They kissed for a long time and Bosch kept his eyes closed. When she let him go he didn’t look to see if anyone was watching. He didn’t care.

“What is a right time?” she asked.

He had no answer.

“I’ll be waiting for you.”

He smiled and she smiled.

She turned for the last time and walked to the car, her high heels clicking on the asphalt once she left the carpet of grass. Bosch leaned back against the tree and watched the driver open the door for her. Then he lit a cigarette and watched as the sleek black machine carried her out through the gate and left him alone with the dead.


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