David Dickinson - Death of a wine merchant

A few moments after Powerscourt’s departure Septimus Parry stepped out briskly into the London streets to deliver the order. His mind was too busy to notice the stooped figure of the tramp with the dirty hair who followed him fifty yards behind. As Septimus boarded a Bakerloo line train going south at Piccadilly Circus the tramp was two carriages away, looking closely at the exits when the train pulled in at a station. At Embankment Septimus changed on to the District and Circle line, again pursued by the faithful tramp. Johnny thought he knew the general area they were going to now. It seemed unlikely to him that wine forgers would be operating in the heart of the City of London. Their terrain would be further east, somewhere in the sprawling docks. They passed Tower Hill. The tramp almost missed Septimus alighting rapidly from his train at Shadwell but he caught sight of him half a minute later striding up one side of Shadwell Basin, and disappearing into an enormous warehouse on Newlands Quay.

The inevitable seagulls were performing their ritual pavane around the shipping in the basin. Men could be seen loading and unloading different-sized vessels. The enormous warehouse betrayed no sign of ownership. It was six storeys high and had small barred windows at regular intervals. Johnny Fitzgerald crouched down by the door and strained to hear any conversation between Septimus and the Necromancer, for he was sure the Necromancer was the man Septimus had come to see. However hard he tried he could hear nothing. The door looked solid. Suddenly it was flung open and he was dragged inside the warehouse and pulled unceremoniously into a small section in the corner. Johnny saw that there were rows and rows of shelves lined with bottles of every size known to the wine trade. The two men tied him roughly to a chair.

‘This is the fellow I told you about,’ said Septimus, ‘the one who followed me from the office down here.’

‘You must be Mr Septimus Parry,’ said Johnny, staring intently at the muzzle of a gun in his companion’s hand, pointing directly toward his stomach. ‘And you, sir, you with the gun,’ Johnny turned his gaze up from the gun to the face, ‘must be the Necromancer.’

The mention of the word necromancer seemed to cause fury. ‘I am not known as the Necromancer!’ he snarled. ‘They are mere conjurers, penny magicians on minor feast days, fortune tellers by the hedgerows, soothsayers of the future for simple minds. I am known as the Alchemist. Alchemists were famed for transmuting base metals into gold as I do with crude wines being converted into noble vintages with great names. And you,’ he began waving the gun about in what Johnny thought was a rather dangerous fashion, ‘who the hell are you?’

Johnny made no reply. Septimus was looking rather nervous now. What had begun as a lark could turn very nasty at any moment. ‘Are you by any chance an associate of the man who calls himself Powerscourt?’

Johnny thought that Septimus would be unlikely to resort to violence on his own. But he wasn’t sure about the other one. Above everything else, he realized, he had to remain as a tramp. If they thought he was an intimate colleague of Powerscourt he might be in great danger from the man with the gun.

‘Look here,’ said the Alchemist, ‘I don’t think you fully understand your position. I am perfectly happy to put a bullet into any part of your filthy anatomy I choose if you don’t co-operate. Tramps disappear all the time. In this part of London,’ he waved the gun airily in the direction of the river, ‘nobody even knows they’ve gone. Now, you’d better start telling us the truth. Are you employed by the man who calls himself Powerscourt?’

‘Every now and then,’ said Johnny.

‘What does that mean?’ snapped the Alchemist. ‘Once a week, once a month, once a year?’

‘More than once a year, less than once a month,’ said Johnny, ‘three or four times a year maybe. It’s always when he wants somebody followed.’

‘So when, before today, was the last time you worked for him?’

‘Just before Easter,’ said Johnny, observing that the gun now seemed to be pointing at his knees.

‘Very well,’ said the Alchemist. ‘There is nothing I can do, short of killing you, to prevent you telling your master what you have seen. I do not want you here any more. The man they call Powerscourt is ruining my life. My entire life depends on secrecy, on nobody knowing what I look like or where I work. You and your employer have ruined that. Don’t think I won’t get my own back. Now get out and don’t come back. And tell your master,’ the Alchemist snarled as he shoved Johnny towards the door, ‘that he hasn’t heard the last of me.’

The Alchemist was shaking with fury as he kicked Johnny out of the warehouse and into the street. He sat down on a stool by one of his great shelves and put his head in his hands. ‘Everything I’ve worked for, gone. My work. My anonymity which I have done so much to preserve, blown away like gossamer down. My office, the very place where I do my work, now known to the tramp who must surely work for the authorities. I am finished, Septimus, finished! Just tell me, tell me before you go, what is this Powerscourt’s address?’

Powerscourt was annoyed that he hadn’t managed to get any closer to the Necromancer. Maybe Johnny would pull it off this very day. He remembered Johnny saying that the man valued his privacy above everything else. What did he have to hide? Powerscourt had a deep suspicion of forgers, fakers and counterfeiters of every sort. In one of his previous cases he had encountered a forger called Orlando Blane who had caused chaos in the London art world with the accuracy of his reproductions. Orlando too had links with Norfolk, producing his Gainsboroughs or his Joshua Reynoldses or his Giovanni Bellinis in an abandoned Jacobean mansion close to Cromer and the sea. He felt that the fakers and the forgers debased the natural order, that they brought something squalid and sordid into a world where beauty should reign supreme, that their works poisoned the art world. Not that Powerscourt had any illusions about the art dealers and the auctioneers and the art experts. Many of them, he knew, were little better than the forgers when it came to morality. And what of his own first offering from the Necromancer, those two bottles nestling in their bag? Should he taste them immediately he reached home? Probably not, he decided. He would wait until tomorrow when the rest of the consignment arrived. He would summon Sir Pericles Freme and his finest palate to join him and Lady Lucy in the first tasting of the pre-phylloxera wines.

A hundred miles to the north Georgina Nash was walking up her drive with its massive yew hedges towards the main road that skirted round Brympton Hall. Every day now she performed this melancholy ritual five or six times during the hours of daylight. When she reached the main road, with the church on her left where the doomed marriage took place a month or so before, she would stand and stare, now to the left, now to the right. Sometimes she would walk for half a mile or so in either direction, hoping desperately that the next person to come round the bend would be young William Stebbings. It was now three days since his disappearance, and the Nash family were, if anything, even more upset than they had been on the day he went missing. Inspector Cooper continued with his searches but he had informed them sadly that morning that he and his men could only search for one more day. Then they would be reassigned to other duties. Looking at the Inspector’s face in the kitchen at nine o’clock that day Georgina Nash could see that the Inspector thought William was dead. Her husband Willoughby continued his searches with some of the gardeners when he could spare the time from his legal business in Norwich. He too, she felt, was losing faith in William being alive.