John Katzenbach - Just Cause

Cowart spoke to Ferguson's high-school guidance counselor, who said much the same, though pointed out that in Newark, Ferguson's grades were much higher. Neither man had been able to give him the name of a single real friend of the convicted man.

He began to see Ferguson as a man floating on the fringe of life, unsure of himself, unsure of who he was or where he had been going, a man waiting for something to happen to him, when the worst possible thing had swept him up. He did not see him as much innocent as a victim of his own passivity. A man to be taken advantage of. It helped him to understand what had happened in Pachoula. He thought of the contrast between the two black men at the core of his story: One didn't like pitching and reeling in the back of a bus, the other ran out under fire to help others. One drifted through college, the other became a policeman. Ferguson hadn't had a chance, he thought, when confronted by the force of Tanny Brown's personality.

By the end of the week, a photographer dispatched by the Journal to North Florida had returned. He spread his pictures out on a layout desk before Cowart. There was a full-color shot of Ferguson in his cell, peering out at the camera between the bars. There was a shot of the culvert, other shots of Pachoula, the Shriver house, the school. There was the same picture that Cowart had seen hanging in the elementary school. There was a shot of Tanny Brown and Bruce Wilcox, striding out of the Escambia County homicide offices.

'How'd you get that?' Cowart asked.

'Spent the day staked out, waiting for them. Can't say they were real pleased, either.'

Cowart nodded, glad that he hadn't been there. 'What about Sully?'

'He wouldn't let me shoot him,' the photographer replied. 'But I've got a good shot of him from his trial. Here.' He handed the picture to Cowart.

It was Blair Sullivan marching down a courtroom corridor, shackled hand and foot, braced by two huge detectives. He was sneering at the camera, half-laughing, half-threatening.

'One thing I can't figure,' the photographer said.

'What's that?'

'Well, if you saw that man coming at you out on the street, you sure as hell would run fast the other way. You sure wouldn't get into the car with him. But Ferguson, hell, you know, even when he's staring out at you angry, he still don't look that damn bad, you know. I mean, I could see letting him talk me into a car.'

'You don't know,' Cowart replied. He picked up the picture of Sullivan. 'The man's a psychopathic killer. He could talk you into anything. It's not just that little girl. Think about all the other folks he killed. How about that old couple, after he helped change their tire? They probably thanked him before he killed them. Or the waitress. She went with him, remember? Just looking to have a little good time. Thought she was going to have a party. She didn't make him for a killer. The kid in the convenience store? He had one of those emergency alarm buttons right under the register. But he didn't hit it.'

'Didn't have the chance, I think.' Cowart shrugged.

'Well,' the photographer said, I sure as hell wouldn't get into a car with him.' 'That's right. You'd be dead.'

He commandeered his old desk in a back corner of the newsroom, spreading all his notes out around himself, staring into a computer screen. There was a single moment, when the screen was empty before him, that he felt a quick nervousness. It had been some time since he'd written a news story, and he wondered if the skill had left him. Then he thought, It's all there, and let excitement overcome any doubts. He found himself describing the two men in their cells, the way they had appeared, the way they'd talked. He sketched out what he'd seen of Pachoula, and he outlined the hulking intensity of the one detective and the abrupt anger of the other. The words came easily, steadily. He thought of nothing else.

It took him three days to write the first story, two days to construct the follow. He spent a day polishing, another day writing sidebars. Two days were spent going over it line by line with the city editor. Another day with lawyers, a frustrating word-by-word analysis. He hovered over the layout desk as it was budgeted for the front of the Sunday paper. The main headline was: A CASE OF QUESTIONS. He liked that. The subhead was: TWO MEN, ONE CRIME AND A MURDER THAT NO ONE CAN FORGET. He liked that as well.

He lay sleepless in bed at night, thinking: There it is. I've done it. I've really done it.

On the Saturday before the story was to run, he called Tanny Brown. The detective was home, and the homicide offices wouldn't give Co wart his unlisted telephone number. He told a secretary to have the detective call him back, which the man did an hour later.

'Cowart? Tanny Brown here. I thought we'd finished talking for now.'

'I just wanted to give you a chance to respond to what's going to be in the story.'

'Like your damn photographer gave us a chance?'

'I'm sorry about that.'

'Ambushed us.'

'Sorry.'

Brown paused. 'Well, at least tell me the picture doesn't look too damn bad. We've always got out vanity, you know.'

Cowart could not tell if the detective was joking or not.

'It's not bad,' he said. 'Like something out of Dragnet.'

'Good enough. Now, what do you want?'

'Do you want to respond to the story we're running tomorrow?'

'Tomorrow? I'll be damned. Guess I'll have to get up early and go down to the paper store. Gonna be a big deal?'

'That's right.'

'Front page, huh? Gonna make you a star, right, Cowart? Make you famous?'

'I don't know about that.'

The detective laughed mockingly. 'This is Robert Earl's big shot, right? You think it'll do the trick for him? You think you can walk him off the Row?'

'I don't know. It's a pretty interesting story.'

'I bet.'

'I just wanted to give you the opportunity to respond.'

'You'll tell me what it says now?'

'Yes. That's correct. Now it's written.'

Tanny Brown's voice paused over the telephone line. 'I suppose you got all that stuff about beating him up and that crap? The bit with the gun, right?'

'It says what he contends. It also says what you said.'

'Just not quite as strong, though, huh?'

'No, they have equal weight.'

Brown laughed. 'I bet,' he said.

'So, would you like to comment directly?'

'I like that word, "comment." Says a bunch, doesn't it? Nice and safe. You want me to comment on what it says?' A sharp sarcasm tinged his voice.

'Right. I wanted you to have the opportunity.'

I got it. An opportunity to dig a bigger grave for myself,' the detective said. 'Get myself in more trouble than I'm already going to be in, just because I didn't bullshit you. Sure.' He took a breath and continued, almost sadly. 'I could have stonewalled the whole thing, but I didn't. Is that in your story?'

'Of course.'

Tanny Brown laughed briefly, wryly. 'You know, I know you got an idea what's gonna happen because of all this. But I'll tell you one thing. You're wrong. You're dead wrong.'

'Is that what you want to say?'

'Things never work out as smoothly or as simply as people think. There's always a mess. Always questions. Always doubts.'

'Is that what you want to say?'

'You're wrong. Just wrong.'

'Okay. If that's what you want to say.'

'No, that's what I want you to understand.'

The detective laughed abruptly. 'Still the hard case, ain't you, Cowart? You don't have to answer that. I already know the answer.' He let a beat slip by, then another.

Cowart listened to the deep, angry breathing on the line before Tanny Brown finally spoke, rumbling his words like a distant storm. 'Okay, here's a comment: Go fuck yourself.'

And then he hung up.